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Nujabi Individually Handmade Watercolor Paper SheetsSave Up to67%Off list
Starting At: 13.77
…Watercolor Papers Made of 100% cotton these acid-free sheets are handmade sheet by sheet in a paper making method with more than a thousand years of tradition behind it. Since this is a handmade sheet the surfaces may be a bit different than what you are used to. Nujabi paper does not contain… Individually Handmade Watercolor Papers Made of 100% cotton these acid-free sheets are handmade sheet by sheet in a paper making method with more than a thousand years of tradition behind it. Since this is a handmade sheet the surfaces may be a bit different than what you are used to. Nujabi paper does not contain much sizing unlike other watercolor papers on the market, as a result, only small amounts of water can be used on Nujabi paper. The soft cold pressed handmade watercolor paper is more in line with the texture of a cold pressed mould made sheet but the grain is softened so it may be easily drawn on. Key Features:* Handmade Indian Watercolor Paper (not cut sheets)* All sheets with natural deckle edges!* 100% cotton, Acid-free* 200lb Soft Cold Press Handmade Papers* Paper making method with more than a thousand years of tradition behind it* Absorbs the paint quickly so perfect for wet on wet* Can take multiple layers of paint* Also In: Circle Round: 16in Diameter Artist Testimonial & Review "I loved this paper the moment I touched it. Marie's Oil Paints seem to keep a lot of vibrancy on the paper. The texture is wonderful for dry brush experimentation. I'll always keep a few sheets on hand to see what I can do with it." See More -
Winsor & Newton Professional Watercolour Blocks and SheetsSave Up to40%Off list
Starting At: 14.65
…fibers make up the robust absorbent paper. Free from acids and optical brighteners, this paper is archival and resistant to yellowing. Portable bocks are glued on all four sides and contain 20 sheets each. Winsor & Newton Professional Watercolour Blocks and Sheets have precise sizing for superb… Durable, mould-made, 100% cotton watercolor paper! Winsor & Newton's 100% cotton Professional Watercolour Blocks and Sheets provide the best surface for smooth, even washes of transparent color. Cold and hot press sheets are formed on a traditional Italian cylinder mould for durability. Internally and externally sized cotton fibers make up the robust absorbent paper. Free from acids and optical brighteners, this paper is archival and resistant to yellowing. Portable bocks are glued on all four sides and contain 20 sheets each. Winsor & Newton Professional Watercolour Blocks and Sheets have precise sizing for superb absorbency and pigment dispersion. Key Features: * 100% Cotton paper * 140lb (300gsm) Bright natural white paper * Cold and hot press texture * Made on a traditional cylinder mould * Internally and externally sized * Acid-free and non-yellowing * Free of optical brighteners * Optimal water absorbency and pigment dispersion * Blocks glued on all four sides * Watermarked sheets * Crafted in Italy * Perfect For: * Professional watercolorists * Watercolor and gouache * Suitable surface for acrylic and soft pastel * All water media! * An endless array of techniques * Wet-on-wet or wet-on-dry techniques * Lifting and scrubbing * Multiple layers of wet media * Travel or use in the studio See More -
Fabriano Cromia Paper PacksSave Up to32%Off list
Starting At: 74.99
…significant amount of tooth on both sides. Cromia paper is durable enough to handle light washes of color and mixed media techniques. Fabriano makes the sheets without optical brighteners, which means they offer the best possible lightfastness. Each sheet features two deckle edges, measures 19.6" x… Master Quality Papers That Stand the Test of Time Fabriano Cromia paper is an archival, acid-free paper perfect for drawing with colored pencils, pastels, graphite, and charcoal. The sheets are made of 50% cotton and 50% alpha-cellulose and have a soft feel with a significant amount of tooth on both sides. Cromia paper is durable enough to handle light washes of color and mixed media techniques. Fabriano makes the sheets without optical brighteners, which means they offer the best possible lightfastness. Each sheet features two deckle edges, measures 19.6" x 25.5", and weighs 220gsm. Key Features: * 220 gsm archival, acid-free paper * Contains 50% cotton and 50% alpha-cellulose * Soft feel and great tooth on both sides * No optical brighteners * Best possible lightfastness * 2 deckle edges per sheet * Made in Italy using hydro-power Perfect For: * Drawing with pastels and charcoal * Use with colored pencils and graphite * Illustrators, designers, and fine artists * Light washes of color * Mixed media techniques See More -
Fabriano Artistico Watercolor PaperSave Up to50%Off list
Starting At: 62.13
…tooth and texture heavier than Cold Press, created from placing wet paper sheets between textured blankets and air drying. The rough press produces a grainy effect as watercolor pigment particles collect in the low parts of the paper. Soft Press - Italian translation is Grana Dolce. A unique surface… Four-Deckled Edge Watercolor Papers, Vegan Sized Fabriano's paper mill has been making fine art papers since 1264. They have pioneered many paper-making processes over the centuries, including paper sizing. Today, Fabriano uses vegan sizing to internally and externally size its papers without animal-by products. This new sizing allows watercolorists to have more control when lifting color. Fabriano has also modernized and reduced the size of its watermark because your artwork should be the star. All of Fabriano Artistico's 100% cotton rag watercolor papers are mould-made. This paper technique creates a more consistent and even water absorption over the surface and makes the paper robust and durable enough to withstand scrubbing. Fabriano Artistico Watercolor Paper has incredible working qualities, a beautiful surface texture, and two distinct "whites." Key Features:* 100% cotton, no whiteners* Vegan sized paper* Chlorine and acid-free* Mould-made* Four deckled edges* External and internal sizing* No animal by-products used* Cold, Hot, Rough, Soft Presses* No optical bleaching* Smaller watermark Perfect For:* Artists that want the best* Professional Watercolorists* Printmakers* Charcoal & graphite drawing* Soft press ideal for beginners* All water media! This high-quality watercolor paper satisfies the requirements of all professional and amateur artists. It is ideal for watercolor, tempera, gouache, acrylic, ink, charcoal, graphite, drawing, and printmaking. Artistico is offered in Traditional and Extra White and comes in Cold, Hot, Rough, and Soft Presses. Cold Press - (sometimes referred to as "Not Press") Italian translation is Grana Fina. It offers a lovely slight texture and tooth that grips pigment beautifully, created from pressing the finished paper between cold cylinders. Overall the most popular watercolor press. Hot Press - Italian translation is Grana Satinata. Provides a smooth, flat, even surface; produced by being run through hot cylinders. Perfect for multimedia drawings and paintings with all water media. Rough Press - Italian translation is Grana Grossa. Features a pronounced tooth and texture heavier than Cold Press, created from placing wet paper sheets between textured blankets and air drying. The rough press produces a grainy effect as watercolor pigment particles collect in the low parts of the paper. Soft Press - Italian translation is Grana Dolce. A unique surface that only Fabriano makes. It is a press between Cold and Hot, providing just enough texture for grip, and is considered almost spongy in feel. As a result, it is a favorite among printmakers. It is the perfect surface for beginner watercolorists who have not quite mastered the effects of Cold Press (available in Extra White). See More -
Fabriano Studio Watercolor Paper Sheets, Pads, & BlocksSave Up to53%Off list
Starting At: 4.88
…The paper is made up of 100% of E.C.F. pulp (Elemental Chlorine Free), from responsibly managed forests that are respectful of environmental standards. It is a fantastic sheet for artists at all skill levels seeking high-quality paper at a modest price. Fabriano Studio Watercolor Paper is perfect… Now Available In Easy-To-Frame Sizes! Fabriano Studio Watercolor Paper is made of 25% cotton and lignin free cellulose and is available in a lovely cold pressed or hot pressed surface. The paper is sized internally and externally, providing a paper surface that will hold up to vigorous painting while guaranteeing optimal absorbance. The paper is made up of 100% of E.C.F. pulp (Elemental Chlorine Free), from responsibly managed forests that are respectful of environmental standards. It is a fantastic sheet for artists at all skill levels seeking high-quality paper at a modest price. Fabriano Studio Watercolor Paper is perfect for watercolor, gouache, tempera, acrylic, ink, charcoal, and drawing. Key Features:* 25% Cotton* Archival quality* Acid-free* Internal and external sizing* 100% elemental chlorine free pulp* Exceptional value and quality* Available in different sizes and bindings* Perfect For:* Watercolorists* Drawing and sketching* Fine artists and students* Artists at all skill levels* Watercolor and gouache* Tempera, acrylic, ink* Charcoal and graphite See More -
SoHo Urban Artist Disposable White Paper Palette PadsSave Up to42%Off list
Starting At: 5.49
…Sizes* 100 gram coated sheets* Available with or without thumb hole* Extra heavy sheets* 2x thicker than any other brand* Won't tear when using a palette knife* Paint will not bleed through to next sheet* Wrinkle free with most applications! Perfect For:* Acrylics and Oils* Alkyds* Caseins* Palette… Disposable white paper palette pads - 2x thicker than any other brand A good palette pad must not frustrate you. There are several ways it can. It can wrinkle, it can bleed through and it can be torn from the edge of a palette knife. The Soho Paper Palette Pad features 100 gram coated sheets that can hold lots of paint, will not bleed through to the next sheet, and are beefy enough to take the occasional nick from a palette knife.To utilize just lay out colors, use as you would any palette and discard when done without the need of scraping off a palette. These pads are available with or without a finger hole depending on how you want to employ the palette. 2x thicker than any other brand - Paint will not bleed through to next sheet Key Features:* 30 sheets in each pad, Multiple Sizes* 100 gram coated sheets* Available with or without thumb hole* Extra heavy sheets* 2x thicker than any other brand* Won't tear when using a palette knife* Paint will not bleed through to next sheet* Wrinkle free with most applications! Perfect For:* Acrylics and Oils* Alkyds* Caseins* Palette knife use* Easy clean up* On the go* Studios, workshops & classrooms Each has 30 sheets—not 50—for two reasons. Reason one is to make it lighter for traveling and reason two is because by the time an artist uses 25 sheets the palette is a little worse for wear. 30 sheets is a nice compromise.To utilize just lay out colors, use as you would any palette and discard when done without the need of scraping off a palette. These pads are available with or without a finger hole depending on how you want to employ the palette. See More -
Winsor & Newton Oil and Acrylic PadsSave Up to41%Off list
Starting At: 9.69
…paper ready for oil or acrylic paints. The textured paper is formulated to withstand thick, layered paint applications without any priming or preparation. Winsor & Newton designed the Oil and Acrylic paper with the right degree of absorbency while also preventing oil from sinking through the paper.… Formulated to withstand thick, layered paint applications Winsor & Newton Oil And Acrylic Pads contain 10-sheets of fine-grain canvas textured paper ready for oil or acrylic paints. The textured paper is formulated to withstand thick, layered paint applications without any priming or preparation. Winsor & Newton designed the Oil and Acrylic paper with the right degree of absorbency while also preventing oil from sinking through the paper. The portable gum-bound pads are popular for sketching outdoors and in the studio. Free from acids and optical brighteners, this paper is archival and resistant to aging. Key Features: * Canvas textured paper * 108lb, 230gsm Weight * Gummed binding * No need to prime paper * Paint will not soak through * Ideal absorbency for oil applications * Acid-free and resistant to aging Perfect For: * Oil, acrylic, and oil pastel * Thick paint applications * Sketching outdoors and in the studio * Rendering and high color luminosity * Practicing techniques with oils and acrylics * Artists who prefer using paper to canvas See More -
Awagami Creative Washi PaperSave Up to29%Off list
Starting At: 26.56
…your paper addiction with this giant package of paper. Contents vary a bit from pack to pack, but each assorted paper pack weighs about 1 pound, and each mixed naturals paper pack contains 50 sheets. Key Features: * Decorative washi paper * About 1 pound of paper in each assorted pack * 50 sheets in… Feed your paper addiction with this giant set! At Awagami, creativity starts with paper; that's why the Creative Washi Packs include a diverse range of colorful papers. The decorative washi papers are perfect for Origami, scrapbooking, or book art projects. Feed your paper addiction with this giant package of paper. Contents vary a bit from pack to pack, but each assorted paper pack weighs about 1 pound, and each mixed naturals paper pack contains 50 sheets. Key Features: * Decorative washi paper * About 1 pound of paper in each assorted pack * 50 sheets in each mixed naturals pack * Random paper sizes and designs * Made by skilled artisans in Japan Perfect For: * Origami * Scrapbooking * Fine book art projects * Collage designs See More -
Yupo Multimedia Watercolor Paper RollsSave Up to41%Off list
Starting At: 95.69
…popular synthetic art paper on the market. The world's first erasable watercolor paper! The non-absorbent, ultra-smooth surface allows paints like watercolor and acrylics to sit right on top of the paper, making for beautiful, watery effects unachievable on any other paper. It also holds pen and ink… A slick, smooth, non-absorbent substrate that dramatically changes the way you paint Yupo is the first and most popular synthetic art paper on the market. The world's first erasable watercolor paper! The non-absorbent, ultra-smooth surface allows paints like watercolor and acrylics to sit right on top of the paper, making for beautiful, watery effects unachievable on any other paper. It also holds pen and ink lines with razor sharp precision, and markers work beautifully on Yupo's unique surface as well. With its durable, non-tearing construction it can withstand multiple erasures and you can even run it under a faucet to erase watercolors! The non-absorbent nature of Yupo also means it will not buckle, no matter how much water you put on it, and it makes colors more vibrant and brilliant than on standard papers as all of the color sits on the surface. Key Features:* Rolls: 60" x 10 yard roll & 30" x 10 yard roll* Yupo's popular medium 74lb white synthetic paper, perfect for large-scale pieces!* Erasable synthetic paper* Non-absorbent surface resists tearing and buckling* Machine-made in the USA of 100% polypropylene* Waterproof, stain resistant, and extremely strong and durable* Durable, non-tearing construction* pH-neutral, flawlessly smooth, and recyclable* Pads are tape bound on the short side Perfect For:* Watercolors and acrylics* Resists tearing and buckling and remains perfectly flat* Eliminating the need for soaking, stretching, or taping* Making colors more vibrant and brilliant than on standard papers See More -
Saunders Waterford Watercolor Papers & BlocksSave Up to44%Off list
Starting At: 25.19
…watercolor paper on a traditional cylinder mould. Natural woolen felts wrapped around the cylinder machine add a distinctive random texture to the 100% cotton paper. Because it's internally and externally sized, the paper can withstand rough techniques like scrubbing and scraping. Each sheet is… High-quality paper endorsed by the Royal Watercolor Society! The St Cuthberts Mill in Wells, England, has over 250 years of paper-making experience. They make Saunders Waterford® watercolor paper on a traditional cylinder mould. Natural woolen felts wrapped around the cylinder machine add a distinctive random texture to the 100% cotton paper. Because it's internally and externally sized, the paper can withstand rough techniques like scrubbing and scraping. Each sheet is buffered with calcium carbonate to protect against acid discoloration. Saunders Waterford® watercolor paper comes with the endorsement of the Royal Watercolor Society. The Royal Watercolor Society and is the oldest and most celebrated watercolor society in the world. Key Features: * 100% Cotton watercolor paper * Acid-free * No optical brighteners used * 250 years of paper-making experience * Made in England * Cylinder mould machine used * Internally and externally sized for strength * Buffered with calcium carbonate * Two natural and two tear deckle edges * Endorsed by the Royal Watercolor Society Perfect For: * Professional Watercolorists * Artists that want the best * Scrubbing and scraping techniques * Repeated erasing and painting * Wet-on-wet techniques * Ink and gouache painting * Charcoal and graphite drawing See More -
Fabriano Artistico Pure Performance Watercolor Paper RollsSave Up to50%Off list
Starting At: 204.75
…- features a pronounced tooth and texture heavier than Cold Press. Rough press paper is created by placing wet paper sheets between textured blankets, air drying, or a combination of the two. Rough Press produces a grainy effect as watercolor pigment particles collect in the low parts of the paper. Four-Deckled Edge Watercolor Paper Rolls, Vegan Sized Fabriano's paper mill has been making fine art papers since 1264. Fabriano pioneered many processes common in paper making today, including paper sizing. Today's new vegan sizing allows for internal and external sizing without animal by-products. This sizing modification will please all watercolorists because of the control and lifting capabilities the new sizing gives. All four of the paper edges are deckled, perfect for artists who like to frame finished work. Fabriano Artistico's 100% cotton rag watercolor papers are mould-made. The moulded paper technique creates a more consistent paper surface that allows for even water absorption. As a result, the paper is more robust and can withstand scrubbing and erasing. Fabriano Artistico Pure Performance Watercolor Paper is revolutionary as it has incredible working qualities, beautiful surfaces and two distinct "whites" Key Features: * 100% cotton, no whiteners * Vegan sized paper * Chlorine and acid-free * Mould-made * Four deckled edges * External and internal sizing * No animal by-products used * Cold, Hot, or Rough Press * No optical bleaching Perfect For: * Artists that want the best * Professional Watercolorists * Printmakers * Charcoal & graphite drawing * All water media! This high-quality watercolor paper satisfies the requirements of all professional and amateur artists. Ideal for watercolor, tempera, gouache, acrylic, ink, charcoal, graphite, and drawing. It is also suitable for printmaking. Artistico is offered in Traditional and Extra White, and comes in Cold, Hot, and Rough Presses. Cold Press - (sometimes referred to as “Not Press") offers a lovely slight texture and tooth that grips pigment beautifully, created from pressing the finished paper between cold cylinders. Overall the most popular watercolor press. Hot Press - provides a smooth, flat, even surface; produced by being run through hot cylinders. Perfect for multimedia drawings and paintings with all water media. Rough Press - features a pronounced tooth and texture heavier than Cold Press. Rough press paper is created by placing wet paper sheets between textured blankets, air drying, or a combination of the two. Rough Press produces a grainy effect as watercolor pigment particles collect in the low parts of the paper. See More -
Sennelier La Carte Pochette Paper PacksSave Up to45%Off list
Starting At: 37.13
…paper cards designed explicitly for pastelists. Each paper card has a 170 lb. (360 gsm) stiff weight, similar to Bristol. It's hard to fold, crease, or puncture the card, unlike other pastel papers. The surface has a neutral pH, slightly abrasive vegetable fiber coating that reacts with soft and oil… Specially Developed for Pastel Painting! La Carte Pastel Cards are professional acid-free and lightfast pastel paper cards designed explicitly for pastelists. Each paper card has a 170 lb. (360 gsm) stiff weight, similar to Bristol. It's hard to fold, crease, or puncture the card, unlike other pastel papers. The surface has a neutral pH, slightly abrasive vegetable fiber coating that reacts with soft and oil pastels to enhance adhesion, thus reducing the need to fix artwork heavily. The card has a soft, uniform tooth that grabs and holds soft pastel, graphite, and charcoal. Each pochette includes six paper cards measuring 11.8" x 15.75". Key Features: * Each pochette includes 6 paper cards (11.8" x 15.75") * Available in 4 beautiful colors * Stiff 170 lb. (360 gsm) weight * Neutral pH surface * Velvety textured surface with a smooth tooth * Made of ground vegetable fiber and cork * The surface can hold up to 25 layers of soft pastel! Perfect For: * Soft pastels, charcoal, and graphite * Pastellists and colored pencil artists * Drawing on a colored background * Mixed media artists * Illustrators, designers, and fine arts * Experts and enthusiasts See More -
Awagami Japanese Handmade PapersSave Up to24%Off list
Starting At: 15.19
…has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with… Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. See More -
Winsor & Newton Oil Color Drying OilsSave Up to43%Off list
Starting At: 5.12
…Oil - A low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. Bleached Linseed Oil - A refined pale oil… The Perfect Accompaniment To Oil Paints! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums to enhance your oil painting experience. Drying oils control color, prevent over-thinning when mixed with solvents, and help maintain the flexibility of paint film. Key Features: * Accelerates the drying time * Increases gloss & translucency of colors * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Accelerating the drying of oil colors * Professional oil painters * Maintaining consistency * Preserving gloss Cold Pressed Linseed Oil - An oil extracted without the use of heat. Cold Pressed Linseed Oil makes oil colour "fatter". It reduces viscosity for better flow while adding transparency and gloss. Drying Poppy Oil - Extracted from the seeds of the poppy plant. Drying Poppy Oil makes oil colour "fatter" and has a pale character. The fast drying oil stabilizes a colour’s film. Dries more slowly than linseed oil and preserves good, clear colours even in the spectrum of light colours. Drying Linseed Oil - Fastest drying linseed oil, increases gloss, transparency, and reduces consistency. It decreases the consistency and transparency of the oil paint. Add to other oils to accelerate drying times. Linseed Stand Oil - For glazing and as an alternative for Refined Linseed Oil, due to its pale colour and excellent levelling. Linseed Stand Oil makes oil colour "fatter". It's a pale viscous oil that slows drying while imparting a smooth, tough enamel finish with no brush marks. Refined Linseed Oil - A low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. Bleached Linseed Oil - A refined pale oil which will improve the flow of colour and dries slightly faster than Refined Linseed Oil. Use with pale colours and white. Thickened Linseed Oil - Amber coloured, partially oxidised oil. Makes oil colour "fatter". A faster drying viscose oil. Can be used in combination with Sansodor to accelerate drying rates further. Safflower Oil - Extracted from the seeds of the safflower plant. Makes oil colour "fatter" and has a pale character. It's a slow drying oil that stabilizes paint film. Use with whites, pale and bright colours. The pale colour preserves the brightness of pigments. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More -
Gamblin Oil Painting GroundSave Up to40%Off list
Starting At: 15.00
Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium… Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More -
Gamblin Fastmatte Alkyd Oil ColorsSave Up to40%Off list
Starting At: 7.80
…to that of ground, ensuring the proper adhesion of further oil layers when following the fat over lean rule. FastMatte Alkyd Oil Colors do make a fabulous underpainting medium, but are also completely compatible with all artists' grade oil colors—should a more glossy surface be desired on a finished… Revolutionary matte alkyd oils perfect for under painting and more! Gamblin has developed FastMatte Alkyd Oil Colors specifically with the needs of the artist in mind. The alkyd resin binder lets Gamblin FastMatte colors dry quickly but thoroughly, allowing multiple layers to be built up without disturbing previous ones. It is the matte surface, however, that makes Gamblin FastMatte colors so revolutionary: when used as an underpainting layer, the matte surface of the alkyd colors provides a mild tooth similar to that of ground, ensuring the proper adhesion of further oil layers when following the fat over lean rule. FastMatte Alkyd Oil Colors do make a fabulous underpainting medium, but are also completely compatible with all artists' grade oil colors—should a more glossy surface be desired on a finished painting, a quick coat of Gamblin Gamvar Picture Varnish will both intensify the colors and unify sheen. Perfect for plein air painters who like to sketch in the field, for studio artists looking for an excellent under painting medium, or for anyone wanting an artists' grade alkyd paint with excellent working properties and a unique matte finish, Gamblin FastMatte Alkyd Oil Colors are the innovative new line ideal for any artist's needs! Key Features: * Quick-drying alkyd resin binder * Superior mixing capabilities * Allows for glazing and multi-tonal techniques * For pigment information click on the yellow circle technote icon * Perfect For: * Building layers without disturbing previous ones * Underpainting or Ground * Creating different effects * Plein air painters * Working in the field * Studio artists looking for matte oil * Discerning students & amateurs See More -
Great White Artist Oil ColorSave Up to59%Off list
Starting At: 13.99
…brightest opaque white oil paint on the market. Great White Artist Oil Paint is uniquely blanched to stay neutral and not alter color warmth. As a result, the white oil paint mixes well with other colors to yield clean, brilliant tints that resist yellowing. Great White Artist Oil Color has been… Heavy Body, Opaque, Non-Yellowing, Archival White Great White Artist Oil Paint is a professional white oil paint made from the purest pigments and the clearest safflower oil. Its buttery smooth consistency dries to a strong elastic film that will not crack or flake. Apply in a thick impasto style or thin with solvent to create soft glazes or delicate highlights. Cover large areas quickly and thoroughly with the brightest opaque white oil paint on the market. Great White Artist Oil Paint is uniquely blanched to stay neutral and not alter color warmth. As a result, the white oil paint mixes well with other colors to yield clean, brilliant tints that resist yellowing. Great White Artist Oil Color has been developed with a historic knowledge of the ingredients and a state-of-the-art blending process. The paint is thoroughly mixed in a European 3-roll computer automated milling machine, a first in color-making. This process allows the oil to coat the pigments in the paint entirely and ensures perfect blending. 100% guaranteed to be the best white you have ever used or your money back! Key Features: * Professional quality, lead-free white * Made with the highest concentration of pigments * Heavy body, opaque, and archival * Clear safflower oil resists yellowing * Will not crack or flake * Highest lightfastness rating * Made in the USA Perfect For: * Color mixing and creating tints * Covering large areas quickly * Creating soft glazes or delicate highlights * Textured brush or palette knife application * Schmaltz™ and StudioSolv™ mediums * All oil painters See More -
Gamblin Artists' Oil Painting MediumsSave Up to40%Off list
Starting At: 4.50
…It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an… True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More -
Winsor & Newton Oil Painting PrimersSave Up to43%Off list
Starting At: 25.81
…plywood, paper)* Used to prepare a surface before painting* A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming Oil painting primer imparts a traditional oil base. Some artists prefer this and may find a slight increase in gloss and smoothness. Oil… Ready-to-use primer in a non-yellowing oil-modified alkyd resin medium Winsor & Newton Oil Painting Primer is a ready-to-use primer in a non-yellowing oil-modified alkyd resin medium. No thinning or stirring is required. Oil Painting Primer can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper) with virtually no sinking in. A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colours easily and without chalkiness or absorbency.Key Features:* Size: 500ml & 1000ml cans* Ready-to-use primer * Non-yellowing oil-modified alkyd resin medium* Can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper)* Used to prepare a surface before painting* A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming Oil painting primer imparts a traditional oil base. Some artists prefer this and may find a slight increase in gloss and smoothness. Oil primed canvases may slacken off less than acrylic primed canvases. A coat of warm glue size is required first. As a result of their formulation, Winsor & Newton acrylic primers are also suitable for oil painting. They are popular because they dry quickly and do not require any sizing underneath. See More -
LUKAS Oil Painting Mediums and AdditivesSave Up to61%Off list
Starting At: 10.96
The Perfect Oil Mediums To LUKAS Oil Paints! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. LUKAS is proud to offer a… The Perfect Oil Mediums To LUKAS Oil Paints! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. LUKAS is proud to offer a unique selection of oils and mediums to enhance your oil painting experience. The Shellac Solution, Glazing, and Alkyd Mediums are all available in a one-liter cans. Key Features:* Accelerates the drying time* Increases gloss & translucency of colors* Alkyd resin-based medium shortens drying time* Size: one liter or 125 ml* For information click on yellow technote icon Perfect For:* Making custom painting mediums* Accelerating the drying of oil colors* Professional Oil Painters* Maintaining consistency* Preserving gloss* Discerning students & amateurs Fast Dry Glazing Medium #3 - Clear, quick-dry medium accelerates the drying time of oils. Increases gloss & translucency of colors; dried layers remain soluble in turpentine. Alkyd Oil Medium #4 - Alkyd resin-based medium for shortening drying time of oil paints. Elastic and adhesive, increases gloss and translucency and dries permanent. Shellac Solution - is a Gold Yellow classical natural resin primer. It decreases the absorbency of painting surfaces. See More -
Old Holland Classic Masters Oil Paint SetsSave Up to44%Off list
Starting At: 899.99
…since 1664, Old Holland Classic Oil Colors are still considered today one of the most professional oil paints in the world! Boasting use by renowned artists like Van Gogh, Vermeer, and other Dutch Masters, Old Holland uses only pure, cold-pressed linseed oil as a binder with the highest possible… An All-Inclusive Set from the Oldest and Most Revered Manufacturer In the World! Manufacturing pigments since 1664, Old Holland Classic Oil Colors are still considered today one of the most professional oil paints in the world! Boasting use by renowned artists like Van Gogh, Vermeer, and other Dutch Masters, Old Holland uses only pure, cold-pressed linseed oil as a binder with the highest possible pigment loads, creating brilliantly concentrated paints that provide exceptional covering power, strength of color, and color intensity. All Old Holland Classic Oil Colors are completely lightfast except for the Madder Lakes and Cremnitz White, which are nearly lightfast. All Old Holland's are manufactured using stone rollers only, as the colors of the paint will not change due to metal oxidations (which will alter Cadmium colors). All colors are completely free of cheap fillers and artificial dryers like other premium paints contain. Although Old Holland Oils initially may seem very expensive, the heavy concentration of pigment is actually an exceptional value, given the covering power of the paint and minimum amount needed for color mixing. One tube of their highest possible concentration of pigment equals the pigment contained in 2 to three tubes of other professional brands! This beautiful, luxurious Old Holland Master's Oil Color Set is packed full of everything you need but canvas to start painting from the moment you open it. Housed in a huge Italian Mabef Deluxe Wooden Sketch Box, in this set includes a wooden palette, mediums, brushes, palette knives, palette cups, sketching materials, and an astonishing selection of 34 x 40 ml tubes of Old Holland Classic Oil Colors! Unlike other manufacturer's sets, the selections of paints are popular, useful, and valuable colors for painting and mixing-- not minor throw aways or cheap modern pigments. Want to blow the oil painter in your life away and make their artist friends swoon with envy? This Old Holland Master's Oil Color Set is the perfect gift for just that! Key Features: * Used by Van Gogh and Vermeer * Highest Professional Quality * Manufacturing Pigments Since 1664 * Cold Pressed Linseed Oil Binder * Comes in Italian Mabef Deluxe Wooden Sketch Box * 34 x 40 ml tubes of Old Holland Classic Oil Colors Perfect For: * Ideal full range of colors * Professional Box Set * All Inclusive set * Perfect Luxury Gift for Painters! Old Holland Masters Oil Color Wood Box Set * Comes With Italian Mabef Deluxe Wooden Sketch Box* Rectangular Wood Palette* Two Covered Palette Cups* 3 Palette Knives* 3 Vine Charcoal* 4 oz Turpentine* 4 oz Oil Painting Medium* Size #8 Round, #8 Bright & #10 Filbert Brushes* Amazing selection of 34 x 40 ml tubes of Old Holland Classic Oil Colors! See More -
LUKAS Oil Painting Mediums – VarnishesSave Up to61%Off list
Starting At: 41.36
The Perfect Accompaniment To LUKAS Oil Paints Professional oil paints require professional-quality mediums and varnish. Any additive used to alter the final sheen of the painting needs to be of equal quality of the paint used, for the maximum benefit of continuity of paint film strength and… The Perfect Accompaniment To LUKAS Oil Paints Professional oil paints require professional-quality mediums and varnish. Any additive used to alter the final sheen of the painting needs to be of equal quality of the paint used, for the maximum benefit of continuity of paint film strength and durability. LUKAS is proud to offer a unique selection of varnishes to enhance your oil painting experience. Picture Varnish Gloss, Retouch Varnish, and Dammar Varnish are available in one-liter cans. Key Features: * Protects your painting * Unifies surface quality * Size: one liter can * Professional Quality Perfect For: * Temporary protection * Final, permanent protection * Oils, alkyd, and egg tempera * Altering paint sheen Retouching Varnish- This solvent-based acrylic varnish is water-clear and suitable for intermediate, temporary protection of oil and alkyd paintings and for retouching work. Dammar Varnish, Classical - This traditional, natural resin-based varnish is slightly amber in color, but dries to a durable, glossy film perfect for protecting finished art in oils, alkyd and egg tempera. Remains soluble in turpentine; will lose elasticity over time Picture Varnish Modern - Water-clear synthetic resin varnish for oil, acrylic, alkyd and tempera paintings. Protects artwork from environmental damage. Non-yellowing and removable with turpentine or mineral spirits. See More -
Winsor & Newton Oil Color SolventsSave Up to43%Off list
Starting At: 4.44
…varnish Picture Cleaner - A natural resin/oil emulsion containing ammonia, designed for cleaning varnished paintings. Dissolves linseed oil oxidation and removes surface dirt. English Distilled Turpentine - Can be used to create your own painting mediums. Distilled Turpentine is derived… Professional Grade Artist Solvents Artists use solvents to clean brushes and palettes after painting. Winsor & Newton solvents are made specifically for artists’ use and are fully volatile, meaning they leave no residual matter once evaporated. Key Features: * Artists' Picture Cleaner * English Distilled Turpentine * Sansodor * White Spirit Perfect For: * Cleaning palettes and brushes * Removing dried paint * Removing varnish Picture Cleaner - A natural resin/oil emulsion containing ammonia, designed for cleaning varnished paintings. Dissolves linseed oil oxidation and removes surface dirt. English Distilled Turpentine - Can be used to create your own painting mediums. Distilled Turpentine is derived from pine trees and is the most traditional solvent. You can use it to clean brushes. Sansodor - For creating your own painting mediums. Sansodor™ performs like turpentine, but its low odor makes it the least hazardous solvent. Leading art schools recommend it, and it is often the only solvent permitted in their studios. Also good for diluting paint and cleaning brushes. It evaporates slowly and increases blending time. White Spirit - Can be used to create your own painting mediums. Artists’ White Spirit is a petroleum distillate. It makes a leaner mixture with the colour and evaporates quickly. It can be used to clean brushes. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More -
LUKAS Studio Oil Color Paint SetsSave Up to81%Off list
Starting At: 14.16
…Germany's Finest Studio Oil Colors! LUKAS Studio Oil Colors have all the brilliance and durability of professional oil paints, but without the exorbitant cost! Combining high quality pigments with an exclusive blend of linseed oil, sunflower oil and beeswax, LUKAS Studio Oils have exceptional… The ideal introduction to Germany's Finest Studio Oil Colors! High quality, professional oil paint at a reasonable value! The ideal introduction to Germany's Finest Studio Oil Colors! LUKAS Studio Oil Colors have all the brilliance and durability of professional oil paints, but without the exorbitant cost! Combining high quality pigments with an exclusive blend of linseed oil, sunflower oil and beeswax, LUKAS Studio Oils have exceptional covering power, a buttery consistency, and even drying for a stronger paint film. The only concession made in these paints is that all toxic and expensive pigments have been eliminated. Now you can try out these excellent oil paints without spending a bundle! Key Features:* Sets of: 6, 12 & Amazing Wood Box Set* Heavy pigment load* Excellent light fastness* Click Yellow Technotes for set contents* Dry to the touch in 2 to 4 days* Exclusive blend of linseed oil, sunflower oil and beeswax* Great quality professional paints Perfect For:* Well-balanced range of color* Smooth, buttery consistency* High quality pigments* Strong paint film* Paint at an affordable cost* Excellent feel with the brush, or palette knife* Painting more, worry about cost less! Wood Easel Box Set - This limited edition Studio Oil Color Deluxe Box Set contains a plethora of Lukas Studio Oil Colors and tools in a beautiful wood gift box. This set includes twelve 20ml Lukas Studio Colors (Titanium White, Lemon Yellow (Primary), Cadmium Yellow Light (Hue), Yellow Ochre, Magenta Red (Primary), Cadmium Red Deep (Hue), Cyan Blue (Primary), Ultramarine Blue, Phthalo Green (Viridian), Burnt Sienna, Van Dyke Brown, Ivory Black) as well as a handy easel box, a painting knife, wooden palette (7.9x11.8"), 3 acrylic art boards (8x12"), and 3 synthetic long handle brushes (Bright 8, Round 12 & 20). A great value for a great paint line! Studio Trial Set of 6 - This set contains six 20 ml tubes of LUKAS Studio Oils, one each of the three primary colors, brown, white and black. (Titanium White, Lemon Yellow (Primary), Magenta Red (Primary), Cyan Blue (Primary), Burnt Sienna, Ivory Black) Perfect for learning color mixing! Studio Oils Set of 12 - This set contains 12 20 ml tubes of LUKAS Studio Oils, one each of Opaque White, Cadmium Yellow Light, Yellow Ochre Light, English Red Light, Madder Lake Deep, Cadmium Red Deep, Burnt Sienna, Van Dyke Brown, Cobalt Blue Light, Prussian Blue, Viridian, Ivory Black Perfect for learning color mixing! Studio Oils Set of 6 - This set contains 37 ml tubes of: Titanium White, Lemon Yellow (Primary), Magenta Red (Primary), Cyan Blue (Primary), Burnt Sienna, Ivory Black "As a test, I laid down my current stock of colors fron W & N next to the same Lukas colors and noticed right away there was a difference in both consistency and color intensity. Every one of the Lukas colors was more pure and covered the canvas paper better. one of the colors I ordered was the cobalt violet. This is not a color I've seen anywhere else and I have to say, it's lovely. I much prefer it to dioxazine purple." See More -
Charvin Fine Artists' Oil Painting SetsSave Up to66%Off list
Starting At: 100.69
…& Poppy Oil binder* Ideal Set Color Range* Huge 150ml tubes Perfect For:* All Oil Painters* Trying Charvin Fine Oils* Alla Prima Painting* Plein Air Painting Charvin Fine Artists' Oil Painting Sets Charvin Fine Oil Colors Value Set of 6: This set includes six 150ml tubes of fine oil colors,… Excellent starter sets of luxury fine oils! Your Paintings Will Come To Life! Based on over 175 years of experience, Charvin has created a high quality oil paint at an extremely reasonable, single price point. Charvin Fine Oil Colors use a combination of the finest in traditional and modern pigments, bound with a blend of linseed and non-yellowing poppy oils, for a smooth, creamy consistency and vibrant color. The difference between Charvin Fine and Extra Fine Oil Colors are that pigments in their Fine Oils line are milled for half the time as the Extra Fine, along with the removal of toxic pigments. With a wide range balanced and luminous colors in generous 150ml tubes. Now you can try Charvin Fine Oil Colors in these convenient sets! Ideal for learning color theory and mixing, they are perfect for both amateur painters and established artists alike. Try this luxury paint line at a reasonable price! Key Features:* Many curated sets* Traditional & Modern Pigments* Linseed & Poppy Oil binder* Ideal Set Color Range* Huge 150ml tubes Perfect For:* All Oil Painters* Trying Charvin Fine Oils* Alla Prima Painting* Plein Air Painting Charvin Fine Artists' Oil Painting Sets Charvin Fine Oil Colors Value Set of 6: This set includes six 150ml tubes of fine oil colors, including: Intense Black, Phthalo Cyan, Burnt Umber, French Red Deep, French Yellow Primary, and Titanium White. A great value! Charvin Fine Oil Colors Bonjour Set of 5: This set features five 150ml tubes of fine oil colors, including: Titanium White, French Yellow Primary, Ruby Red, Ultramarine Blue, and Mars Black. Amour de La Nature Set of 10: includes Titanium White, Saint Remy Yellow, Naples Yellow Golden, Green Shadow, Celadon Green Deep, Chrome Oxide Green, Ultramarine Blue, Burnt Sienna, Burnt Umber, and Van Dycke Brown. L'Amour La Marina Set of 10: includes Titanium White, French Yellow Primary, Blue Shadow, Blue Lagoon, Tropical Green, Linen Flower, Royal Blue, Raw Sienna, Sepia, and Payne's Grey. Artiste de Studio Set of 10: includes Titanium White, French Yellow Primary, French Red Deep, French Blue Violet, Ultramarine Blue, Phthalo Viridian, Yellow Ochre, Burnt Sienna, Raw Umber, and Ivory Black. Amour de La Fleur Set of 10: includes Titanium White, Yellow Ochre, Chromium Oxide Green, Carmine, Phthalo Viridian, Provence Blue, Deep Violet, Ultramarine Blue Deep, Burnt Sienna, and Burnt Umber. A Taste of Charvin Set of 12: includes Amethyst Parma, Anise, Bamboo Green, Blue Lagoon, Cyclamen, Diamond Orange, Green Shadow, Ruby Red, Pink Coral, Ombre Rose, Rubine Lake, and Water Green Deep. Pro Colors of Life Set of 60: includes Absinthe Green, Amethyst Parma, Anise, Ash Blue, Ash Green, Azurin Blue Medium, Bamboo Green, Blue Lagoon, Burnt Sienna, Burnt Umber, Caribbean Blue, Carmine, Cassel Earth, Celadon Green Deep, Celadon Green Pale, Cerulean Blue, Cobalt Blue Light, Cobalt Violet Light Hue, Cyclamen, Diamond Orange, French Red Light, French Yellow, French Yellow Deep, French Yellow Orange, French Yellow Primary, Green Shadow, Indian Orange, Indigo, Intense Blue, Intense Lemon, Intense Pink, Intense Turquoise, Intense Violet, Intense Viridian, Ivory Black, Ruby Red, Mars Black, Meadow Green, Naphthol Red Deep, Naples Yellow, Olive Green, Ombre Rose, Paynes Grey, Peacock Green, Phthalo Viridian, Provence Blue, Prussian Blue, Raw Umber, Royal Blue, Rubine Lake, St Remy Yellow, Sap Green, Titanium White, Titanium Zinc White, Turquoise Deep Blue, Ultramarine Blue, Volcano Grey, Water Green Deep, Yellow Ochre, and Zinc White. See More -
Winsor & Newton Oil Color VarnishesSave Up to43%Off list
Starting At: 6.37
…* Dried oil paintings * Protecting paintings from dirt and grease Artists' Gloss Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Matt Varnish - maintains oil… Professional Grade Artist Varnishes Varnishes protect thoroughly dried paintings from dirt and grease build-up over time. Winsor & Newton Varnishes are available in various finishes for different purposes. Key Features: * Gloss, matt, and satin varnishes * Retouching varnish Perfect For: * Dried oil paintings * Protecting paintings from dirt and grease Artists' Gloss Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Matt Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Retouching Varnish - preserves the artwork until the painting is fully cured and ready for its final varnish. Retouch varnish allows the paint film to cure through the varnish. Can be overpainted. Dammar Varnish - High gloss finishing treatment for paintings. Dammar Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with Distilled Turpentine. Satin Varnish - Satin finishing treatment for paintings. Artist's Satin Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More -
LUKAS 1862 Artists' Oil Paint SetsSave Up to74%Off list
Starting At: 33.52
Germany's Finest Oil Colors now available in luxury oil painting sets! These deluxe sets are the perfect introduction to LUKAS 1862 Artists' Oil Colors! Now you can have the rich, 145-year history of LUKAS oils at your fingertips in a convenient set that also includes all the necessary oil mediums… Germany's Finest Oil Colors now available in luxury oil painting sets! These deluxe sets are the perfect introduction to LUKAS 1862 Artists' Oil Colors! Now you can have the rich, 145-year history of LUKAS oils at your fingertips in a convenient set that also includes all the necessary oil mediums and even brushes! Whether you're looking for a complete setup for a first-time oil painter, a way to broaden your painting experience and material knowledge, or a beautiful lavish gift, LUKAS has the perfect set that will fit your needs. LUKAS 1862 Professional Oil Colors are incredibly smooth with a consistent ground particle size. All of the colors have the intensity valued by master artists! Key Features: * Convenient oil paint sets * Incomparable color intensity, highly pigmented * Colors enhanced with beeswax * Non-yellowing sunflower oil binder * Outstanding lightfastness * Shorter drying time * Dry to the touch usually in 2 to 4 days * Triple milled for smoothness * Pure, refined mediums * Click the yellow circle icon for set contents * Perfect For: * Gift giving * Clean and lifelike color mixing * Sampling brilliant color ranges * Smooth consistency and buttery feel * Studio painters * Plein Air artists * Alla Prima painting * Luxury oil painter gifts! 1862 Finest Oil Colors Deluxe Wooden Box Set: 27, 37 ml tubes of 1862 Oils Alizarin Crimson, Cadmium Orange, Cadmium Red Light, Cadmium Yellow Lemon, Cadmium Yellow Light, Cobalt Blue, Cyan Blue, Emerald Green, English Red, Green Earth, Indian Yellow, Indigo, Ivory Black, Lukas Red, Magenta Red, Opaque White, Payne's Grey, Permanent Green (Yellow), Raw Umber, Titanium White, Ultramarine, Ultramarine Violet, Van Dyke Brown, Viridian, Yellow Ochre, and Zinc White. Medium 1 (Fast-Drying Underpainting Medium) 50 ml bottle, Medium 2 (Wet-on-Wet Painting Medium) 50 ml bottle, Medium 3 (Fast-Drying Glazing Medium) 50 ml bottle, Bleached Linseed Oil, Picture Varnish (Gloss) 50 ml bottle, Brush Cleaner II 50 ml bottle, Citrus Turpentine 50 ml bottle, 5 LUKAS brushes, two Deluxe palette knives (Styles 5564 and 5568), two pieces of charcoal for sketching, one wooden palette, and a deluxe mahogany-finished 3-drawer "treasure chest." Please Note: The mediums included in this set are considered hazardous materials. This set cannot be shipped by Air or Next Day Services. The set can only be shipped by ground. LUKAS 1862 Oil Color 10 ml Set of 12 Colors: Set contains: Transparent Red Oxide, Ice Blue, Quinacridone Red, Quinacridone Magenta, Cobalt Teal, Brown Pink, Permanent Rose, Transparent Yellow Oxide, Yellow Ochre Light, Naples Yellow Light, Ivory Black, and Titanium White. LUKAS 1862 Oil Wood Box Set: Set contains: 12 tubes of 37ml Lukas 1862 oils (Cadmium Lemon Yellow, Cadmium Yellow light, Indian Yellow, Cadmium Red Light, Cobalt Blue, Cyan Blue (Primary), Ultramarine, Sap Green, Phthalo Green, Yellow Ochre, Burnt Sienna, and Ivory Black), one natural lacquered Box, one stretched canvas 30x40 cm, one cotton painting board 30x40 cm, one wooden palette, one Titanium white 200ml tube, two painting knives, five bristle brushes, 50ml brush cleaner oil, 50ml bleached linseed oil, and one Double Dipper Palette Cup. Lukas 1862 Oil Color Paints 37ml Spectrum Set of 40: Colors include Titanium White, Lemon Primary Yellow, Peach Pink, Cadmium Yellow Lemon, Cadmium Yellow Light, Cadmium Yellow, Yellow Ochre, Cassel Earth, Burnt Umber, Cyan Primary Blue, Cerulean Blue, Cobalt Blue, Ultramarine Blue, Phthalo Blue, Royal Blue, Bohemian Green Earth, Ivory Black, Warm Grey, Alizarin Crimson, Beige, Blue Black, Burnt Sienna, Cadmium Orange, Cadmium Red Deep, Cadmium Red Light, Cobalt Violet Hue, Geranium Lake, Gold Metallic, Green Earth, Indian Yellow, Magenta Red (Primary), Naples Yellow, Paynes Grey, Phthalo Green, Prussian Blue, Raw Sienna, Raw Umber, Sap Green, Turquoise, and Vermillion Light. Lukas 1862 Oil Colors 160-Year Anniversary Masters Set of 10, 37ml: To celebrate the 160th anniversary of LUKAS, we have created a limited-edition set composed of our finest 1862 artists’ oil colors. This set celebrates and is inspired by artists that have been part of LUKAS' history since the beginning, such as Master Painter Vincent Van Gogh, whose color palette is reflected in this set. The set includes Zinc White, Permanent Yellow Light, Cadmium Orange, Vermilion Deep, Ultramarine, Cobalt Blue, Prussian Blue, Emerald Green, Yellow Ochre, and Burnt Umber Please note the contents of each set can be substituted without notice. See More -
Claessens Oil Primed Medium Texture Linen RollsSave Up to64%Off list
Starting At: 34.39
…yard. 2 coat sizing. Key Features: * Professional Quality Linen * Popular Medium (all purpose) weave * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, still life, general purpose * General painting techniques * Aspiring students & amateurs Claessens Oil Primed Medium Textured Linen Rolls Feature Meticulous Craftsmanship - Their Most Popular All-Purpose Surfaces! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in the premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #15 - Single OP #15 - Claessens Linen features a pronounced medium weave and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 13.12oz. Double Oil Primed Linen Roll #15 - Double OP #15 - Claessens Linen features a pronounced medium weave and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 14.75oz. Single Oil Primed Linen Roll #66 - Single OP #66 - A favorite of many famous artists world wide due to its even medium texture, a tight weave and strength. The world’s most popular linen for landscape painting. It has a 43.2 TPI warp and 36.8 TPI weft. Single primed weighs 13.48 oz. per square yard. 2 coat sizing. Key Features: * Professional Quality Linen * Popular Medium (all purpose) weave * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, still life, general purpose * General painting techniques * Aspiring students & amateurs See More -
Claessens Oil Primed Rough Texture Linen RollsSave Up to66%Off list
Starting At: 31.99
…easel painters, and muralists. Warp 14.3cm/10.5cm weft; weighs 12.39oz. Single Oil Primed Linen Roll #29 - Single OP #29 Claessens Linen features a pronounced, heavy weight and rough texture with oil priming for oil and alkyd painting. Painters who enjoy a very hearty, heavy texture will enjoy this… Claessens Oil Primed Rough Linen Rolls Feature Meticulous Craftsmanship With Close Attention To Detail! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create a archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #20 - Single OP #20 Claessens Linen features a pronounced, heavier texture and a single layer of primer for oil and alkyd painting. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape artists, large scale easel painters, and muralists. Warp 14.3cm/10.5cm weft; weighs 12.39oz. Single Oil Primed Linen Roll #29 - Single OP #29 Claessens Linen features a pronounced, heavy weight and rough texture with oil priming for oil and alkyd painting. Painters who enjoy a very hearty, heavy texture will enjoy this linen. Perfect for landscapes, large scale easel painters, and muralists. Warp 21.6cm/12.5cm weft; weighs 16.52oz. Single Oil Primed Linen Roll #70 - Single OP #70 Claessens Linen features a pronounced rough texture, with a single layer of primer for oil and alkyd painting. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape artists, large scale easel painters, and muralists. Warp 25.4cm/26.7cm weft; weighs 13.71oz. Key Features: * Professional Quality Linen * Heavy and Rough textures * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, murals, large scale works * Techniques complimenting a rough surface * Aspiring students & amateurs See More -
Pissarro Extra-Large Professional Oil Primed Linen RollsSave Up to74%Off list
Starting At: 75.09
…stretching, and one coat of non-absorbent, luxurious warm-hued oil priming that enables oil colors to sit on the surface for a luminous effect. Create all your large oil paintings on the finest linen available: Pissarro Professional Oil Primed Linen Rolls! Available in 208cm x 5m (82.5" x 5.5 yards)… Deluxe Oil Primed Linen rolls made in Italy for professional painters and muralists! Pissarro Extra-Large Professional Oil Primed Linen is a true indulgence for the oil painter! Made in Italy, these superior rolls of oil-primed linen are available in two widths, one of which is the largest oil-primed linen roll size on the market! At a generous 315cm (124") wide, the larger Pissarro canvas roll is perfect for use with even the most massive of murals, and the 208cm (82.5") roll is in itself ideal for large masterpieces. Pissarro linen is hand-picked flax yarn, meticulously woven into a beautifully uniform surface, with a sturdy medium weave and a hefty weight of 11.71 oz. (332g) raw and 17.92 oz. (508g) primed. The 192 thread per inch count makes for a lovely working surface with a medium texture excellent for gripping layers of paint and perfectly suited for various styles ranging from realism to impressionism, landscapes to abstracts. Pissarro linen has five stages of priming: two layers of glue sizing to isolate the canvas, two coats of acrylic priming to allow for tight stretching, and one coat of non-absorbent, luxurious warm-hued oil priming that enables oil colors to sit on the surface for a luminous effect. Create all your large oil paintings on the finest linen available: Pissarro Professional Oil Primed Linen Rolls! Available in 208cm x 5m (82.5" x 5.5 yards) and 315cm x 10m (124" x 10.92 yards) rolls. Key Features:* Made in Italy from hand-picked flax yarns* Tight, uniform, medium texture weave at 192 TPI* Five layers of priming * Superior quality designed for oils * Perfect For:* Mural and plein air painting* Any painting style* Any subject in oil paint* Extra-wide rolls ideal for oversized murals See More -
Gamblin 1980 Oil Colors & SetsSave Up to40%Off list
Starting At: 4.80
A True Oil Color At A Real Value Gamblin's 1980 Oil Colors are made with pure pigments, the finest refined linseed oil and real value. This line of student grade oil paint offers artists true colors and a smooth application; instead of a homogenized texture or muddy color mixtures. Gamblin 1980 Oils… A True Oil Color At A Real Value Gamblin's 1980 Oil Colors are made with pure pigments, the finest refined linseed oil and real value. This line of student grade oil paint offers artists true colors and a smooth application; instead of a homogenized texture or muddy color mixtures. Gamblin 1980 Oils Paint mixes fine pigments with marble dust (calcium carbonate) to extend the pigments easier and keeps the value of the artist grade pigment without the price tag of a professional quality paint. 48 colors in sizes of 37ml and 150ml tubes. Click Here -> Gamblin 1980 Oil Color Chart Key Features:* Available in 48 colors* 37ml and 150ml tubes* Formulated with pure pigments* Finest refined linseed oil* Made with marble dust (calcium carbonate)* Made in Portland Oregon* Perfect For:* Classrooms and workshops* Quality student grade paint* Made in USA brand* True color and texture* Experiencing colors that are true Gamblin 1980 Oil Colors are made with the same dedication and pure pigments that go into our Artist’s Oils. In addition, we use the same process of mixing, milling, filling, and hand labeling. Introductory Set- This set of 1980 Oil Colors is intended to give beginning painters a thoughtfully constructed palette to support any style of painting and includes 8 popular colors as well as Gamblin's solvent-free safflower oil. Contains: 6.5in x 12in pre-primed painting panel with 1.5in cradle depth, 37 ml (1.25 oz) tubes are included Cadmium Yellow Light, Yellow Ochre, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Phthalo Green, Ivory Black, and Titanium White See More -
Grumbacher Pre-Tested Professional Oil Paints & SetsSave Up to50%Off list
Starting At: 7.23
…ground in poppy seed and sunflower oils. Also recommended for fluid wet-in-wet techniques. Zinc White - A permanent, heavy-bodied, semi-opaque, cool, crisp white. Designed especially for brilliant clear tints with all oil colors and excellent for glazing. Pre-Tested Oil Color Set of 10: Good Color Variety That Glides Smoothly! America's favorite oil paints since 1905! Pre-Tested® is Grumbacher's flagship. Grumbacher's time-proven formulas are finely tuned through independent laboratory tests as well as hands-on trials by professional artists. They specify the best ingredients available, putting each one through a rigorous selection process. Grumbacher Pre-Tested Oil Paints provide high chroma, superior tinting strength, and excellent adhesion for the professional artist. Grumbacher specifies only the best ingredients that are available, putting every new color through a rigorous selection process. Key Features:* Optimal color development* Excellent lightfastness ratings * Reformulated cadmium for purer and stronger colors* Superior adhesion and outstanding tinting strength* Outstanding working properties* Milled in select alkali-refined linseed oil* Mainly single pigment colors* Made in the U.S.A. Perfect For:* Practicing your painting* Smooth application* Great color variety* A modern palette color palette * Archival permanence* Portraitists and landscape painters* Artists of all skill levels Titanium White (Original) - A permanent, heavy-bodied, versatile, opaque, pure white that is neutral in hue. Ideal for all applications where great opacity is required. This is the strongest tinting white. Titanium White (Soft) - This pigment is permanent, soft-bodied, opaque, non-yellowing and ground in poppy seed and sunflower oils. Also recommended for fluid wet-in-wet techniques. Zinc White - A permanent, heavy-bodied, semi-opaque, cool, crisp white. Designed especially for brilliant clear tints with all oil colors and excellent for glazing. Pre-Tested Oil Color Set of 10: See More -
Mungyo Gallery Water Soluble Oil PastelsSave Up to56%Off list
Starting At: 6.29
Professional Quality Sets For All Skill Levels And Ages! Mungyo Extra Soft Water-Soluble Oil Pastels will change what you thought about sketching and field painting, or even painting in the studio. Chock full of pigment! Artists find these Mungyo pastels exquisitely soft and buttery and marvel at… Professional Quality Sets For All Skill Levels And Ages! Mungyo Extra Soft Water-Soluble Oil Pastels will change what you thought about sketching and field painting, or even painting in the studio. Chock full of pigment! Artists find these Mungyo pastels exquisitely soft and buttery and marvel at how easily they can be blended with fingers, tortillions, or stomps. Add a brush and water to blend or thin beautifully, and achieve watercolor painting effects! Blend dry into dry with ease, blend dry into wet (applying dry and then adding water with a brush), and even use wet by dipping the pastel into the water first and then apply to the surface. Pastels can be layered dry or wet to develop almost any combination of effects! Key Features: * Buttery, creamy consistency * Easily blends wet or dry, thins with water for washes * Stick size 3-1/4" long, 1/2" diameter * Perfect For: * Drawing, sketching, and shading * Blending with a wet brush for smoother application * Wet or dry use See More -
Raphael Premium Archival Oil Primed Linen PanelsSave Up to80%Off list
Starting At: 4.23
…by the refractive qualities of the oil, which enhance the natural tendencies of the pigment. Raphael has just enough tooth to keep the surface receptive to hold initial layers of paint while they dry and bond with the oil surface. Raphael Premium Archival Oil Primed Linen is expertly mounted on… A Surface The Paint Can Caress - Modern, master quality oil-primed linen created in Italy Holding the finished canvas in your hand, the primed surface feels almost buttery, and the linen underneath is smooth and incredibly uniform hence providing the underlying cause for such an excellent master-quality product. Handmade in Italy, Raphael Premium Archival Oil Primed Linen Panel surface is non-absorbent, allowing the color to sit up on the surface. The depth is created by the refractive qualities of the oil, which enhance the natural tendencies of the pigment. Raphael has just enough tooth to keep the surface receptive to hold initial layers of paint while they dry and bond with the oil surface. Raphael Premium Archival Oil Primed Linen is expertly mounted on multi-ply board made with poplar wood. The slight tooth and incredible priming make each stroke velvety smooth and luxurious. Key Features: * 3/8" Thickness * Fine weave, 100% linen canvas * Oil-primed linen canvas, mounted to panel * Hand primed, four coats of priming * Natural glue sealer * Expertly mounted onto warp-resistant plywood * Primed with a luxurious, acid-free, non-absorbent ground * Handmade in Italy * Reliability of the material and consistency of the finished product Perfect For: * The perfect archival surface for any painting in oils * Make oil painting a real pleasure * Fine weave and texture * Lasts hundreds of years * Create depth and beauty that only oil colors can achieve * Foundation allows for virtually any technique from abstract to the most intricate portrait and super realistic technique Raphael Premium Archival Oil Primed Linen Panels are expertly mounted on warp-resistant Poplar plywood. The slight tooth and incredible priming make each stroke velvety smooth and luxurious. Years ago, we worked with an excellent Italian company in creating a linen canvas that would make oil painting a real pleasure and produce results that were more brilliant than before possible with commercial products. This linen canvas has a fine weave and texture and is created with one coat of natural glue sealer and four coats of oil priming. The Italian priming method was developed over five centuries. The difference is the reliability of the material and the consistency of the finished product. Although processed entirely by hand, the modern assembly line and super clean workplace allow the finished product to be amazingly consistent and beautiful. See More -
Gamblin Artist's Oil Paints & SetsSave Up to40%Off list
Starting At: 7.80
…Artist's Oils, The only choice for professionals! Since 1980, Gamblin has transformed oils and pigments into luscious, rich oil paints. Gamblin Artist's Oil Paints are made with refined linseed oil, so the paint film is more flexible and yellows significantly less than traditional linseed oil. No… Gamblin Artist's Oils, The only choice for professionals! Since 1980, Gamblin has transformed oils and pigments into luscious, rich oil paints. Gamblin Artist's Oil Paints are made with refined linseed oil, so the paint film is more flexible and yellows significantly less than traditional linseed oil. No adulterants are used, so each color retains its unique tinting strength, undertone, and texture. Gamblin Artist's Colors have luscious working properties, and the colors are radiant. We're sure you'll agree that the quality of these oil colors is exquisite. For everything from realism to contemporary abstraction, you'll find the colors you need in the Gamblin line. Key Features: * Oil Paints: Available in 37ml and 150ml tubes, plus 8 oz. and 16 oz. cans * Sets w/ painting panels: Set of 9, Set of 3 * Professional quality * Inorganic colors made from metals (Cadmium, Cobalt, Iron, etc.) * 19th-century colors of the Impressionists * Classical and Renaissance era colors * High pigment load, low oil absorption * Colors easily grey-down in mixtures * Mostly opaque with a few semi-transparent and transparent colors * Made in Portland OR, USA * Perfect For: * Professional oil painters * Plein air artists * Alla prima painting * Vibrant portraits * Painting natural colors and light * Accurately reflecting the hues of nature * Smooth consistency and buttery feel * Outstanding lightfastness * Everyday studio use! Gamblin Metals- Gamblin Copper, Rich Gold, Pale Gold, and Silver are made by suspending bronze and aluminum powders in an alkyd binder. It's the light reflecting from all those bits of metal that create the "metal finish." The real metal flakes scatter light in many different directions giving surfaces painted with Metals a soft, lustrous appearance. Gamblin Metals have distinctive mixing characteristics. When mixed with transparent colors, they maintain their metallic luster and give glaze layers a unique sparkling quality. Gamblin Artists' Colors Introductory Set of 9 Colors Includes nine 37ml. tubes and a ready-to-use, This set contains one 6.5" x 12" pre-primed painting panel with 1.5in cradle depth.pre-primed birch painting panel handcrafted in North America from sustainable forests. Made in the USA. 37ml Colors include: Cadmium Yellow Light, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Viridian, Yellow Ochre, Burnt Umber, Ivory Black & Titanium White Reclaimed Earth Set of 3 Tubes: Colors in the set include Rust Red, Iron Violet, and Brown Ochre. The tubes are nestled in a 6"x6" primed panel made in Oregon by American Easel. The masterfully constructed panel has poplar cradled sides and a Baltic birch face. Every speck of pigment in these tubes has been painstakingly reclaimed from waters tainted by iron released from mines. Iron oxides make lightfast, natural, and safe oil paints. John Sabraw and engineer Guy Riefler figured out how to extract iron from the polluted rivers, restore ecosystems, and create economic opportunities in communities struggling with environmental damage left behind by the coal mining industry. By purchasing this limited edition set you are supporting hard-working communities and helping make the Ohio and Mississippi Rivers healthier ecosystems. Is Gamblin Oil Paint Professional Grade? Gamblin Artist's Oil Paints are Professional Grade made with refined linseed oil! Gamblin always wanted to give artists color at its maximum with a luscious texture. There is so much more to our work than fine raw materials and high pigment loads. Gamblin is dedicated to getting that balance right. Every color. Every batch. Every time. See More -
LUKAS Berlin PRO Artists Water Mixable Oil Painting MediumsSave Up to57%Off list
Starting At: 11.85
…LUKAS Berlin Water-Mixable Oil Painting Mediums! * Berlin Modified Linseed Oil - High quality, modified oil for use as a water-miscible oil painting medium. Perfect for glazing techniques; increases fluidity of paint and slightly slows drying time of water-mixable oil colors. * Berlin Quick Dry… Special modified mediums for Germany's finest water-mixable oil paints! LUKAS Berlin Water-Mixable Oil Colors can and should be mixed with water – it's the great advantage of the paint and the reason it's so health-conscious. However, some effects are better achieved by the use of mediums, and LUKAS has developed specially modified oil mediums for use with Berlin Water-Mixable Oils; all designed to behave like traditional oil mediums without sacrificing the unique water-miscibility of Berlin. Glazing techniques, accelerating or retarding drying time — effects not achievable with water are all now available in LUKAS Berlin Water-Mixable Oil Painting Mediums! * Berlin Modified Linseed Oil - High quality, modified oil for use as a water-miscible oil painting medium. Perfect for glazing techniques; increases fluidity of paint and slightly slows drying time of water-mixable oil colors. * Berlin Quick Dry Medium - Drying accelerator for water-miscible oil paints. Speeds drying time and is especially useful in the preparation of under paintings. * Berlin Modified Stand Oil - Heat-thickened modified oil for use as a water-miscible oil painting medium. Greatly retards drying time of water-mixable oil colors and should be used only on the upper layers of a painting following the "fat over lean" rule. View Lukas Berlin Color Chart > See More
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