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Art Bites Canvas 2" x 4" Textured Board (Pack of 5)Save Up to62%Off list
Starting At: 1.74
White Art-Anywhere, Anytime-for Anything! With Art Bites Canvas Textured Boards, exploring your own creativity has never been easier! Art Bites are made from strong 2.3mm stock board mounted with textured canvas paper that works universally for any kind of media. Art Bites are made for smaller works of art or combine them for fantastic collages or mosaics. When inspiration hits, Art Bites are ready for any media and can be quickly transformed from canvas board to Masterpiece! They can also be used for all kinds of creative projects including paintings, letter tiles, magnets, wall hangings, and even pendants. Whether you like to create your art work with oil, acrylic, watercolor, marker, colored pencil, charcoal, printmaking, or even collage, Art Bites are the perfect surface for the project of your choice. Key Features:* 2.3mm stock board mounted with textured canvas paper* Can be assembled together to make a collage or for a mosaic * Versatile canvas boards for a variety of projects including painting, sketching, stamping, block printing, collage, glitter and more* Sold in packs of 5 and 100* Small enough to take the pressure off of creating a masterpiece and can be used for simple, fun projects* First choice for artist's quick studies* Perfect For:* Paints, colored pencils, markers, dry media, printmaking and more* Making small but beautiful works of art* Paintings, watercolor sketches, pastels other pieces of art* Collages or mosaics * Block printing* Unique projects such as letter tiles, decorative magnets, pendants, wall hangings * Artists of all skill levels See More -
Gamblin Oil Painting Ground 32oz CanSave Up to40%Off list
Starting At: 15.00
White Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More -
Winsor & Newton Oil Painting Primer, 1 Liter CanSave Up to43%Off list
Starting At: 25.81
White Ready-to-use primer in a non-yellowing oil-modified alkyd resin medium Winsor & Newton Oil Painting Primer is a ready-to-use primer in a non-yellowing oil-modified alkyd resin medium. No thinning or stirring is required. Oil Painting Primer can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper) with virtually no sinking in. A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colours easily and without chalkiness or absorbency.Key Features:* Size: 500ml & 1000ml cans* Ready-to-use primer * Non-yellowing oil-modified alkyd resin medium* Can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper)* Used to prepare a surface before painting* A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming Oil painting primer imparts a traditional oil base. Some artists prefer this and may find a slight increase in gloss and smoothness. Oil primed canvases may slacken off less than acrylic primed canvases. A coat of warm glue size is required first. As a result of their formulation, Winsor & Newton acrylic primers are also suitable for oil painting. They are popular because they dry quickly and do not require any sizing underneath. See More -
Winsor & Newton Mixed Media 135 lb Spiral 11x14 Pad 30-SheetsSave Up to41%Off list
Starting At: 9.69
White Durable enough to withstand mixed media multi-layered work! With Winsor & Newtons, Mixed Media Pads, you can create dynamic mixed media drawings and paintings on tough multipurpose paper. Each spiral-bound pad contains thirty sheets of 135lb natural white fine-grain paper. The paper mill uses hydroelectric power to reduce greenhouse emissions and FSC certified pulp to protect forests. Winsor & Newton designed the Mixed Media Pad paper to withstand repeated manipulation and various wet and dry media layers, including graphite, pastel, acrylic, watercolor, and gouache. Free from acids and optical brighteners, this paper is archival and resistant to aging. Key Features: * 135lb, 250gsm Mixed media paper * 30-Sheets, spiral-bound * Micro-perforated sheets for easy removal * Heavyweight and non-absorbent paper * Soft white paper with a slightly grained texture * Archival acid-free and non-yellowing * Free of acids and optical brighteners * Hydroelectric power used to reduce greenhouse emissions * FSC certified pulp to protect forests * Perfect For: * Mixed media artists * Combining wet and dry mediums and techniques * Sketching and drawing * Graphite, pastel, acrylic, watercolor, and gouache * Illustrators, designers, fine arts * Withstanding mixed media multi-layered work * An endless array of techniques * Archival foundation for artwork See More -
Painter's Color Diary 9"x12" Wire Bound Pad, WatercolorSave Up to54%Off list
Starting At: 8.47
White Build Your Color Library! Patent Pending Exclusive to Jerry’s, The Painter’s Color Diary® has a fail-proof layout that allows you to record swatch information for future reference. There are countless ways to use the Painter's Color Diary®. Some examples are: * Swatching new color purchases * Testing color transparency and opacity * Creating color mixing formulas * Testing color palettes for an upcoming painting The color diary is spiral-bound with removable pages so that you can work on multiple sheets simultaneously. Once dry, you can reinsert the pages between layers of the included glassine, so they don’t stick together. The top of each color chart has a space for writing the paint brand, the date, or an assignment title if it’s for class. Each swatch box contains a bold black line to show transparency or separate half-tones. The color diary is truly a game changer when it comes to planning the mood of a painting. It’s a remarkable resource to have. Oil & Acrylic Color Diary: * Perfect for oil and acrylic paint * 40 outlined swatch boxes on each page * 136 lb. (290gsm) sized canvas textured paper * 10 removable pages with glassine interleaving * Each swatch outline measures 1" x 1-1/2" * Pages measure 9" x 12" from the spiral binding Watercolor & Multimedia Color Diary: * Perfect for watercolor, colored pencils, pastels, and more! * 35 outlined swatch boxes on each page * 140 lb. (300gsm) 100% cotton cold press paper * Landscape page layout for watercolor gradations * 10 removable pages with glassine interleaving * Each swatch outline measures 1" x 1-1/2" * Pages measure 9" x 12" from the spiral binding Travel Painter’s Color Diary®: * Perfect for watercolor, colored pencils, pastels, and more! * 140 lb. (300gsm) 100% cotton cold press paper * Landscape page layout for watercolor gradations * 36 swatch boxes per page * 10 removable pages with glassine interleaving * Each swatch outline measures 1-3/16" x 1/2" * Pages measure 6" x 8" from the spiral binding Painter’s Color Diary® Binder Box: * Designed to hold Painter’s Color Diary® pages * 1-½" diameter binder ring * Holds up to 40 diary pages * Overall size 9-3/4" x 14-7/8" x 2-7/16" * Holds up to 40 pages (sold separately) * Compatible with 9" x 12" and 6" x 8" sizes * Durable soft-touch cover and sides * Strong magnetic closure keeps the binder secured * Metal label plate for easy identification * Added protection from light and dust * Perfect for cataloging all of your swatches archivally Build your color library with the new Painter's Color Diary® Binder Box – the perfect place to store and protect all your swatched pages. Painter's Color Diary® Review "Over the decades, I have continued to make tests of a diverse and ever-growing collection of oil paints, taking note of how they respond to the addition of white paint to analyze tinting strength or adding a glaze medium to note how the pigments react transparently. Sometimes I will test one color, such as Raw Sienna, from different paint manufacturers to determine which version will be best for my needs. Before using The Painter's Color Diary®, I did these tests on my painting or palette and wiped them away. With this wonderful tool, I now keep a record and note each color and company. For me, The Painter's Color Diary® is the perfect color tool for artists working in oils. Printed on high-quality canvas paper and protected by vellum sleeves, this pad allows for the testing and recording of colors with no bleed-through. I highly recommend the Painter's Color Diary®, not only for students but for professional artists. My color struggle now will be to decide whether to keep the pages in the book or post them on the studio wall!" John Wellington - Painter and teacher See More -
Butterfly Oil Primed Linen Plein Air Panel Pack of 10 5x7"Save Up to68%Off list
Starting At: 88.09
White Ultra-lightweight, double-sided plein air panels perfect for travel! Artists' favorites Creative Mark and Multimedia Artboard have joined forces in developing this innovative, versatile new painting surface ideal for any media in any painting location! Plein Air Butterfly Ultra-Lightweight Oil Primed Linen Panels have an archival surface, super-lightweight boards weigh only a fraction as much as other panels or canvases, and the double-sided surface is beautifully suited to artwork in any media from pencils and watercolors to acrylics and oils! The base of the panel is 1/32" thick Multimedia Artboard, mounted with professional grade oil primed Pissarro linen. Use the linen side for quick sketches or serious works in oils, and the Multimedia Artboard side for pencil or pen and ink drawings, watercolors, acrylics, location studies and more. There's no need to bring a huge assortment of painting surfaces out into the field just to keep up with your media choices: new Butterfly Panels have it all and weigh less - A pack of 10 weighs only 2 lbs! * Panel is 1/32" thick * Ultra-lightweight, double-sided panels * Mounted with professional grade oil primed Pissaro linen * Archival surface that accepts virtually any media * Multipurpose painting panels for any media! * Extremely lightweight and perfect for travel, only 1/32" thick * One side mounted with professional grade, oil primed Pissarro linen * Other side is Multimedia Artboard, great for graphite, watercolors, acrylics and more * Panels are acid-free and archival * Easily bring dozens of panels on plein air trips without being weighed down! * Ideal for sketches, studies, and finished art * The ultimate plein air painting panel! * See More -
Pissarro Lightweight Oil Primed Plein Air Linen Panels 12" x 16" (Pack of 2)Save Up to55%Off list
Starting At: 26.83
White Sturdy, Lightweight Oil Primed Linen Panels For Plein Air Painting! Pissarro Lightweight Oil Primed Linen Panels - 1/8" Deep are innovative Plein air painting panels that are the product of a collaboration between Creative Mark and Multimedia Artboard. Designed to be a lightweight alternative to cardboard and wood-mounted canvas panels, these unique boards are archival, acid-free, and of the highest quality! Made from a base of 1/8" thick Sintra™ foam core, they will not dent, warp or bend while painting. Mounted with the finest professional grade Pissarro oil primed linen, it is easy to pack a dozen in your supply bag, so no running out while in the field! Perfect for anything from quick oil color studies and sketches to complete finished works in oils, Plein air painting, and travel, Pissarro Oil Primed Plein Air Linen Panels are the ideal marriage of convenience and elegance! Key Features:* Lightweight alternative to cardboard and wood-mounted canvas panels* Archival and Acid-free* 1/8" thick Sintra™ foam core base* Will not dent, warp or bend while painting Perfect For:* Finished work in Oils* Plein Air painting* Lightweight for Travel* Quick oil studies, sketches to completed works See More -
Awagami Sekishu 35gsm White 24" x 39" (Pack of 25)Save Up to24%Off list
Starting At: 15.19
White Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. See More -
Da Vinci Pro Liquid Art Panel 11"x14", 3/4" DeepSave Up to68%Off list
Starting At: 2.69
White Professional Art Panels with 1/8" raised lip to contain media Contain Your Media While Your Imagination Runs Wild! The Da Vinci Professional Liquid Art gesso panels feature a 1/8" raised lip which is part of the frame around the panel itself. The natural wood can be left as-is or stained and painted for frameless presentations. Gessoed with a professional quality gesso and great for use with Fluid Acrylics, High Flow Acrylics, Glazing liquids, Pouring Mediums, Encaustics, Pebeo Resin Paints and Alcohol-based dyes. Available in several sizes, with a choice of 3/4" or 1.5" depth. Great for Fluid acrylics & High flow acrylics, Liquid art techniques and pouring paints & pouring mediums. Contain Your Media While Your Imagination Runs Wild! 1/8" raised lip in 3/4" or 1.5" cradle depths Key Features:* 1/8" raised lip to contain media* Choice of 3/4" or 1.5" cradle depths* Quality gessoed surface* Natural wood frame* Accepts various liquid media* Can be unframed, framed or shown in floater frame* See Videos and Jerry's LIVE Perfect For:* Allowing artisitc freedom while containing media* Resin-based paints * Acrylics and mixed media* Fluid acrylics & High flow acrylics* Pouring paints & pouring mediums* Encaustics* Resin pours, Alcohol inks & dyes* Gouache and pouring mediums* Watch Our Jerry's LIVE Demo on Painting & Pouring on our Liquid Art Panels Relax, play, and enjoy the process of producing a pouring painting with Turner Acryl Gouache and Pouring Medium, on a Da Vinci Pro Liquid Art Panel. No drawing or prior art skills required! Want the full supply list to follow along? Click Here Da Vinci Liquid Art Professional Panels with 1/8" raised lip is the only line to come in size 1.5" deep! See More -
New York Central Professional Watercolor Panel, 140lb Hot Press, 6"x8" 1-5/8" ProfileSave Up to46%Off list
Starting At: 10.01
White Hand-mounted 100% Cotton Acid-Free Watercolor Paper Your favorite watercolor paper mounted to the finest Birch wood panel with acid-free and waterproof adhesive. The mounted paper won't buckle or warp when wet because it's glued to the panel. New York Central Professional Watercolor Panels provide a fresh, modern way to present your artwork without a frame. Each panel is hand-mounted with your choice of paper! Choose from these 100% cotton watercolor papers: * New York Central Bright White: Hot Press, Cold Press or Rough * Arches Natural White: Hot Press, Cold Press or Rough * Arches Bright White: Hot Press, Cold Press or Rough * Fabriano Artistico Bright White: Hot Press, Cold Press, Soft Press or Rough * Stonehenge Aqua: Hot Press or Cold Press To choose your preferred paper brand see the buttons below Finished work can be framed under glass or sprayed with an acrylic polymer for frameless presentation. Golden polymer coatings are available in gloss, matte, or satin finishes and help protect your artwork. For a resin finish, we recommend Pebeo Glazing Resin. Hang Without A Frame For A Fresh Modern Look Key Features: * Birch wood panels * 7/8" or 1-5/8" profile * Archival waterproof adhesive * 140lb 100% cotton, acid-free papers and surfaces * Available in eight sizes from 6" x 8" - 18" x 24" * Warp-resistant birch with kiln-dried New Zealand pine cradles * Paper mounted by skilled artisans Perfect For: * Artists seeking a museum-quality, archival surface * Artists looking for a sturdy, non-buckling watercolor surface * Mixed Media applications * Frameless presentation * Permanent works of art Please note: We carefully make each order by hand. As a result, it may take longer for your order to ship. See More -
Gamblin PVA Sizing 33.8oz, Artists' Oil Painting MediumSave Up to40%Off list
Starting At: 9.60
White PVA Size - Poly Vinyl Acetate- Contemporary size for fabric support Gamblin PVA Size- Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible - won't yellow, shrink or swell. PVA Size is made from PVA that has a neutral pH and does not yellow. Retains its flexibility and does not emit harmful volatiles. Key Features:* Sizes: Sizes: 8.5 Oz, 33.8 Oz* Use neutral pH PVA size on linen and canvas instead of rabbit skin glue* Does not swell and shrink like rabbit skin glue does* Seals the fabric but does not re-absorb atmospheric moisture* Neutral pH and does not yellow* Retains its flexibility* Does not emit harmful volatiles Diluted with distilled water, PVA size (Poly Vinyl Acetate) is a contemporary size for fabric support. Conservation scientists recommend painters use neutral pH PVA size on linen and canvas instead of rabbit skin glue. Gamblin PVA provides a good size layer that seals the fabric but does not re-absorb atmospheric moisture, swell and shrink like rabbit skin glue does. There are hundreds of different formulae of PVA. We acknowledge and appreciate the research of the Canadian Conservation Institute that helps painters and conservators identify the best PVA to use. PVA Size is made from PVA that has a neutral pH and does not yellow. It also retains its flexibility and does not emit harmful volatiles. See More -
Winsor & Newton Oil & Acrylic 108 lb 12x16 Pad 10-SheetsSave Up to41%Off list
Starting At: 9.69
White Formulated to withstand thick, layered paint applications Winsor & Newton Oil And Acrylic Pads contain 10-sheets of fine-grain canvas textured paper ready for oil or acrylic paints. The textured paper is formulated to withstand thick, layered paint applications without any priming or preparation. Winsor & Newton designed the Oil and Acrylic paper with the right degree of absorbency while also preventing oil from sinking through the paper. The portable gum-bound pads are popular for sketching outdoors and in the studio. Free from acids and optical brighteners, this paper is archival and resistant to aging. Key Features: * Canvas textured paper * 108lb, 230gsm Weight * Gummed binding * No need to prime paper * Paint will not soak through * Ideal absorbency for oil applications * Acid-free and resistant to aging Perfect For: * Oil, acrylic, and oil pastel * Thick paint applications * Sketching outdoors and in the studio * Rendering and high color luminosity * Practicing techniques with oils and acrylics * Artists who prefer using paper to canvas See More -
Artistico Watercolor Paper - 22"x30" Extra White, 140lb Rough (10-Pack)Save Up to50%Off list
Starting At: 62.13
White Four-Deckled Edge Watercolor Papers, Vegan Sized Fabriano's paper mill has been making fine art papers since 1264. They have pioneered many paper-making processes over the centuries, including paper sizing. Today, Fabriano uses vegan sizing to internally and externally size its papers without animal-by products. This new sizing allows watercolorists to have more control when lifting color. Fabriano has also modernized and reduced the size of its watermark because your artwork should be the star. All of Fabriano Artistico's 100% cotton rag watercolor papers are mould-made. This paper technique creates a more consistent and even water absorption over the surface and makes the paper robust and durable enough to withstand scrubbing. Fabriano Artistico Watercolor Paper has incredible working qualities, a beautiful surface texture, and two distinct "whites." Key Features:* 100% cotton, no whiteners* Vegan sized paper* Chlorine and acid-free* Mould-made* Four deckled edges* External and internal sizing* No animal by-products used* Cold, Hot, Rough, Soft Presses* No optical bleaching* Smaller watermark Perfect For:* Artists that want the best* Professional Watercolorists* Printmakers* Charcoal & graphite drawing* Soft press ideal for beginners* All water media! This high-quality watercolor paper satisfies the requirements of all professional and amateur artists. It is ideal for watercolor, tempera, gouache, acrylic, ink, charcoal, graphite, drawing, and printmaking. Artistico is offered in Traditional and Extra White and comes in Cold, Hot, Rough, and Soft Presses. Cold Press - (sometimes referred to as "Not Press") Italian translation is Grana Fina. It offers a lovely slight texture and tooth that grips pigment beautifully, created from pressing the finished paper between cold cylinders. Overall the most popular watercolor press. Hot Press - Italian translation is Grana Satinata. Provides a smooth, flat, even surface; produced by being run through hot cylinders. Perfect for multimedia drawings and paintings with all water media. Rough Press - Italian translation is Grana Grossa. Features a pronounced tooth and texture heavier than Cold Press, created from placing wet paper sheets between textured blankets and air drying. The rough press produces a grainy effect as watercolor pigment particles collect in the low parts of the paper. Soft Press - Italian translation is Grana Dolce. A unique surface that only Fabriano makes. It is a press between Cold and Hot, providing just enough texture for grip, and is considered almost spongy in feel. As a result, it is a favorite among printmakers. It is the perfect surface for beginner watercolorists who have not quite mastered the effects of Cold Press (available in Extra White). See More -
Viviva Watercolor Sketchbook - 140 lb Cold Press, 5.8"x8.3"Save Up to24%Off list
Starting At: 15.29
White Stunning sketchbooks designed for travel Viviva Sketchbooks are for perfect inking, sketching, and painting. The compact sketchbooks fit comfortably in your bag or backpack, which makes them travel-friendly! Viviva Sketchbooks are crafted by hand using premium materials. Each sketchbook has a durable binding and a faux leather cover. Viviva, Easy Sketchbook: Sketch like a pro with the Easy Sketchbook system. The magic is in the sketching mirror that reflects an image from a phone, tablet, or printed surface. Set your image to one side of the mirror - positioned in the center of a sketchbook. The image reflects onto the sketchbook page (in reverse), making it simple to copy. The mirror stand is designed to fit between the rings of a wire-bound book. An A5 size (5.8 x 8.3 inch) sketchbook with 32 sheets of smooth textured cream paper is included. Key Features: * Cream-colored 100% cotton, 140 lbs watercolor paper * Ivory colored 120 lbs sketchbook paper * Sketchbooks lie flat * Faux leather bound cover with rounded corners * A paper holding slot at the back for storing loose paper * Made with TCF (Totally Chlorine-Free) pulp Perfect For: * Use with Viviva Colorsheets * Accepts pen, ink, graphite, and light watercolor washes * Watercolors and acrylic inks * Creating mixed media designs * Painting cityscapes, seascapes, and landscapes * All types of watercolor painting * Everyday studio use or travel See More -
New York Central Acrylic White Gesso, 32oz BottleSave Up to55%Off list
Starting At: 4.59
White Professional grade gesso for archival results New York Central® Gesso is a professional grade acrylic ground. It’s perfect for a variety of surfaces, from canvas to metal. You can apply the gesso with a palette knife to create a rough texture or sand between coats to achieve a smooth result. Once dry, New York Central® Gesso makes a sturdy base for graphite, charcoal, oil pastels, acrylic, and oil paints. You can even mix it with acrylic paint to create a toned background. Key Features: * Professional grade acrylic gesso * Matte white, opaque finish * Non-yellowing, acid-free, and archival * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint * Optimal absorbency rate for paints Perfect For: * Priming raw canvas, panels, or paper * Acrylic and oil paints * Preparing wood and metal surfaces * Charcoal, pencil, and oil pastel * Creating a smooth or textured foundation * Adding a high level of tooth to a surface Acrylic Gesso Instructions: * Use at full strength or thin with up to 25% water. When thinning more than 25%, create an equal mix of water and matte medium. * Sand slick surfaces first. Apply a thin coat with a flat brush and let dry for 24 hours before painting. * To create a smoother base, sand the dried gesso and reapply. * Acrylic painters should apply at least two coats. * Oil painters should apply 2-4 coats and sand between applications. * To create a colored background, gradually add acrylic paint to the gesso until you reach your desired tone. Stir until thoroughly blended. Apply as normal. See More -
Fabriano Artistico Watercolor Block - 14"x20" Vegan Extra White, 140lb Hot Press (15 Sheets)Save Up to50%Off list
Starting At: 17.23
White Master Quality Watercolor Papers That Will Stand The Test Of Time Fabriano Artistico Enhanced Watercolor Blocks now feature improved color lifting capabilities, increased surface resistance, and a vegan-friendly sizing! The paper is mold made of 100% cotton that is chlorine and acid-free, guaranteeing long conservation and stability over time. The paper is sized both internally and externally, making it ideally absorbent. Available in cold or hot press surfaces, the brilliant extra white paper is not bleached and is watermarked “FABRIANO+ARTISTICO” on the short side. Fabriano Artistico Enhanced Watercolor blocks are glued on all four sides and are high-quality watercolor papers to satisfy the demanding requirements of all professional artists. Made In Italy. The paper is ideal for watercolor, tempera, gouache, acrylic, ink, charcoal, graphite, and drawing. Key Features:* Extra White or Traditional White Paper Blocks* 100% cotton* 140lb / (300 gsm)* Chlorine-free, Acid-free* No bleach or optical brighteners* Mold-made in Italy* Watermarked* External and internal sizing* No animal by-products used in sizing* Guaranteeing long conservation and inalterability over time* Glued on all four sides* Perfect For:* Artists that want the best* Professional watercolorists* Watercolor, tempera, gouache* Acrylic, ink, charcoal, graphite, and drawing * Suitable for printmaking* All water media!* An endless array of techniques Fabriano Artistico uses cotton balls instead of stretched and beaten cotton fibers, as in other brands, for consistent and even water absorption across the surface. This construction also provides a more robust and durable surface that can take a lot of punishment, whether it be scrubbing, erasing, or any other standard watercolor technique. No animal by-products are used in the sizing. The internal and external sizing produces a more consistent, non-yellowing, non-smelling, more resilient non-scuffing surface with no blotchy spots. The paper also has an overall superior color-lifting response due to the sizing used. See More -
Pissarro Professional Oil Primed Linen Roll 124" x 10.92 YardsSave Up to74%Off list
Starting At: 75.09
White Deluxe Oil Primed Linen rolls made in Italy for professional painters and muralists! Pissarro Extra-Large Professional Oil Primed Linen is a true indulgence for the oil painter! Made in Italy, these superior rolls of oil-primed linen are available in two widths, one of which is the largest oil-primed linen roll size on the market! At a generous 315cm (124") wide, the larger Pissarro canvas roll is perfect for use with even the most massive of murals, and the 208cm (82.5") roll is in itself ideal for large masterpieces. Pissarro linen is hand-picked flax yarn, meticulously woven into a beautifully uniform surface, with a sturdy medium weave and a hefty weight of 11.71 oz. (332g) raw and 17.92 oz. (508g) primed. The 192 thread per inch count makes for a lovely working surface with a medium texture excellent for gripping layers of paint and perfectly suited for various styles ranging from realism to impressionism, landscapes to abstracts. Pissarro linen has five stages of priming: two layers of glue sizing to isolate the canvas, two coats of acrylic priming to allow for tight stretching, and one coat of non-absorbent, luxurious warm-hued oil priming that enables oil colors to sit on the surface for a luminous effect. Create all your large oil paintings on the finest linen available: Pissarro Professional Oil Primed Linen Rolls! Available in 208cm x 5m (82.5" x 5.5 yards) and 315cm x 10m (124" x 10.92 yards) rolls. Key Features:* Made in Italy from hand-picked flax yarns* Tight, uniform, medium texture weave at 192 TPI* Five layers of priming * Superior quality designed for oils * Perfect For:* Mural and plein air painting* Any painting style* Any subject in oil paint* Extra-wide rolls ideal for oversized murals See More -
Sargent Herringbone Weave Linen Canvas Single Oil Primed (680 gsm) 41" x 1 Yard SampleSave Up to79%Off list
Starting At: 138.89
White A highly coveted, master-crafted canvas - Perfect for even the most detailed paintings! John Singer Sargent was one of the greatest portrait artists of all time, and part of his success was dependent on the canvas he used. New J.S. Sargent Herringbone Weave Linen Canvas from Creative Mark is a unique addition to their canvas line, with innovative qualities unavailable anywhere else. This canvas is made from only the finest linen flax, meticulously hand-processed and woven into a twill herringbone pattern that provides uniformity, elegance, and strength. The unique weave makes for a smooth surface with superior resilience that can withstand stretching in any direction and the most rigorous of painting techniques. Available in unprimed, oil primed, and glue-sized surfaces, there is the perfect option for any painter. Great care is taken in producing each oil-prepared canvas. Synthetic glue, which is less sensitive to humidity, is used rather than hide glue. We have not used white lead for many years, per Belgian and European legislation. The coating itself consists of linseed oil as a binder, chalk, and titanium white oil paint as the pigment ground. Gesso the unprimed version for acrylic painting, mount the glue-sized onto board for egg tempera, or stretch the oil-primed canvas onto gallery bars and paint a masterpiece worthy of Sargent himself! Key Features: * Highly coveted, master-crafted canvas rolls * Strong herringbone twill weave * Incredibly fine surface * Oil Primed features 2 coats of professional quality primer * Sold in 83" x 6 yard rolls or sample sheets * 3 surfaces: unprimed, glue-sized, and oil primed Perfect For: * Professional realist artists * Highly detailed oil paintings * Priming and painting in any medium * Portrait artists and detail painters * A superior, resilient and durable substrate * Archival art that will last for lifetimes! See More
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