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Charvin Extra-Fine Acrylic - Green Shades, Bonjour Set of 9 - 20ml TubesSave Up to62%Off list
Starting At: 82.99
Green Paint with the true colors of nature - sets of superior artists’ acrylics ideal for landscape and realist painting! Charvin of Paris has long been recognized as one of the premiere paint manufacturers of Europe, having supplied artists with high quality oil colors and mediums since the era of the Impressionists. More recently, professional artists have been evolving along with technology, and the ease an accessibility of acrylic artist paint has come into higher demand. Bruno Charvin, the company’s owner and master color maker, was determined to provide artists with an innovative acrylic color that was nothing short of the best. After years of research, experimentation, and testing, Charvin Extra-Fine Acrylics was officially born. Just like their acclaimed Charvin Oils, Charvin’s Extra-Fine Acrylics use only the finest traditional and modern pigments. Triple-milled on a Swill Bueller mill to an extreme degree of fineness, pigments are then blended with the highest quality acrylic polymer binder. The Result? A highly concentrated color in a luxurious, creamy consistency, with a versatility that lends itself well to everything from glazing to impasto. Now you can try this luxurious line of acrylic paints in convenient sets! From introductory sets of 8 and 9 to nicely stocked wood box sets, you can try this vibrant, professional brand without a huge investment! (Set components are specified in tech notes listings on each item.) Key Features:* Superior quality, professional acrylics * Triple-milled, lightfast pigments* Highest grade polymer acrylic binder* Smooth creamy consistency* Basic to luxury wood box sets Perfect For:* Plein Air painting* Landscape and Realist artists* Luminous glazing techniques* Acrylic that looks & paints like oil* Demanding professional painters See More -
Paramount Pro-Tones Canvas Panel 16"x20", Seafoam (Pack of 3)Save Up to60%Off list
Starting At: 4.79
Green Triple primed canvas panels available in four, non-reflective colors! The Pro-tones canvas panels and rolls by Paramount feature 11oz, triple-primed, cotton canvas with acid-free binding. They are available in 4 popular background tones: Seafoam, Sahara, Dune and Studio Grey. These tones allow artists to see colors more accurately either inside or outside en plein air, because they create a softer and more forgiving background than the traditional white color. Their surface consists of an isolating layer, with three coats of primer. The Creator of the Original and Most Widely Used Color Toned Panels! Key Features: * 4 Non Reflective Colors: Seafoam, Sahara, Dune and Studio Grey * Triple-Primed - Create a softer and more forgiving background * Professional grade 11oz weight * Made of durable 100% Cotton Canvas * Acid-Free, archival-grade quality * Available in soft, non-reflective colors * Turned edge panels over MDF board * Colors: Seafoam, Sahara, Dune and Studio Grey Perfect For: * Professional quality canvas * Perfect for use en plein air or indoors * Perfect for painting with acrylics, oil colours, gouache and for use with pastels * Available in professional sized rolls, turned edge panels over MDF board * See More -
Awagami Factory Paper 36gsm Kitakata Green 17" x 20.5" (Set of 5)Save Up to24%Off list
Starting At: 15.19
Green Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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