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New York Central® Acrylic GessoSave Up to55%Off list
Starting At: 4.59
…acrylic, and oil paints. You can even mix it with acrylic paint to create a toned background. Key Features: * Professional grade acrylic gesso * Matte white, opaque finish * Non-yellowing, acid-free, and archival * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic… Professional grade gesso for archival results New York Central® Gesso is a professional grade acrylic ground. It’s perfect for a variety of surfaces, from canvas to metal. You can apply the gesso with a palette knife to create a rough texture or sand between coats to achieve a smooth result. Once dry, New York Central® Gesso makes a sturdy base for graphite, charcoal, oil pastels, acrylic, and oil paints. You can even mix it with acrylic paint to create a toned background. Key Features: * Professional grade acrylic gesso * Matte white, opaque finish * Non-yellowing, acid-free, and archival * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint * Optimal absorbency rate for paints Perfect For: * Priming raw canvas, panels, or paper * Acrylic and oil paints * Preparing wood and metal surfaces * Charcoal, pencil, and oil pastel * Creating a smooth or textured foundation * Adding a high level of tooth to a surface Acrylic Gesso Instructions: * Use at full strength or thin with up to 25% water. When thinning more than 25%, create an equal mix of water and matte medium. * Sand slick surfaces first. Apply a thin coat with a flat brush and let dry for 24 hours before painting. * To create a smoother base, sand the dried gesso and reapply. * Acrylic painters should apply at least two coats. * Oil painters should apply 2-4 coats and sand between applications. * To create a colored background, gradually add acrylic paint to the gesso until you reach your desired tone. Stir until thoroughly blended. Apply as normal. See More -
Turner Artists' Water Colour Masking FluidSave Up to50%Off list
Starting At: 9.99
Enables You To Get A Precise Film On Paper Any watercolorist is familiar with traditional masking fluids; their gummy texture can be hard to control, and they may even stain the paper. Turner Masking Fluid has a much more fluid consistency than most masking fluids. This allows the watercolorist to… Enables You To Get A Precise Film On Paper Any watercolorist is familiar with traditional masking fluids; their gummy texture can be hard to control, and they may even stain the paper. Turner Masking Fluid has a much more fluid consistency than most masking fluids. This allows the watercolorist to lay down the fluid evenly, with precision. With the Turner Masking Fluid Applicator Set, this masking fluid can be applied with an applicator tip to create extremely fine lines and details. Turner Masking Fluid is available in a 40ml bottle and in a set containing three 40ml bottles, one pack of 3 Flo Line Bottles with applicator tips and one set of Creative Mark Masking Fluid Brushes. We recommend Creative Mark Masking Fluid Brushes for use with all masking fluids, as their low price point makes them ideal for one-time use. Key Features: * Fluid consistency * Can be applied with brush or applicator tip * Allows for precise detail Perfect For: * Watercolorists who work with fine details * Artists who are unsatisfied with other masking fluids on the market See More -
Creative Inspirations Acrylic Mediums & VarnishesSave Up to65%Off list
Starting At: 4.69
…dispense liquid medium or varnish for artists. The Creative Inspirations Polymer Medium and Varnish in Gloss or Matte is a versatile acrylic medium that extends colors, provides an even uniform finish, enhances translucency, and increases film integrity. Gloss Polymer Medium can also be used to… Versatile Acrylic Mediums For Artists At An Amazing Price Due to their large 1.8L size, low prices, and reliable quality, Creative Inspirations Acrylic Mediums and Varnishes are ideal for classrooms, social art parties, and art party businesses. An added convenience of these mediums is that each 1.8L jug container accepts a standard pump dispenser, which helps teachers quickly and precisely dispense liquid medium or varnish for artists. The Creative Inspirations Polymer Medium and Varnish in Gloss or Matte is a versatile acrylic medium that extends colors, provides an even uniform finish, enhances translucency, and increases film integrity. Gloss Polymer Medium can also be used to create acrylic glazes. For the perfect final protective coating for a finished acrylic painting, you can use Creative Inspirations Acrylic Polymer Medium and Varnish in a 250 Ml or 1.8L jug. To maintain the integrity of your paints, we recommended to use these mediums to thin down your paint over using water. Key Features: * 250 Ml or 1.8L size * 1.8L jug accepts a standard pump dispenser * Acrylic mediums and varnishes * Medium extends colors * Enhances translucency and increases film integrity * Provides an even uniform finish * Varnish provides a final protective coating * Clean up with soap and water * Not watered down * Perfect For: * Artists* Teachers and students* Classrooms and workshops * Art party businesses * Higher quality medium at an amazing price * Maintaining the integrity of your acrylics * Creating glazes, enhancing colors * Extending translucency of colors * Better painting experience See More -
LUKAS Drying Oils MediumsSave Up to60%Off list
Starting At: 5.97
…Perfect for glazing techniques and mixing with resins for traditional mediums; though slight yellow tint may affect white pigments. Linseed Oil Varnish - This painting medium and pigment binder is made by adding siccatives to linseed oil to speed the drying time. Has an obvious reddish-yellow tint.… Bleached Linseed Oil - High quality, cleaned and bleached oil for use as a painting medium and binder for pigments. Perfect for glazing techniques and mixing with resins for traditional mediums; though slight yellow tint may affect white pigments. Linseed Oil Varnish - This painting medium and pigment binder is made by adding siccatives to linseed oil to speed the drying time. Has an obvious reddish-yellow tint. Mix with medium to dark colors to increase flow and speed drying. Stand Linseed Oil - Viscous, yellowish medium made thicker than standard linseed oil through application of heat. Increases gloss and translucence of oil colors, can be used as a binder or for making resin-based mediums. Slow-drying. Poppyseed Oil - Colorless, slow-drying oil carefully extracted from poppy seeds and bleached. Serves as a binder for creating oil colors, and a medium to add transparency. Its non-yellowing properties make it especially well suited for mixing with white or bright colors. See More -
Montana Effect SpraysSave Up to21%Off list
Starting At: 10.86
…and a multitude of colors to elevate the visual landscape of your indoor and outdoor creative work! Key Features: * State-of-the-art acrylic and varnish sprays * MARBLE, CRACKLE, GRANIT, GLITTER & NIGHTGLOW sprays add interesting texture and effects * Play with UV light and luminescence with UV… Add amazing dimension and texture to your work with these innovative effect spray paints! 400ML Cans Montana Cans EFFECT Sprays allow artists to add interesting visual and textural elements to their work. UV-EFFECT sprays illuminate art pieces with a blue-purple hue when exposed to UV light; achieve a realistic marble pattern with MARBLE sprays; CRACKLE sprays lends objects a vintage look, while realistic granite textures result when using GRANIT sprays; the GLITTER spray gives items a glittery metallic effect, and the luminescent properties of NIGHTGLOW spray helps create an unforgettable glowing effect. All of these state-of-the art spray paints come in 400 ml aerosol cans with standard Montana caps, and a multitude of colors to elevate the visual landscape of your indoor and outdoor creative work! Key Features: * State-of-the-art acrylic and varnish sprays * MARBLE, CRACKLE, GRANIT, GLITTER & NIGHTGLOW sprays add interesting texture and effects * Play with UV light and luminescence with UV EFFECT & NIGHTGLOW sprays * Each spray comes in 400 ml aerosol cans with standard Montana caps * Use on canvas, panels, boards and other surfaces * See Video and Images for More Details Perfect For: * Graffiti art pieces * A variety of surfaces, from furniture to primed canvas * Mixed media artists * Home decor projects Montana NIGHTGLOW High-grade acrylic paint which contains luminescence-pigments, that store light (absorbed energy) and emit the light in darkness. For best glow effects use Montana NIGHTGLOW in a completely dark environment without any light sources. Use a strong source of light to load the effect paint temporarily. The effect spray is suitable for all smooth, rough or light responding primed surfaces. e. g. metal, wood, hard plastics, primed carton, walls etc. Avavilable color: luminescent-green See More -
LUKAS Berlin PRO Artists Water Mixable Oil Painting MediumsSave Up to57%Off list
Starting At: 11.85
Special modified mediums for Germany's finest water-mixable oil paints! LUKAS Berlin Water-Mixable Oil Colors can and should be mixed with water – it's the great advantage of the paint and the reason it's so health-conscious. However, some effects are better achieved by the use of mediums, and… Special modified mediums for Germany's finest water-mixable oil paints! LUKAS Berlin Water-Mixable Oil Colors can and should be mixed with water – it's the great advantage of the paint and the reason it's so health-conscious. However, some effects are better achieved by the use of mediums, and LUKAS has developed specially modified oil mediums for use with Berlin Water-Mixable Oils; all designed to behave like traditional oil mediums without sacrificing the unique water-miscibility of Berlin. Glazing techniques, accelerating or retarding drying time — effects not achievable with water are all now available in LUKAS Berlin Water-Mixable Oil Painting Mediums! * Berlin Modified Linseed Oil - High quality, modified oil for use as a water-miscible oil painting medium. Perfect for glazing techniques; increases fluidity of paint and slightly slows drying time of water-mixable oil colors. * Berlin Quick Dry Medium - Drying accelerator for water-miscible oil paints. Speeds drying time and is especially useful in the preparation of under paintings. * Berlin Modified Stand Oil - Heat-thickened modified oil for use as a water-miscible oil painting medium. Greatly retards drying time of water-mixable oil colors and should be used only on the upper layers of a painting following the "fat over lean" rule. View Lukas Berlin Color Chart > See More -
LUKAS Oil Painting Mediums – VarnishesSave Up to61%Off list
Starting At: 41.36
…continuity of paint film strength and durability. LUKAS is proud to offer a unique selection of varnishes to enhance your oil painting experience. Picture Varnish Gloss, Retouch Varnish, and Dammar Varnish are available in one-liter cans. Key Features: * Protects your painting * Unifies surface… The Perfect Accompaniment To LUKAS Oil Paints Professional oil paints require professional-quality mediums and varnish. Any additive used to alter the final sheen of the painting needs to be of equal quality of the paint used, for the maximum benefit of continuity of paint film strength and durability. LUKAS is proud to offer a unique selection of varnishes to enhance your oil painting experience. Picture Varnish Gloss, Retouch Varnish, and Dammar Varnish are available in one-liter cans. Key Features: * Protects your painting * Unifies surface quality * Size: one liter can * Professional Quality Perfect For: * Temporary protection * Final, permanent protection * Oils, alkyd, and egg tempera * Altering paint sheen Retouching Varnish- This solvent-based acrylic varnish is water-clear and suitable for intermediate, temporary protection of oil and alkyd paintings and for retouching work. Dammar Varnish, Classical - This traditional, natural resin-based varnish is slightly amber in color, but dries to a durable, glossy film perfect for protecting finished art in oils, alkyd and egg tempera. Remains soluble in turpentine; will lose elasticity over time Picture Varnish Modern - Water-clear synthetic resin varnish for oil, acrylic, alkyd and tempera paintings. Protects artwork from environmental damage. Non-yellowing and removable with turpentine or mineral spirits. See More -
Creative Inspirations Acrylic White GessoSave Up to50%Off list
Starting At: 8.49
Exceptional Value Gesso in both 500ml and 1.8L Jugs Creative Inspirations White Gesso is designed with the bulk user in mind, but does not sacrifice quality for quantity! Perfect for artists, venues, schools, instructors, and art leagues this smoothly applying white acrylic gesso bonds to the… Exceptional Value Gesso in both 500ml and 1.8L Jugs Creative Inspirations White Gesso is designed with the bulk user in mind, but does not sacrifice quality for quantity! Perfect for artists, venues, schools, instructors, and art leagues this smoothly applying white acrylic gesso bonds to the substrate well. Like more expensive primers, Creative Inspirations White Gesso sands easily between applications, to create the perfect desired texture for painting mediums. The 1.8L jug accepts any standard pump dispenser, making it ideal for multiple users to pump out the perfect amount of gesso for their priming needs. Creative Inspirations White Gesso is ideal for adding additional primer to dry, thinly primed student-grade or hobby quality canvases, to provide a smoother, better bonding surface for acrylic or oils. For priming raw canvas or heavier paper surfaces, three coats of primer are recommended to properly seal the material and give a consistent white surface texture for painting. Creative Inspirations White Gesso is the perfect priming foundation. It is an ideal primer for use with Art Journaling, due to its smooth application and clean white color. Key Features:* Smooth application* Clean white color* Value sizing for cost savings* Non-Toxic* Available in 500ml jar & 1.8L jug* Smooth applying white acrylic gesso * Sands easily between applications* Excellent coverage Perfect For:* Ideal for adding additional primer to dry* Classrooms, Universities, Art Leagues* Painting Party venues* Artists priming large canvases* Art Journaling* Better bonding surface for acrylic or oils* See More -
LUKAS Aquarell Artists' Watercolor MediumsSave Up to60%Off list
Starting At: 9.33
Professional Artist Watercolor Mediums Gum Arabic - Main binder medium for watercolors and gouache. May be used to create paints, or mixed with watercolors to increase gloss and transparency. Masking Fluid - Removable liquid frisket used to temporarily cover areas of paper and block paint.… Professional Artist Watercolor Mediums Gum Arabic - Main binder medium for watercolors and gouache. May be used to create paints, or mixed with watercolors to increase gloss and transparency. Masking Fluid - Removable liquid frisket used to temporarily cover areas of paper and block paint. Pre-testing fluid on certain papers is recommended. Can be used to create cloud and sky effects and more with it's temporary cover. Shellac Soap - Increase water resistance and create a buffer for other layers! Mix with watercolors to increase their water-resistance once dry. Wetting Agent (Ox Gall) - Liquid preparation medium for wetting painting surfaces; aids color flow. See More -
Grumbacher Pre-Tested Professional Oil Paints & SetsSave Up to50%Off list
Starting At: 7.23
Good Color Variety That Glides Smoothly! America's favorite oil paints since 1905! Pre-Tested® is Grumbacher's flagship. Grumbacher's time-proven formulas are finely tuned through independent laboratory tests as well as hands-on trials by professional artists. They specify the best ingredients… Good Color Variety That Glides Smoothly! America's favorite oil paints since 1905! Pre-Tested® is Grumbacher's flagship. Grumbacher's time-proven formulas are finely tuned through independent laboratory tests as well as hands-on trials by professional artists. They specify the best ingredients available, putting each one through a rigorous selection process. Grumbacher Pre-Tested Oil Paints provide high chroma, superior tinting strength, and excellent adhesion for the professional artist. Grumbacher specifies only the best ingredients that are available, putting every new color through a rigorous selection process. Key Features:* Optimal color development* Excellent lightfastness ratings * Reformulated cadmium for purer and stronger colors* Superior adhesion and outstanding tinting strength* Outstanding working properties* Milled in select alkali-refined linseed oil* Mainly single pigment colors* Made in the U.S.A. Perfect For:* Practicing your painting* Smooth application* Great color variety* A modern palette color palette * Archival permanence* Portraitists and landscape painters* Artists of all skill levels Titanium White (Original) - A permanent, heavy-bodied, versatile, opaque, pure white that is neutral in hue. Ideal for all applications where great opacity is required. This is the strongest tinting white. Titanium White (Soft) - This pigment is permanent, soft-bodied, opaque, non-yellowing and ground in poppy seed and sunflower oils. Also recommended for fluid wet-in-wet techniques. Zinc White - A permanent, heavy-bodied, semi-opaque, cool, crisp white. Designed especially for brilliant clear tints with all oil colors and excellent for glazing. Pre-Tested Oil Color Set of 10: See More -
LUKAS Acrylic MediumsSave Up to60%Off list
Starting At: 15.53
…supplying professional quality colors and mediums to artists since 1862. Their high-quality acrylic mediums, pastes, gels, primers, retarders, and varnishes have been carefully created to fulfill any acrylic painter’s needs. Any imagined texture, technique, or even faux finish is capable… Improve your Acrylics - LUKAS Professional Acrylic Mediums LUKAS has a rich tradition of top quality art supplies, supplying professional quality colors and mediums to artists since 1862. Their high-quality acrylic mediums, pastes, gels, primers, retarders, and varnishes have been carefully created to fulfill any acrylic painter’s needs. Any imagined texture, technique, or even faux finish is capable with one or more of the mediums below. Build up a massive volume of color with structure pastes in a variety of finishes from fine to extra coarse. Obtain specific looks with metallic modeling pastes, pumice pastes, glass beads, or pouring medium. Achieve granular looks with their structure pastes containing quartz sands. LUKAS manufactures a wide variety of acrylic painting mediums to dilute or extend paint, create different film sheens, and even retard drying time for wet-on-wet techniques. LUKAS also offers acrylic-based mediums for use in pouring paintings, airbrushing, and pastel grounds within an extensive collection of pastes, gels, and mediums. All mediums can be mixed with traditional acrylics for custom effects! Key Features: * Uses highest quality acrylic resins and materials * Create complex ground structures with Pastes and Gels * Retarders for longer work time and wet-on-wet painting * Mediums and metallic pastes to create different sheens and looks Perfect For: * Acrylic Painters * Pouring painting techniques * Faux Finishers * Artists of all Skill Levels * Experimenting with different textures and techniques Studio Universal Modeling Paste: V15963, V15964 Modeling paste created under the LUKAS Studio line, this modeling paste creates nice thicknesses of structure on the artwork. Dries an opaque greyish color. Contains aqueous acrylic resin dispersion (copolymer), fillers, and additives Retarding Medium: V15978 Retarding medium slows the initial drying of the paint film, and the acrylic colors it is mixed with. Depending on the amount added, the drying can be delayed longer, allowing for wet-in-wet techniques. The medium contains an aqueous solution of various humectants and additives. Pearl Structure Gel, Extra Fine: V15990 A milky white acrylic gel with pearlescent pigments dries a silvery-white, slightly transparent with intense pearly reflections. The color spectrum ranges from silver-white to light green to purples. The medium contains acrylic resin dispersion (pure acrylates) and pearlescent additives. Model Paste Set of 5: V16004 Set of five 125ml tubes includes the following mediums: Studio Universal Modeling Paste, Studio Light Structure Paste, Studio Extra Coarse Sand Modeling Paste, Crystal Gel, and Golden Modeling Paste. Color Cleaner: V15991 A cleaner formulated explicitly for Airbrushes and spray guns. Run Color Cleaner through the airbrush or gun after each color change, to reduce clogging of the nozzle. The medium contains surfactants, water, silicate, cleaning agents, and additives. See More -
Gamblin Gamvar Matte VarnishSave Up to40%Off list
Starting At: 10.20
…paint masterpieces with this matte finish picture varnish! Gamblin's Gamvar Matte Picture Varnish saturates the colors in your oil paintings and gives your work a unified, matte protective surface. Developed in collaboration with the National Gallery of Art, Gamvar Matte is practically odorless,… Enhance and protect your oil paint masterpieces with this matte finish picture varnish! Gamblin's Gamvar Matte Picture Varnish saturates the colors in your oil paintings and gives your work a unified, matte protective surface. Developed in collaboration with the National Gallery of Art, Gamvar Matte is practically odorless, goes on and remains water-clear and can be safely removed with Gamsol Mineral Spirits. This professional quality matte picture varnish reduces surface sheen and enhances the depth of color in your paintings. Key Features: * Provides a matte protective surface * Deepens color values of your paintings * Applies water clear and is practically odorless * Easily and safely removed with Gamsol Mineral Spirits* Terrific for both oil and acrylic paintings* Saturates color and adds depth of color* Protects your painting* Unifies surface quality* Odorless and easily removable* Dries in 24 hours* No need to wait 6 months to varnish Perfect For: * Protecting oil paintings * Portrait and fine artists * Unifying uneven surfaces of paintings * Boosting color saturation See More -
Gamblin Gamvar Satin VarnishSave Up to40%Off list
Starting At: 10.20
Enhance and protect your oil paint masterpieces with this professional quality satin finish picture varnish! Gamblin's Gamvar Satin Picture Varnish saturates the colors in your oil paintings and gives your work a unified, satin finish protective surface. Developed in collaboration with the National… Enhance and protect your oil paint masterpieces with this professional quality satin finish picture varnish! Gamblin's Gamvar Satin Picture Varnish saturates the colors in your oil paintings and gives your work a unified, satin finish protective surface. Developed in collaboration with the National Gallery of Art, Gamvar Satin is practically odorless, goes on and remains water-clear and can be safely removed with Gamsol Mineral Spirits. This superior quality satin picture varnish dries to a lower gloss level compared to original Gamvar and enhances the depth of color in your paintings. The easiest way to make your painting look better! Key Features: * Provides a satin finish protective surface * Deepens color values of your paintings * Applies water clear and is practically odorless * Easily and safely removed with Gamsol Mineral Spirits * Terrific for both oil and acrylic paintings* Saturates color and adds depth of color* Protects your painting* Unifies surface quality* Odorless and easily removable* Dries in 24 hours* No need to wait 6 months to varnish Perfect For: * Protecting oil paintings * Portrait and fine artists * Unifying uneven surfaces of paintings * Boosting color saturation See More -
Gamblin Gamvar Gloss VarnishSave Up to40%Off list
Starting At: 10.20
…* Unifies surface quality * Odorless and easily removable * Dries in 24 hours * No need to wait 6 months to varnish * Available in Gloss, Satin, & Matte Perfect For: * Varnishing oils, alkyds, and egg tempera * Portrait and fine artists * Unifying uneven surfaces of paintings * Boosting… Gamvar Gloss Picture Varnish - The Perfect Picture Varnish You can confidently paint and varnish your paintings with Gamblin's conservation quality resin varnish for oil, acrylic and alkyd paints! Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol. Gamsol relaxes stiff oil paints and is the best solvent for cleaning brushes and palette knives because it is odorless and non-hazardous! When your oil painting is completely dry and paint is firm to the touch, preserve and protect it by brushing a thin layer of semi-gloss Gamvar on top. You will instantly notice that your colors have more depth and that Gamvar is virtually odorless! The easiest way to make your painting look better! Key Features: * Terrific for both oil and acrylic paintings * Saturates color and adds depth of color * Protects your painting * Unifies surface quality * Odorless and easily removable * Dries in 24 hours * No need to wait 6 months to varnish * Available in Gloss, Satin, & Matte Perfect For: * Varnishing oils, alkyds, and egg tempera * Portrait and fine artists * Unifying uneven surfaces of paintings * Boosting color saturation * Altering paint sheen * Use in the studio or school Gamvar Gloss: saturates colors in your painting and gives your work a unified and protective gloss surface. Gamvar Gloss is the original Gamvar formula. See More -
Lascaux UV Protectant Spray VarnishesSave Up to41%Off list
Starting At: 34.72
…after the product dries. Key Features: * Gloss, Matte & Semi-Matte Varnish * 13.5 oz (400ml) Aerosol can * Easy to apply, Archival varnish with UV protection * Ultraviolet protection enhances the lightfastness * Varnish: acrylic polymer & solvent base * Light-fast, age-resistant, and… World’s finest UV Protectant Spray Varnishes Protect your artwork from UV rays, dust, and other pollutants over time with these UV Protect Sprays available in Gloss, Semi-Matte, and Matte. UV Protect is a varnish composed of acrylic polymer, solvent, and a highly effective UV absorber that makes the spray lightfast, age-resistant, and non-yellowing. The ultraviolet protection enhances the lightfastness of the underlying layers, and this protection increases with each additional layer of varnish that is applied. UV Protect is fast drying, easy to work with, colorless, and dries perfectly clear. Works treated with UV Protect can be over-painted after drying. Apply as many fine layers as required to achieve the desired surface. UV Protect exudes substantially less noxious fumes when wet as compared to many similar products. The solvent odor dissipates quickly and no smell can be detected after the product dries. Key Features: * Gloss, Matte & Semi-Matte Varnish * 13.5 oz (400ml) Aerosol can * Easy to apply, Archival varnish with UV protection * Ultraviolet protection enhances the lightfastness * Varnish: acrylic polymer & solvent base * Light-fast, age-resistant, and re-soluble * Non-yellowing * Short drying times * Easy to work with * Contains no chlorofluorocarbons (CFCs). * Substantially less noxious fumes when wet * No accumulation of droplets * Good adhesion, abrasion resistance, and hardness * Dissipates quickly, no smell can be detected after the product dries Perfect For: * Varnishing oil, tempera, watercolor, and pastel paintings * Protect inkjet prints and photos with UV Protect * Light-fast, age-resistant, and re-soluble * Fixes or seals * Excellent initial sizing on wood panels * Contains no fluorocarbons * Good adhesive properties * Varnish layer can also be removed or cleaned using solvents * Highly effective UV absorber Gloss Varnish — Yields a lustrous protective film. It is especially well suited for use with Lascaux acrylic paints, other brands of acrylic paints, oil paints, as well as oil pastels. Use also on inkjet prints and photos on all supports. When using on water-soluble paints or on paintings with thin paint layers, it is recommended that a suitability test be carried out before widespread use. Matte Varnish — Yields a matte protective film. It is well suited for all Lascaux color ranges and for gouache, drawings, oil, tempera, watercolor, acrylic, and oil pastel paintings. A pretest is recommended before using this product on inkjets, as it has limited suitability for such prints. Semi-Matte Varnish — Use this product to achieve a semi-matte protective film. It is well suited for all Lascaux color ranges. Use it to protect acrylic, oil, tempera, and pastel paintings, drawings, watercolors, and inkjet prints on virtually all papers and other supports. See More -
Winsor & Newton Oil Color VarnishesSave Up to43%Off list
Starting At: 6.37
Professional Grade Artist Varnishes Varnishes protect thoroughly dried paintings from dirt and grease build-up over time. Winsor & Newton Varnishes are available in various finishes for different purposes. Key Features: * Gloss, matt, and satin varnishes * Retouching varnish Perfect For: * Dried… Professional Grade Artist Varnishes Varnishes protect thoroughly dried paintings from dirt and grease build-up over time. Winsor & Newton Varnishes are available in various finishes for different purposes. Key Features: * Gloss, matt, and satin varnishes * Retouching varnish Perfect For: * Dried oil paintings * Protecting paintings from dirt and grease Artists' Gloss Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Matt Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Retouching Varnish - preserves the artwork until the painting is fully cured and ready for its final varnish. Retouch varnish allows the paint film to cure through the varnish. Can be overpainted. Dammar Varnish - High gloss finishing treatment for paintings. Dammar Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with Distilled Turpentine. Satin Varnish - Satin finishing treatment for paintings. Artist's Satin Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More -
New York Central® Colossus Varnish BrushesSave Up to63%Off list
Starting At: 58.99
…laying down large areas of color The Colossus Varnish Brushes are the best varnish brushes on the market that can do so much more! You can cover a larger area because the brush features an internal fluid reservoir that holds paint or varnish in addition to the brush tips, which retain a considerable… Stiffness Watercolors Acrylics Oils The ultimate brush for laying down large areas of color The Colossus Varnish Brushes are the best varnish brushes on the market that can do so much more! You can cover a larger area because the brush features an internal fluid reservoir that holds paint or varnish in addition to the brush tips, which retain a considerable amount of fluid. Besides, these brushes are triple-thick, making them the ultimate brush for laying down large areas of paint, either thin ink or heavy impasto, as well as varnishes and gels of all sorts. Very fine 0.15mm PBT tapered filament allows for the most versatile use from varnishing to impasto painting to large scale lettering. The fine synthetic bristles do not leave any traces or marks when varnishing, creating a seamlessly smooth finish. The hair is purposely set at an angle allowing the user to hold the brush at a comfortable 45˚ angle. The high-quality filament, stainless steel ferrules, solid beech wood, and skilled craftsmanship contribute to a long brush life and are ultimately a great value! Key Features: * High-quality 0.15mm PBT tapered filament * Stainless steel ferrule * Solid beech wood handle * Brush tips retain a lot of paint * Handmade by skilled artisans in Germany * Huge paint reservoir within the brush * Excellent shape retention * Comfortable to hold at 45˚ angle * Perfect For: * Varnishing * Oil and acrylic paint of any viscosity * Fluid acrylic to heavy body * Thin ink or watercolor * Oversized calligraphy or lettering * Covering large areas * Heavy impasto techniques See More -
Golden Panda Blackest China InkSave Up to30%Off list
Starting At: 16.29
This imported ink is used by professional artists in the orient to produce vivid black strokes with brush or pen. The ceramic jar is not only ornamental but keeps the ink inside stable and at a more constant temperature than plastic or standard glass. It is the preferred way to store this type of… This imported ink is used by professional artists in the orient to produce vivid black strokes with brush or pen. The ceramic jar is not only ornamental but keeps the ink inside stable and at a more constant temperature than plastic or standard glass. It is the preferred way to store this type of ink, and in the past has not been available in the USA. The beautiful ceramic jar is filled with 105 ml (3.5 oz) of ink. Use this ink for drawing, traditional Chinese or Japanese Calligraphy and painting techniques and for traditional watercolor painting techniques. See More -
Golden Panda Chinese Calligraphy Master Brush SetSave Up to83%Off list
Starting At: 103.72
…way to convey language. Master calligraphers in China recommended what they would want in their studio to cover all their basic needs. With this Golden Panda Chinese Calligraphy Master Brush Set, explore the free and expressive nature of Chinese calligraphy in your paintings. Key Features:* 18… Explore the free, expressive nature of Chinese calligraphy brushes in your paintings! Chinese calligraphy is an art that dates back to the earliest days of recorded history and is still widely practiced in China, Japan, and throughout the world. Chinese calligraphy is an abstract art form, though it is also a way to convey language. Master calligraphers in China recommended what they would want in their studio to cover all their basic needs. With this Golden Panda Chinese Calligraphy Master Brush Set, explore the free and expressive nature of Chinese calligraphy in your paintings. Key Features:* 18 Traditional Bamboo and Rosewood handled brushes* Deluxe rotating wooden brush stand for easy selection and drying* Goat, pony, and badger brush hair as well as pony and goat blend* Silk storage box for safe keeping and transporting Perfect For:* Calligraphy beginners* Exploring the free and expressive nature of Chinese Calligraphy and adding abstract language to your paintings!* Easy to transport * See More -
Jo Sonja's Artists' Acrylic MediumsSave Up to38%Off list
Starting At: 5.01
…wear resistance. Use indoors or outdoors to provide maximum, long-term protection. The varnish dries clear and is non-yellowing. Jo Sonja's Acrylic Polyurethane Varnishes are available in Gloss and Matte. Retarder Medium: Extends the drying time of Jo Sonja's Colours. It allows an extended working… Take your paintings and techniques to the next level! Jo Sonja's range of acrylic mediums will help you take your painting to the next level from preparation, to special effects, to finishing. If you want to add texture, glaze, sparkle, or crackle effects to your painting, these Jo Sonja Mediums can help you. Key Features: * Texture and effect mediums * Thin or thicken paint viscosity * Increase open (working) time * Dry transparent or translucent * Extend the volume of paint * Intermixable with Jo Sonja paints Perfect For: * Jo Sonja acrylic paints * Creating special effects * Faux finishers * Finishing a painting * Artists of all skill levels * All acrylic-friendly surfaces * Experimenting with different textures and techniques Crackle Medium: A transparent medium that causes Jo Sonja's Colours to separate into crackled patterns of various sizes. You can use the crackle medium to simulate the effects of aging. Flow Medium: an acrylic flattening agent used to level out the textural properties of Jo Sonja acrylic paint. Flow Medium is used to thin paints and other mediums. Water may dilute the paint's acrylic binder, reducing its adhesive qualities. When Flow Medium is added in small amounts, it produces a thinner, smoother paint that leaves no brush marks. Glazing Medium: A transparent acrylic glazing medium you can use alone or with Jo Sonja's Artists or Jo Sonja's Background Colours. Mix with acrylic color to seal as your basecoat or alone on raw wood as a light sealer. A coat of Glazing Medium is recommended before staining for an even application of stain. Polyurethane Varnish: Provides the toughest finish available with excellent corrosion, chemical, scratch, and wear resistance. Use indoors or outdoors to provide maximum, long-term protection. The varnish dries clear and is non-yellowing. Jo Sonja's Acrylic Polyurethane Varnishes are available in Gloss and Matte. Retarder Medium: Extends the drying time of Jo Sonja's Colours. It allows an extended working or "open" time for blending. Opal Dust: Jo Sonja's Opal Dust is a clear gel that contains tiny light-reflecting holographic particles, which create an interplay of colors reminiscent of gems. Opal Dust may be used alone or applied to a dry pre-painted surface. It is suitable for various surfaces, including paper, card, glass, transparency film, plastic, canvas, wood, terra cotta, tin, fabric, silk, or dried flowers. Mix with Jo Sonja's Artists' Colors before applying for a more subtle effect. Drying time depends upon the thickness of the application. Brushstrokes are evident when wet but disappear when fully dry. See More -
QoR Masking FluidSave Up toOff list
Starting At: 7.25
Achieve amazing detail in watercolor painting with this high quality masking fluid! QoR Masking Fluid - Watercolor Masking Fluid is a latex based medium artists use to preserve areas of watercolor painting surfaces before applying color washes. A new product in the QoR Watercolor line, this masking… Achieve amazing detail in watercolor painting with this high quality masking fluid! QoR Masking Fluid - Watercolor Masking Fluid is a latex based medium artists use to preserve areas of watercolor painting surfaces before applying color washes. A new product in the QoR Watercolor line, this masking fluid has a consistency ideal for masking intricately detailed areas in watercolor paintings. Once dried, it removes easily, helping artists preserve white areas that would be too fine or complex to paint around. Key Features: * Latex based masking medium * Consistency perfect for masking fine detailed areas * Removes easily once dry * Preserves tiny and complex white areas in painting Perfect For: * Watercolor artists * Canvas & paper * Watercolor compositions * Studio & classroom See More -
QoR Watercolor Mediums & GroundsSave Up to40%Off list
Starting At: 6.77
…areas can create beautiful blooms. Creativity & Control The concept of QoR Watercolors does not end with colors. Like every product that comes from GOLDEN, the idea of equipping artists to realize their creative vision inspires our products. QoR Mediums help extend and enhance the creative range and… QoR Watercolor Mediums & Grounds Expand the abilities of your watercolors! Designed to perform effortlessly with QoR Watercolors, these watercolor mediums exist to expand the abilities of any watercolor paint. Included in this line of watercolor mediums are an array transformation possibilities, such as the Light Dimensional Ground, which turns watercolors into a paste-like substance for added texture, or the Lift Aid, which awards artists the ability to lift watercolors, even after they have dried. Made with top quality materials, QoR Watercolor Mediums are sure to impress watercolorists of any skill level! * Synthetic Ox Gall (59 ml) - Synthetic Ox Gall is a wetting agent that improves the flow of watercolors. Adding 2-5 drops to your water makes paints easier to apply and blend when creating washes. Wetting paper with the water/Synthetic Ox Gal mixture will assist in creating clean, uniform washes and improves wetting on hard sized papers. * Watercolor Medium (59 ml) - Watercolor Medium is a general all-purpose medium used to increase the transparency and flow of watercolors. If used in larger amounts it will also increase the gloss and saturation of the colors. * Lift Aid™ (118 ml) - Lift Aid™ is a fluid medium that is applied to the surface and improves the lifting of watercolors. May be applied to paper before painting or between washes. * Watercolor Ground (237 ml) - Watercolor Ground is an acrylic primer that creates a porous surface similar to hot press paper on many different materials, including canvas and panels. It dries to an absorbent, lightfast and flexible surface that can endure repeated lifting and scrubbing. Allows for a full range of watercolor techniques, including wash and staining effects. It can also be brushed on to return stained areas to an absorbent white surface. * Light Dimensional Ground (237 ml) - Light Dimensional Ground is a white, lightweight paste that can be spread like frosting. It can be applied smooth and thinly, or built up to create ridges, peaks and other interesting textures. The extremely absorbent surface of Light Dimensional Ground allows color washes to spread quickly, yet allows the artist to create fine lines and detail as well. Dropping color into lightly wetted areas can create beautiful blooms. Creativity & Control The concept of QoR Watercolors does not end with colors. Like every product that comes from GOLDEN, the idea of equipping artists to realize their creative vision inspires our products. QoR Mediums help extend and enhance the creative range and control of watercolors, whether the objective is modulating colors through lifting with Lift Aid™, extending colors to their most distant point with Watercolor Medium, or unleashing the flow of colors with Synthetic Ox Gall. Where our mediums carry forward traditional painting techniques QoR Grounds brings a totally new wave of expression to watercolors. Watercolor Ground quickly transforms nearly any surface into an absorbent bright white painting surface similar to hot-press papers, while Light Dimensional Ground transforms the surface with texture to a lustrous modeled surfaces that you design. See More -
Gamblin Fastmatte Alkyd Oil ColorsSave Up to40%Off list
Starting At: 7.80
…Picture Varnish will both intensify the colors and unify sheen. Perfect for plein air painters who like to sketch in the field, for studio artists looking for an excellent under painting medium, or for anyone wanting an artists' grade alkyd paint with excellent working properties and a unique matte… Revolutionary matte alkyd oils perfect for under painting and more! Gamblin has developed FastMatte Alkyd Oil Colors specifically with the needs of the artist in mind. The alkyd resin binder lets Gamblin FastMatte colors dry quickly but thoroughly, allowing multiple layers to be built up without disturbing previous ones. It is the matte surface, however, that makes Gamblin FastMatte colors so revolutionary: when used as an underpainting layer, the matte surface of the alkyd colors provides a mild tooth similar to that of ground, ensuring the proper adhesion of further oil layers when following the fat over lean rule. FastMatte Alkyd Oil Colors do make a fabulous underpainting medium, but are also completely compatible with all artists' grade oil colors—should a more glossy surface be desired on a finished painting, a quick coat of Gamblin Gamvar Picture Varnish will both intensify the colors and unify sheen. Perfect for plein air painters who like to sketch in the field, for studio artists looking for an excellent under painting medium, or for anyone wanting an artists' grade alkyd paint with excellent working properties and a unique matte finish, Gamblin FastMatte Alkyd Oil Colors are the innovative new line ideal for any artist's needs! Key Features: * Quick-drying alkyd resin binder * Superior mixing capabilities * Allows for glazing and multi-tonal techniques * For pigment information click on the yellow circle technote icon * Perfect For: * Building layers without disturbing previous ones * Underpainting or Ground * Creating different effects * Plein air painters * Working in the field * Studio artists looking for matte oil * Discerning students & amateurs See More -
Gamblin Artists' Oil Painting MediumsSave Up to40%Off list
Starting At: 4.50
…- Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will… True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More -
Turner Acryl Gouache Artist Paint SetsSave Up to80%Off list
Starting At: 9.19
…Quick-drying, velvet matte finish* Range of 219 colors* Perfectly opaque and matte finish Perfect For:* Fine Artists, Illustrators, Designers* Matte finish photo reproduces easily* Decorative artists, tole painters* Ideal for Mixed Media work* Perfectly opaque and matte finish * The… Super Concentrated Vibrant Acrylics - Fastest Drying, Brilliant Acrylics - in a Great Selection Of Sets! Super Concentrated Artist Acrylics - The MOST Vibrant Acrylics You Can Buy! Turner Acryl Gouache is more concentrated than most acrylics, with a beautiful velvety matte finish! Incredibly versatile, it adheres to wood, acrylic sheeting, stone, cloth, clay, metal, slate, glass, aluminum, iron, vinyl, Styrofoam, stretched canvas, and properly sized papers without the necessity for pre-prep. The colors are quick drying and water reducible (2:1 paint to water), yet water-resistant when dry. Because of the low amounts of binder in the paint, there is little to no color shift when dry, resulting in brilliant final artworks. Turner offers Acryl Gouache Sets for every budget! Key Features:* Super Concentrated Vibrant Artists' Acrylics* Large array of fine art sets to choose from* Incredibly versatile* Adheres to most any substrate* Water reducible (2:1 paint to water)* Quick-drying, velvet matte finish* Range of 219 colors* Perfectly opaque and matte finish Perfect For:* Fine Artists, Illustrators, Designers* Matte finish photo reproduces easily* Decorative artists, tole painters* Ideal for Mixed Media work* Perfectly opaque and matte finish * The MOST Vibrant Acrylics You Can Buy Turner Japanesque Colors - A special Turner Acryl Gouache line, based on traditional Japanese colors derived from nature. Formulated with pigment powders that give a unique, more coarse texture than regular Acryl Gouache, they impart a natural, subtle, lightly textured tone to your artworks. The Acryl Gouache Japanesque colors follow traditional Japanese specifications, giving the colors a rough, gritty texture. The tubes and box of this special edition set were designed by renowned Japanese artist Hisashi Tenmyouya. This set includes twelve 11 ml tubes of Japanesque colors, including J. Black Blue, J. Dark Blue, J. Deep Green. J. Deep Yellow, J. Greyish Brown, J. Light Blue, J. Light Green, J. Scarlet, J. Violent, J. White Gohun, J. Yellow Brown, and J. Strawberry Red. Turner Acryl Gouache Sets - Packed in small sets from 6 tubes to 36 (along with gift sets with extra components), Turner makes a set for all budgets, from students learning basic color theory and mixing to the professional illustrator, designer, or fine artist. See each set's contents and colors by clicking on the paper icon in Item Notes next to the product listing. See More -
Lascaux Fine Art Fixative Archival Spray 12oz CanSave Up to41%Off list
Starting At: 29.42
World’s finest spray fixative Lascaux Fine Art Archival Spray Fixative has good adhesive properties with non-yellowing, lightfastness, and resistant to aging. The acrylic resin formula does not affect colour or the appearance of your artwork because it is as clear as water and extremely… World’s finest spray fixative Lascaux Fine Art Archival Spray Fixative has good adhesive properties with non-yellowing, lightfastness, and resistant to aging. The acrylic resin formula does not affect colour or the appearance of your artwork because it is as clear as water and extremely lightfast. Excellent for fixing and sealing works done with pastel, pencil, charcoal, wax crayon, india ink, tempera, and watercolor. Nothing beats Lascaux fix for sealing photographs, photostats, art prints, lithographs, proofs, and gold leaf. Lascaux Fixative seals without aging and forms a lightfast, invisible scratchproof seal. Contains no fluorocarbons. Imported from France. 12 oz (300ml) Aerosol can. Key Features: * 12 oz (354.882ml) Aerosol can * Acrylic resin fixative that resists yellowing * Non-matte * Fixes or seals * Excellent initial sizing on wood panels * Contains no flourocarbons * Good adhesive properties * Does not change the hue of colours upon drying Perfect For: * Fixing pencil, charcoal, pastels, and wax crayons * Protecting watercolors, Indian ink, and tempera * Photos, prints, lithographs, proofs, lettering, and gold leaf * Creating resistance to the effects of weather * Invisible fixing of drawings in pencil, charcoal, pastel and way crayons, particularly on delicate paper Spray Fixative is a finishing treatment for your artwork creating resistance to the effects of weather, soiling, and mechanical stress while making cleaning easier. Directions on How To Use Lascaux Fixative Lascaux Fixative is applied in a thin, even film by spraying from a distance of approx. 30 cm in a circular movement. For use on delicate drawing paper, the distance should be increased and care taken that the paper does not become soaked through. The spraying process can be repeated until the desired result is obtained. See More -
Gamblin Neo-MegilpSave Up to40%Off list
Starting At: 8.40
When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. See More -
Gamblin Cold Wax MediumsSave Up to40%Off list
Starting At: 8.40
Makes oil colors thicker and more matte Gamblin Cold Wax Medium a mixture of natural beeswax (wax pastilles), Gamsol and a small amount of alkyd resin. The term “cold” in Cold Wax Medium and Cold Wax Painting refers to the fact that heat is not required for working with this wax medium – as it dries… Makes oil colors thicker and more matte Gamblin Cold Wax Medium a mixture of natural beeswax (wax pastilles), Gamsol and a small amount of alkyd resin. The term “cold” in Cold Wax Medium and Cold Wax Painting refers to the fact that heat is not required for working with this wax medium – as it dries by solvent evaporation (Gamsol), rather than the cooling of the wax, as in encaustic painting. As the Gamsol evaporates out of the medium, the soft wax hardens to the density of a beeswax candle. Unlike other Gamblin painting mediums, which increase the flow and gloss of oil colors to varying degrees, Cold Wax Medium makes oil colors thicker and more matte. It has a “short” characteristic and gives a clean break off of the brush or knife, retaining the sharp peaks of impasto. These working properties allow for expressive brushmarks and the ability to carve into paint layers with palette knives. Cold Wax also gives oil colors a beautiful translucent quality, similar to the seductive surfaces of encaustic paintings. * Cold Wax - Made from natural white unbleached beeswax.* Mix directly into colors* Cold Wax creates an ultra-thick, matte impasto* For greater shine and flexibility mix with Galkyd medium* Excellent in creating a variety of textures within a painting What is Cold Wax Painting? Cold Wax Painting is any type of painting that heavily utilizes Cold Wax Medium into oil colors. In its own way, Cold Wax Painting blurs the line between oil painting and encaustic painting. Cold Wax Painting It’s a rare occurrence for one specific painting medium to have a whole genre of painting associated with it, but Cold Wax Medium is one such medium. Cold Wax Painting is not defined by subject matter nor the degree of realism or abstraction, Cold Wax Painting is unified by artists’ shared interest in experimentation, texture and the physicality of paint layers. See More -
Black Mountain Acrylic Gloss MediumSave Up to43%Off list
Starting At: 19.99
Extends Paint, Provides A Uniform Gloss Finish, and Increases Transparency Black Mountain Clear Gloss Medium is formulated to extend acrylic colors while maintaining the integrity of your paint. Unlike water which can weaken and destabilize acrylics, gloss medium maintains paint bonds at a chemical… Extends Paint, Provides A Uniform Gloss Finish, and Increases Transparency Black Mountain Clear Gloss Medium is formulated to extend acrylic colors while maintaining the integrity of your paint. Unlike water which can weaken and destabilize acrylics, gloss medium maintains paint bonds at a chemical level while adding a gloss finish. Mix it with heavy body paints to create thin transparent glazes. Experiment with different ratios to find the color and consistency you prefer. Clear gloss medium can also be used to minimize brush strokes, transfer laser-printed images, or glue down a mixed-media collage. Once your painting is dry, apply a top coat of Black Mountain Clear Gloss Medium for an even finish. Key Features: * Professional grade acrylic gloss medium * Extends colors while maintaining paint structure * Non-yellowing, acid-free, and archival * Semi-opaque liquid medium dries clear * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint Perfect For: * Thinning heavy body acrylics * Increasing color depth and transparency * Creating blended gradations of color * Collage, mixed media, and photo transfers * Use as a collage adhesive * Professional artists and students * Everyday studio use See More -
Chroma Atelier Interactive Ground PreparationsSave Up to40%Off list
Starting At: 8.31
Take your painting grounds to the next level! With Chroma Atelier Interactive Grounds, you can prepare your own custom substrate for painting! Chroma Atelier Interactive Grounds have good adhesion and provide a flexible sealed barrier between the substrate and subsequent paint layers. You can use… Take your painting grounds to the next level! With Chroma Atelier Interactive Grounds, you can prepare your own custom substrate for painting! Chroma Atelier Interactive Grounds have good adhesion and provide a flexible sealed barrier between the substrate and subsequent paint layers. You can use Binder Medium to seal and prepare porous surfaces before using gesso. Create thick textural effects with Gesso Primer, or if you prefer a smoother painting surface, Liquid Gesso Primer has a thinner consistency that is easy to spread. All of the Chroma Atelier Interactive Grounds offer limitless creative possibilities. Key Features: * Good adhesion * Suitable tooth for overpainting * Improves adhesion & durability of canvas * Easy to spread * Ground preparation Perfect For: * Acrylic painting * Collaging & mixed media * Artists of all skill levels * All acrylic-friendly surfaces * Experimenting with different textures and techniques Binder Medium: is an acrylic emulsion and acts as a sealer to prepare porous surfaces before using gesso. It also provides a somewhat "slippery" ground preparation in its own right. It can be used as a medium when needed to toughen paint for conventional acrylic techniques like scratching back, or you can use it as glue for collage. Liquid Gesso Primer: has a thinner consistency that is easy to spread. Liquid Gesso Primer is perfect for preparing a smoother painting surface. See More -
Winsor & Newton Artists' Painting MediumsSave Up to43%Off list
Starting At: 8.88
Non-yellowing medium reduces oil paint viscosity Winsor & Newton Artists' Painting Medium is a slow-drying, gloss medium ideal for glazing and smoothing blended areas. The medium reduces brush strokes and improves flow, boosting the durability of the paint film. Add more oil or solvent to the… Non-yellowing medium reduces oil paint viscosity Winsor & Newton Artists' Painting Medium is a slow-drying, gloss medium ideal for glazing and smoothing blended areas. The medium reduces brush strokes and improves flow, boosting the durability of the paint film. Add more oil or solvent to the mix to change the consistency of your paint. Key Features: * Slows down the drying process * Reduces viscosity and improves flow * Non-yellowing * Dries to a flexible film * Less likely to yellow, wrinkle, or crack Perfect For: * Oils and alkyds * Reducing brush strokes * Oiling out and enriching dull patches * Glazing and blending techniques * Painting fine details Painting tip – Wipe the neck of the bottle after use to ensure the safety cap remains secure. See More -
Winsor & Newton Oil Painting PrimersSave Up to43%Off list
Starting At: 25.81
Ready-to-use primer in a non-yellowing oil-modified alkyd resin medium Winsor & Newton Oil Painting Primer is a ready-to-use primer in a non-yellowing oil-modified alkyd resin medium. No thinning or stirring is required. Oil Painting Primer can be applied directly to metal or porous surfaces… Ready-to-use primer in a non-yellowing oil-modified alkyd resin medium Winsor & Newton Oil Painting Primer is a ready-to-use primer in a non-yellowing oil-modified alkyd resin medium. No thinning or stirring is required. Oil Painting Primer can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper) with virtually no sinking in. A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colours easily and without chalkiness or absorbency.Key Features:* Size: 500ml & 1000ml cans* Ready-to-use primer * Non-yellowing oil-modified alkyd resin medium* Can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper)* Used to prepare a surface before painting* A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming Oil painting primer imparts a traditional oil base. Some artists prefer this and may find a slight increase in gloss and smoothness. Oil primed canvases may slacken off less than acrylic primed canvases. A coat of warm glue size is required first. As a result of their formulation, Winsor & Newton acrylic primers are also suitable for oil painting. They are popular because they dry quickly and do not require any sizing underneath. See More -
Gamblin Galkyd MediumsSave Up to40%Off list
Starting At: 8.40
…visual qualities of our colors - from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. When a painting is completed, all of the thought, effort and emotion that went into it are reflected in the artist’s marks. Choosing the appropriate… True to historic working properties. Safer. More Permanent Gamblin Galkyd Mediums are Contemporary Painting Mediums!. Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube - from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors - from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. When a painting is completed, all of the thought, effort and emotion that went into it are reflected in the artist’s marks. Choosing the appropriate painting medium can be an essential part of making oil painting your own. With a painting medium that fits your needs, you can get into the flow of painting faster and stay there longer. Gamblin Galkyd Gel - "G-Gel" Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Gel is a stiffer gel compared to Neo Megilp that holds thicker, sharper brushmarks and dries more quickly. Galkyd Gel increases transparency of oil colors and creates impasto. Gamblin Galkyd Painitng Medium - Galkyd thins oil colors and increases transparency and gloss. When used in greater proportions with oil color, Galkyd will level brush-strokes, creating an enamel-like surface. Galkyd is our fastest-drying painting medium. Thin layers will be touch-dry in approximately 24 hours. Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Painting Medium Lite No.2 - Galkyd Lite thins oil colors and increases transparency and gloss. When used in moderation with oil colors, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours. This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Slow Drying Medium - Galkyd Slow Dry thins oil colors and extends working time. Galkyd Slow Dry is more fluid and less glossy than Galkyd Lite. Use one part Galkyd Slow Dry to one part oil colors to paint wet-into-wet for at least a day.. Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. What is Gamblin Galkyd? Gamblin Galkyd thins oil colors and increases transparency and gloss. Galkyd Medium - An alkyd resin painting medium that increases the fluidity of oil colors and speeds their drying time See More -
Gamblin Gamsol Odorless Mineral SpiritsSave Up to40%Off list
Starting At: 6.00
The safest solvent that allows oil painters to utilize all traditional painting techniques without compromise Quality solvent and medium and for general oil painting: Thinning oil colors, Modifying painting mediums. Gamblin Gamsol is also an excellent studio and brush cleaner. Odorless Mineral… The safest solvent that allows oil painters to utilize all traditional painting techniques without compromise Quality solvent and medium and for general oil painting: Thinning oil colors, Modifying painting mediums. Gamblin Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits - Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Primary Uses for Gamsol:* Thinning oil colors. A little goes a long way; stiff oil colors relax immediately when a little Gamsol is added. Be careful not to thin oil colors too much with solvent alone, this can compromise the ability of the paint to form a paint film.* Modifying painting mediums. Our Galkyd line of painting mediums are formulated with Gamsol, so they readily accept Gamsol as a thinning agent. Note: Gamsol should not be added to painting mediums made with natural resins (dammar, copal, mastic). They require strong solvents such as turpentine.* Studio clean-up: brushes, palettes, palette knives, etc.* Odorless* Available in the following sizes: 4.2 oz,16.9 oz, 33.8 oz, 128 oz* No solvent odors, only the wonderful smell of oil colors* Widely used in oil painting classrooms* Flash point: 62.2 °C / 144.0 °F (See SDS Sheet) How does Gamsol achieve this level of performance and safety? Most solvents available to artists come from the industrial paint industry where solvent power and cheapness is prized. Gamsol is special: it is made for products and processes that come into more intimate contact with the body such as cosmetics, hand cleaners, and cleaning food service equipment. Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Aromatic solvents are the most harmful types of petroleum solvents. The Gamsol SDS shows that it has an Exposure Limit Value higher than most solvents available to artists. In addition, Gamsol’s flash point allows it to ship via air cargo as a non-hazardous material. All of these factors have lead to Gamsol being used widely in oil painting classrooms; in those classes, there are no solvent odors, only the wonderful smell of oil colors See More -
Gamblin Oil Painting GroundSave Up to40%Off list
Starting At: 15.00
Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium… Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More -
Gamblin Solvent-Free Gel, Fluid & Safflower Oil MediumsSave Up to40%Off list
Starting At: 4.50
…with no solvent. Why safflower? We chose safflower for these mediums because of its paler color. The alkyd resin, which is essentially a highly polymerized oil, accounts for the faster drying rate of these materials, compared to either linseed or safflower oils used alone. Both Solvent-Free Fluid… Gamblin Solvent-Free Painting Mediums Solvent-Free Gel and Solvent-Free Fluid are painting mediums made from safflower oil and alkyd resin with no solvent. Why safflower? We chose safflower for these mediums because of its paler color. The alkyd resin, which is essentially a highly polymerized oil, accounts for the faster drying rate of these materials, compared to either linseed or safflower oils used alone. Both Solvent-Free Fluid and Gel increase the flow of oil colors, increase transparency, gloss and color saturation. Both Solvent-Free Fluid and Gel increase the flow of oil colors, increase transparency, gloss and color saturation Solvent-free-Mediums:* Gamblin Solvent-Free Gel gives colors more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates.Solvent-Free Gel is available in the following size: 37 ml, 150 ml * Gamblin Solvent-Free Fluid painting medium gives oil colors more flow and transparency. It has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Fluid is non-toxic and contains no Gamsol or petroleum distillates. To ensure proper drying and prevent beading-up of paint layers, Solvent-Free Fluid should be used in moderation with oil colors – no more than 25% by volume. To avoid wrinkling, apply mixtures of Solvent-Free Fluid and oil colors thinly. For underpainting, we recommend adding Gamsol to Solvent-Free Fluid. Solvent-Free Fluid is available in the following sizes: 4.2oz, 8.5 oz & 16.9 oz. * Gamblin Safflower Oil is a pale, slow-drying oil. When used as a painting medium, Safflower Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium. To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. Solvent-Free Safflower Oil is available in the following sizes: 8.5 oz & 16.9 oz. The biggest difference between the Solvent-Free Fluid and the Gel is their consistency. The Fluid medium more significantly increases the flow of oil colors off of the brush. In terms of its working properties, it is similar to either straight linseed or safflower, though faster-drying. Brush-marks will be slightly leveled, or “rounded” when using the Fluid. Drying Time: In regards to their drying, these mediums have a “moderately fast” drying rate – meaning that thin layers will dry to the touch in approximately 36 – 48 hours. Because they rely solely on oxidation to dry, they have a longer working time compared to our Galkyd mediums, which begin to tack up as their Gamsol content evaporates from paint layers. See More
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