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Liquitex Acrylic Gloss Varnish, 16oz BottleSave Up to40%Off list
Starting At: 13.97
…Varnishes are applied over dry paint films and have several purposes. The first and most important function is to protect the painting surface from the environment and protect the pigments from ultraviolet light. Secondly, varnishes can be used to change or unify a painting's surface sheen. Liquitex… Liquitex offers a variety of varnishes that have been specifically designed to achieve optimal clarity. Varnishes are applied over dry paint films and have several purposes. The first and most important function is to protect the painting surface from the environment and protect the pigments from ultraviolet light. Secondly, varnishes can be used to change or unify a painting's surface sheen. Liquitex varnishes come in several different sheens, which can all be intermixed for a customized sheen. Our varnishes are either permanent or removable and can be applied to both flexible and rigid supports. Gloss Varnish - This water resistant varnish delivers permanent, high durable protection that is flexible and no-yellowing when dry. A 100% acrylic polymer varnish that is water soluble and can be thinned. High Gloss Varnish - This permanent water-based varnish produces a finish that is high gloss, clear, sandable and non-tacky. It increases depth and color intensity; AP non-toxic. Matte Varnish - Enhances color while adding a non-glare, low sheen finish. Satin Varnish - Apply over dry paint to protect surface and add a sheen finish. A non-yellowing medium with excellent leveling properties. Translucent when wet, dries clear. Soluvar Varnishes - Both are ideal for acrylic and oil colors. These mediums are solvent based, durable and non-yellowing. Maybe removed with mineral spirits or turpentine. One reveals a gloss finish, the other a matte. See More -
Mona Lisa Odorless Thinner, 16oz BottleSave Up to26%Off list
Starting At: 5.21
…Studio essentials include a Brush cleaner tank and cleaning solutions, Odorless thinners for painting, and Omni-Gel Image Transfer medium. Key Features:* Studio essentials* Cleaning and conditioning paint brushes* No odors Perfect For:* Oil painters* Broad mix of techniques* Cleaning greasy stains… Studio Essentials for a Diverse Range of Techniques! Speedball's rich history of manufacturing fine art materials began in Camden, NJ, in 1899. Since that time, Speedball's offerings have grown and evolved, but our dedication to providing our customers with superior products and services at an affordable price remains the same. Speedball studio essentials has a broad mix of high-quality necessities your workspace requires. The Studio essentials include a Brush cleaner tank and cleaning solutions, Odorless thinners for painting, and Omni-Gel Image Transfer medium. Key Features:* Studio essentials* Cleaning and conditioning paint brushes* No odors Perfect For:* Oil painters* Broad mix of techniques* Cleaning greasy stains See More -
Golden Satin Glazing Liquid, 16oz BottleSave Up to30%Off list
Starting At: 10.49
…100% pure acrylic water-based polymer emulsions, it can have many uses for fine artists. Glazing Liquid can be blended with house paints and artist acrylic paints to create an incredible variety of color glazes. Can be mixed with GOLDEN Acrylic colors to create glazes for fine art as well as… Slow-drying acrylic medium, create an incredible variety of color glazes GOLDEN Glazing Liquid (formerly called Acrylic Glazing Liquid)is a slow-drying acrylic medium originally designed for interior decorative finishes. Because it is made with 100% pure acrylic water-based polymer emulsions, it can have many uses for fine artists. Glazing Liquid can be blended with house paints and artist acrylic paints to create an incredible variety of color glazes. Can be mixed with GOLDEN Acrylic colors to create glazes for fine art as well as interior application on walls or furniture. Fine Art Applications: Glazing Liquid also proves useful in fine art glazing applications, such as mural and easel painting. Use this product in the same manner as an oil painter uses linseed oil and turpentine. * Available in: Satin and Gloss* 100% acrylic, water-based emulsion* Can be used for a wide variety of techniques* Fine Art Applications* Slow drying color glazes* Thinning medium for better brushability* Pre-glazing before paint application* Smoother wet-in-wet blending The slow drying formula provides sufficient working time for a wide variety of glaze & decorative finishes normally accomplished with oils. This allows for a wide variation of interior glazing applications such as Wood Grain, Marble, Trompe L’Oeil faux finishes and for the additive and subtractive method. It is also excellent for soft transitions and color blending in paintings. Glazing Liquid can be used for a wide variety of techniques, which require longer open times, including: * Wood Graining* Marbling* Trompe L'Oeil* Additive and Subtractive Techniques* Glazing See More -
Daniel Smith Watercolor Ground - Titanium White, 16ozSave Up to40%Off list
Starting At: 8.86
White Paint with watercolors on any surface! You can use watercolors on any surface with Daniel Smith's Watercolor Ground! After applying the Ground you can paint with watercolors on wood, plaster, metal, plastic, glass, and fabric! Simply brush the Watercolor Ground on and within 24 hours the surface will be transformed into an exciting absorbent ground for watercolor! If you make a mistake, rescue your painting with Titanium White Watercolor Ground the “white out” for artists that allows you to cover up and start over with a fresh white surface. You can use one of the colored Grounds to create surface texture or use the Transparent Watercolor Ground which allows the surface of your substrate, for example, wood grain or decorative paper, to show through when you paint over with watercolors. DANIEL SMITH Watercolor Ground creates a soft, absorbent watercolor surface with a slightly cottony texture that’s similar to cold press paper. With this breakthrough archival-quality ground, artists can create new work on any surface, rescue flawed paintings, lift and scrub without damaging the painting surface, and frame without glass. There’s really no end to what can be done! Key Features:* Absorbent watercolor ground* Works on multiple surfaces* Archival and acid-free.* Holds up to vigorous scrubbing Perfect For:* Watercolor Artists* Mixed media applications* Framing without Glass The beauty of watercolor is transparency and transparency is what gives watercolor paintings their distinctive clarity, luminosity, and realism. Now, with DANIEL SMITH Watercolor Ground, artists can get this unique visual quality on any surface they choose: * Wood & Plaster* Canvas & Masonite* All types of paper* Fabric* Glass & Plexiglass* Metal* Plastic* Stone & Masonry Preparation Absorbent or semi-absorbent surfaces require no special prep before brushing on DANIEL SMITH Watercolor Ground. These include paper, canvas and other fabrics, wood, plaster, shells, and hardboard. Non-absorbent surfaces such as metal, plastic or glass should be lightly abraded with sandpaper or steel wool before brushing on the Watercolor Ground. Application We recommend using Watercolor Ground straight from the container. It has a thick, brushable consistency. Use a soft-haired synthetic brush, foam brush or foam roller for a smoother finish, or a hog bristle brush for a more textured finish. The ground is highly pigmented so one coat will cover most surfaces; very absorbent surfaces such as unfinished softwood may require two coats, allowing the first coat to cure before adding the second. Wash brushes immediately after use. TIP – when using the Watercolor Ground to Rescue a Painting, thin some Watercolor Ground in a small dish with up to 10% of water and use a soft brush like a hake brush to blend the edges. Curing Let Watercolor Ground dry and cure for at least 24 hours. This allows it to attain the right degree of absorption. Painting DANIEL SMITH Watercolor Ground works beautifully with watercolors and thinned acrylics. Because it creates a surface more absorbent than paper, you will want to use less water with your paint. Experiment and see what works best for you. It also works beautifully with DANIEL SMITH Masking Fluid. Finishing As with all watercolors, your work on DANIEL SMITH Watercolor Ground will need to be fixed if it will not be framed behind glass. We suggest spraying with a high quality, Archival Aerosol MSA Varnish with UVLS to protect your painting. DANIEL SMITH Watercolor Grounds give artists more freedom to paint with their watercolors; on any surface, rescue a watercolor painting and add more creative opportunities for painting with watercolors! See More -
ArtResin™ Epoxy Resin 16 oz Kit (8 oz Resin + 8 oz Hardener)Save Up toOff list
Starting At: 15.00
…Self-leveling* Durable crystal clear finish* Easy to understand directions Perfect For:* Enhancing and protecting your work* Acrylic, watercolor* Oil paint that has completely dried* Spraypaint, encaustic, ink* Oil pastel, sculpture, silicone molds,* Other found objects. … Unparalleled non-yellowing protection! ArtResin™ is a self-leveling crystal clear epoxy resin that forms a beautiful, durable finish for any artwork. Formulated with unparalleled non-yellowing protection, ArtResin™ has a HALS (hindered amine light stabilizer) added for extremely efficient long term yellowing protection. Designed specifically for creative projects, this crystal clear resin is easy to use. ArtResin™'s 1:1 mixing ratio is user-friendly with easy to understand directions. Simply combine equal parts Resin and Hardener, stir, then pour or spread over your project. The topcoat is self-leveling and fully cures in 72 hours. ArtResin™ has been designated by the American Society for Testing and Materials as non-toxic when used as directed. It is formulated using the highest quality materials and therefore produces no VOCs or fumes. It is a clean system, meaning there are no solvents or non-reactive diluents—everything in it reacts so nothing is free to become airborne and cause health issues. It is also non-flammable. For all these reasons, it is therefore classified as a non-hazardous material and is shippable by air. Furthermore, many curatives have a powerful odor, however ArtResin has only a low odor and is applicator friendly. Key Features:* ArtResin™ Mini KIt, Starter kit, Studio Kit & Accessory Kit* Fully cures in 72 hours* No VOCs or fumes (conforms to ASTM D4236)* Non-toxic (when used as directed)* Long term yellowing protection* Self-leveling* Durable crystal clear finish* Easy to understand directions Perfect For:* Enhancing and protecting your work* Acrylic, watercolor* Oil paint that has completely dried* Spraypaint, encaustic, ink* Oil pastel, sculpture, silicone molds,* Other found objects. ArtResin™ is considered non-toxic when used as directed, however, there are some common sense safety precautions that every user should follow: Wear gloves. Epoxy resin is very sticky in its liquid form, so gloves will protect the user from a mess, as well as skin irritation. Clean skin promptly with soap and water if it does come in contact with the product. If the product somehow comes in contact with your eyes, flush with water repeatedly and do not rub. Promptly seek medical attention. Work in a well-ventilated area. Wear a respirator if ventilation is poor. For detailed health information, please see the ArtResin SDS.ArtResin™ Epoxy Kits ArtResin™ Starter Kit - Enough epoxy resin for a few projects, the Starter Kit includes 16 oz bottles of Resin and Hardener and covers approximately 8 square feet. ArtResin™ Studio Kit - For artists working on larger or multiple works. This kit includes half-gallon jugs of Resin and Hardener and covers approximately 32 square feet. ArtResin™ Mini Kit - Give ArtResin™ a try with the Mini Kit. It includes 4 oz bottles of Resin and Hardener and covers approximately 2 square feet. Epoxy Resin Accessory Kit - This pack of epoxy resin accessories includes five pairs of nitrile gloves, one reusable stir stick, and five reusable spreaders. The jagged-edge spreaders help disperse resin evenly. Wipe them clean with paper towel and they're ready for next time. ResinTint Color Mixing Guide See More -
Williamsburg Pure Beeswax Pellets, 16ozSave Up to30%Off list
Starting At: 21.20
…of mediums and varnishes, or as an additive when making oil paint. In oil painting, beeswax can be added in a small amount to slow the drying, reduce yellowing, create a more buttery paint consistency, improve the stability of the paint, and make it more suitable for impasto effects. It can also be… Alter the sheen of mediums and varnishes or add to Oil Paint Williamsburg Pure Beeswax medium is made from 100% natural, bleached beeswax. Williamsburg Pure Beeswax Blocks and Pellets are useful for altering sheen of mediums and varnishes, or as an additive when making oil paint. In oil painting, beeswax can be added in a small amount to slow the drying, reduce yellowing, create a more buttery paint consistency, improve the stability of the paint, and make it more suitable for impasto effects. It can also be blended with oils, resins, and diluents to create an oil medium, giving a matting or satin effect. In Encaustic painting, beeswax is the chief binding medium with pigment. Key Features:* Beeswax Block 12oz* Beeswax Pellets 16oz* Made from 100% natural, bleached beeswax* Altering sheen of mediums and varnishes* Use as an additive when making oil paint* As a binding medium for encaustic painting See More -
Daniel Smith Acrylic Gesso - Iridescent Gold, 16 ozSave Up to40%Off list
Starting At: 10.57
Iridescent Professional quality gesso for oil and acrylic painters Daniel Smith Acrylic Gesso allows you to create an archival, lightfast painting surface. Thick yet brush-able, it spreads smoothly, and a little goes a long way. Only two coats of the heavily pigmented gesso are needed to coat a canvas or panel. The professional-grade gesso is available in Titanium White, Transparent, or Iridescent Gold. Titanium White Gesso is opaque and made with the same pigment that Daniel Smith uses in its Original Oils. Transparent Gesso is excellent for mixed media work because it allows the color or pattern of your substrate to show through. Iridescent Gold Gesso is made with Mica and iron oxides. It has a gorgeous metallic sheen that gives transparent paints a golden glow. Imagine a painting with metallic gold in the background! Key Features: * Easy to open and close jar * Thick yet spreads smoothly, a little goes a long way * Quick-drying and self-leveling * Archival and lightfast * Professional acrylic emulsion is flexible and durable * Free of the oil acids that deteriorate cotton and linen * Cleans up easily with soap and water Perfect For: * Absorbent surfaces like canvas, paper, wood, or plaster * Painting with oils, alkyds, and acrylics * Creating a solid background * Professional artists * Providing a sealed, stabilized surface If desired, you can thin the gesso with a little bit of water (no more than 10%). It's important to clean your brushes and palette knives with soap and water immediately after use. Over time the heavy Mica particles in this ground will sink to the bottom of the container. Before application, you should mix the gesso with a palette knife to reincorporate the Mica back into the gesso. See More -
New York Central Acrylic Gloss Medium, 16oz BottleSave Up to55%Off list
Starting At: 5.49
…thinning and extending acrylic paint. Many misinformed artists use water to thin their acrylic paint, but using too much water can weaken the paint bond and cause long-term issues. New York Central® mediums support and maintain the structure of your paint while adding a gloss or matte… Professional grade mediums for archival results by New York Central® New York Central® Professional Acrylic Mediums are perfect for thinning and extending acrylic paint. Many misinformed artists use water to thin their acrylic paint, but using too much water can weaken the paint bond and cause long-term issues. New York Central® mediums support and maintain the structure of your paint while adding a gloss or matte effect. You can thin and extend your heavy body paints with acrylic medium. The more you add, the thinner and more transparent the paint will become. You can also use New York Central® Acrylic Medium as a collage adhesive or as a fixative for dry media. Key Features: * Professional grade acrylic medium * Matte or gloss finish * Mediums are semi-opaque when wet, transparent when dry * Extends colors without damaging paint structure * Non-yellowing, acid-free, and archival * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint * Perfect For: * Increasing color depth and transparency * Thinning heavy body paints * Collage, mixed media, and photo transfers * Use as a collage adhesive or as a fixative for dry media * Professional artists and students * Everyday studio use Acrylic Medium Instructions: * Always stir gently. If bubbles appear, let the mixture sit for about ten minutes or until the bubbles dissipate, then resume use. * For use as an extender, mix the medium with acrylic paint. The more you add, the thinner and more transparent the paint will become. * To fix chalk pastels or graphite, mix 1 part medium to 1 part distilled water and apply with an airbrush or atomizer. * To use as a collage adhesive, apply at full strength with a brush or sponge. See More -
New York Central Waterproof India Ink, Black (16oz)Save Up to60%Off list
Starting At: 3.49
Black Make an Impact with Matte Black India Ink Create bold designs that stand out with New York Central® India Ink. Intense and highly opaque, this permanent water-based ink is ideal for calligraphy and illustration. It flows smoothly onto paper and works well with technical pens, dip pens, paint brushes, and airbrushes. You can dilute the ink with water to create various shades of grey. Once dry, the waterproof ink will not run or smudge even if it gets wet, so it’s perfect for drawing the outlines for layered paintings and illustrations. New York Central’s India ink is so intense that it makes other well-known brands look dull in comparison. Whether you’re an experienced artist or just starting out, you are guaranteed to make an impact with this velvet black Ink. Key Features: * Permanent waterproof ink with a velvet matte finish * Available in 1 oz., 16 oz., and 32 oz. sizes * The blackest India ink you can buy * Lightfast and archival carbon black * Water-based formula * AP Certified non-toxic * Made in the USA Perfect For: * Creating bold works of art that stand out * Illustrators and calligraphers * Technical pens, dip pens, paint brushes, and airbrushes * Fine lines or big strokes * Multimedia techniques * Paper and board Please note: Clean pens with warm water or pen cleaner. Do not pour used ink back into the container. See More -
GOLDEN Acrylic Isolation Coat 16oz (Gloss)Save Up to30%Off list
Starting At: 9.58
…acrylic paintings from dust and ultraviolet light. The varnish contains Ultra Violet Light Stabilizers [UVLS] that protect your art from light exposure. Waterborne Varnish can be thinned and cleaned up with water, eliminating the need for harsh solvents, and you can remove it from a painting with… Archival Acrylic Varnishes for all varnishing applications! GOLDEN Acrylic Varnishes are professional, archival, and most contain ultraviolet light filters and stabilizers (UVLS) to provide archival protection to inhibit light damage. Available in spray or brush-on varnishes. Sheen options are available in gloss, satin, and matte final protective finishes to seal the painting. Be sure to read descriptions of each varnish to find the perfect fit for your artwork's optimum protection! Key Features: * Protects against dirt and dust * Provides moisture resistance * Gloss, Satin, and Matte finishes * Ultraviolet Light Stabilizers (UVLS) Perfect For: * Protects against UV light * Final varnishing and protective layer * Providing dust resistance * Archival Fine-Art Protection GOLDEN Waterborne Varnish - is a water-based acrylic polymer that protects interior acrylic paintings from dust and ultraviolet light. The varnish contains Ultra Violet Light Stabilizers [UVLS] that protect your art from light exposure. Waterborne Varnish can be thinned and cleaned up with water, eliminating the need for harsh solvents, and you can remove it from a painting with household ammonia. GOLDEN Isolation Coat - is a ready-to-use sealing coat for acrylic paintings. Previously acrylic artists’ only recourse was to dilute Soft Gel Gloss with water (our former and still acceptable recommendation) before applying it to completed acrylic artwork. Isolation Coat eliminates the need to measure and mix while increasing flow and leveling. Isolation coat is a permanent acrylic medium that seals surface absorbency and allows for improved varnish application and easier varnish removal. Apply one or more layers before varnishing. What does golden isolation coat do? Isolation coat serves two purposes: Seals any absorbent areas in order to create an even surface on which to apply the varnish. Protects the painting if/or when the varnish is removed by separating the pigmented area of the painting from the solvents used in removal. GOLDEN Polymer Varnish with UVLS (Ultraviolet Light Stabilizers) - available in Matte, Satin, and Gloss finishes. A waterborne acrylic varnish that dries to a protective flexible and dust resistant surface over acrylic paint. Removable with ammonia. Health Labeled (HL) product, please read and follow instructions and guidelines. Not for use by children. Recommended for interior use only. See More -
GOLDEN OPEN Acrylic Matte Medium 16 ozSave Up to30%Off list
Starting At: 4.68
…Thinner - contains no binders and is used to thin the consistency of paint mixes without altering open time, or to maintain and adjust the workability of colors on the palette without the use of water mist and moisturizing palettes. Please note: The items on this page are available at the Best… OPEN Gels and Mediums are compatible with Golden Heavy Body and Fluid Acrylic colors, as well as regular acrylic gels and mediums and will increase open time while altering their consistency. * OPEN Acrylic Gel (Gloss and Matte) - has a slightly softer feel than our Regular Gel (Gloss) and the same consistency as OPEN colors. It can be used for glazes and to extend the paints while maintaining working properties of OPEN acrylics. * OPEN Thinner - contains no binders and is used to thin the consistency of paint mixes without altering open time, or to maintain and adjust the workability of colors on the palette without the use of water mist and moisturizing palettes. Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. Image Transfer How-To Nearly any gel, medium, or acrylic paint will work to lift an image, depending on the texture, clarity, and color you want to trap the image within. 1. Apply the gel or paint, and while it is wet, place the image side of a printed laser paper copy directly into the wet gel. Let dry overnight. 2. Dampen the paper with a wet sponge. Wait a few minutes to allow water to soak paper. Begin rubbing carefully. Use a soft cloth or scrubbie to remove the paper. You will probably have to remove the paper a few times, for a clean transfer. When the water evaporates, you will be able to see the areas that you missed. See More -
GOLDEN Paste Light Molding Medium, 16oz JarSave Up to30%Off list
Starting At: 13.64
…They dry to an opaque, semi-gloss film to which subsequent layers of acrylic paint and mediums can be applied. All Molding Pastes can be easily tinted with GOLDEN Heavy Body, Matte, High Load and Fluid Acrylic Paints. All GOLDEN Molding Pastes clean up with soap and water. Paste mediums can be used… Achieve a variety of effects and expressions Molding Pastes are water-based products formulated with 100% acrylic polymer emulsions, which give great flexibility and durability. Drying times greatly depend upon film thickness. They dry to an opaque, semi-gloss film to which subsequent layers of acrylic paint and mediums can be applied. All Molding Pastes can be easily tinted with GOLDEN Heavy Body, Matte, High Load and Fluid Acrylic Paints. All GOLDEN Molding Pastes clean up with soap and water. Paste mediums can be used to achieve a variety of effects and expressions. When used in conjunction with acrylic colors they broaden working properties and expand creative possibilities. Unlike gels, pastes are opaque because they contain Marble Dust or other fillers that create a white or clay-tone finish with a variety of textures and properties Key Features:* Acrylic paste mediums* Easy clean up* 100% acrylic polymer emulsions* Flexibility and durability Perfect For:* Building surfaces* Creating textures* Blends with colors* Artists of all levels * Crackle Paste - Thick and opaque, designed to develop fissure-like cracks as it cures.* Coarse Molding Paste - Dries to a hard surfaced, stiff but flexible film.* Fiber Paste - Offers a dry film that has an appearance of rough handmade paper.* Hard Molding Paste - Dries to a hard, opaque film. * Light Molding Paste - Offers dramatic weight reductions when building thick layers of acrylic.* Regular Molding Paste - Excellent for building surfaces or creating textures. See More -
Liquitex Acrylic Gel Mediums - Ultra Matte, 16ozSave Up to60%Off list
Starting At: 4.50
…paint into slow-drying silkscreen ink with Liquitex Silkscreen Medium. The medium changes the thickness of water-based acrylic paints by increasing fluidity so you can use them for silkscreening and mono-printing. This acrylic medium increases paint volume and drying time but doesn't affect paint… Add texture, enhance color, increase transparency! Liquitex Acrylic Mediums are made from 100% acrylic polymer emulsion and produce strong films when dry. When added to acrylic paint, they modify the paint handling characteristics, appearance or volume to produce an infinite variety of effects. Liquitex Gel Mediums can add texture, enhance color and increase transparency within your work. Gels also add "open time" as they tend to dry slower than thinner paint films. These mediums also modify acrylic paints in a variety of ways and, since they contain acrylic resins, tend to improve adhesion and durability. Modeling Pastes are thick acrylic gel blended with marble dust for a strong durable, opaque texture. Key Features: * 100% acrylic polymer emulsion * Add texture, enhance color * Increase transparency * Variety of effects * Perfect For: * Modifying paint handling characteristics * Extending heavy body paint * Impasto, relief, or sculptural effects. * Adhesion and durability Flexible Modeling Paste - Matte, opaque preparation of marble dust and polymer emulsion. Use on a flexible surface for heavy textures and 3D forms. Gloss Gel - This heavy body gloss medium and extender makes acrylic colors more transparent. Heavy Gel (Gloss) - Gives acrylic colors a high degree of drag and density. Great for impasto techniques and glazes. Light Modeling Paste - Putty-like compound that can be shaped while wet or carved when dry. Will not crack or chip. Non-toxic. Matte Gel - Reduces gloss of acrylic colors. Also used as a matte collage adhesive. Super Heavy Gel (Gloss) - Add to acrylic colors to form a sculptural, high-peak consistency. Dries clear with very low shrinkage. Great for collage and mixed media. Super Heavy Gel (Matte)- A super thick gel which retains high-peaks and crisp brush and knife strokes with little shrinkage. Modeling Paste - Putty-like compound that can be shaped while wet and carved when dry. Slow-Dri Blending Gel - This fluid medium will increase the open working time of your acrylics by up to 40%. Dries clear to a flexible, non-yellowing and water-resistant film that will not change the viscosity of your color. Ultra Matte Gel - Use to extend paint up to double amounts without changing color. Dries to a matte finish while maintaining color opacity. AP non-toxic. Liquitex Satin Gel Medium- is made of a 100% acrylic polymer emulsion and creates a durable, flexible film resistant to abrasion once dry. When added to acrylic paint, the satin gel increases texture and extends volume with a satin finish. You can also use the gel medium as a strong adhesive. Silkscreen Medium- You can transform acrylic paint into slow-drying silkscreen ink with Liquitex Silkscreen Medium. The medium changes the thickness of water-based acrylic paints by increasing fluidity so you can use them for silkscreening and mono-printing. This acrylic medium increases paint volume and drying time but doesn't affect paint color or opacity. Extended drying time lets you position ink to create the exact printed fabric designs you want. See More -
Iwata Medea Airbrush Cleaner with 360 Nozzle Sprayer, 16ozSave Up to14%Off list
Starting At: 4.99
You Imagine. IWATA Performs. You Create. Iwata Airbrush Cleaning Kits include the same great tools Iwata Technicians use to clean and restore airbrushes to perfect working conditioning. Iwata's Airbrush Cleaner is a mild, general-purpose cleaner that is great for cleaning any airbrush or artist… You Imagine. IWATA Performs. You Create. Iwata Airbrush Cleaning Kits include the same great tools Iwata Technicians use to clean and restore airbrushes to perfect working conditioning. Iwata's Airbrush Cleaner is a mild, general-purpose cleaner that is great for cleaning any airbrush or artist tool. The Raised Ridge Airbrush Cleaning Mat is the perfect spot to disassemble and clean your airbrush. When you reassemble your airbrush, you can follow the cutaway diagram on the mat to ensure everything goes back in the right place. With these Iwata cleaning supplies, you will be well on your way to perfect airbrush maintenance. Key Features: * Cleaning kits include all of the cleaning supplies you need * Environmentally safe general-purpose cleaner * The raised edge on the mat prevents parts from rolling away Perfect For: * Cleaning any airbrush or artist tool * Performing routine maintenance on your airbrush * Cleaning up fluid acrylics, watercolors, gouache, inks, or dyes Airbrush Cleaner, 16oz: Medea Airbrush Cleaner is a mild, general-purpose cleaner that is great for cleaning any airbrush or artist tool. Medea Airbrush Cleaner is the ideal cleaning fluid for acrylics, watercolors, gouache, inks, or dyes. Environmentally safe and ready to use Airbrush Cleaning Kit: Iwata Airbrush Cleaning Kit includes the same great tools Iwata Technicians use to clean and restore airbrushes to perfect working conditioning. Contains all the essential cleaning items including; Medea Airbrush Cleaner, Medea Thread Sealer, Extra Small Cleaning Brushes, Non-Shedding Pipe Cleaners, Iwata Nozzle Wrench, Iwata LED Magnifier, Iwata Premium Airbrush Lubricant, and Illustrated Step-by-step cleaning instructions you will be well on your way to perfect airbrush maintenance any time. Airbrush Cleaning Kit Refill: Iwata Airbrush Cleaning Kit Refill Pack includes the same great tools Iwata Technical Services use to clean and restore airbrushes to perfect working conditioning. Containing all the essential cleaning items including; Medea Airbrush Cleaner, Extra Small Cleaning Brushes, Non-Shedding Pipe Cleaners, Iwata Polishing Cloth, and Illustrated Step-by-step cleaning instructions you will be well on your way to perfect airbrush maintenance any time. Raised Ridge Airbrush Cleaning Mat: The Iwata Raised Ridge Airbrush Cleaning Mat is the perfect spot to disassemble and reassemble your airbrush. The raised ridge prevents your parts from rolling away. The soft fabric surface can handle most solvent-based cleaners, and the non-skid backing keeps your mat in place. Use the airbrush cutaway diagram on the mat to see all the main parts of an Iwata airbrush. The Iwata Cleaning Mat is a must-have in any artist's studio and works just as well for cleaning other small parts that might roll off a workbench or table. Universal Spray-Out Pot Replacement Filter Replacement filter for the CL 300 Universal Spray Out Pot. Not compatible with the older NAC 201 spray out pot. Airbrush Cleaner with Invertible 360 Degree Nozzle 16 oz: Medea Airbrush Cleaner With Invertable 360 Degree Nozzle contains 16 ounces of the Medea Airbrush Cleaner you know and love. The nozzle releases in a solid stream or a fine spray right-side-up or upside down to clean all your airbrushes, work surfaces, and studio tools. Use the powerful stream setting to quickly flush and rinse the airbrush cup of your airbrush. See More -
Enkaustikos Encaustic Mediums Carnauba Wax 16 ozSave Up to20%Off list
Starting At: 6.39
A variety of mediums and sundries for your encaustic painting applications! Enkaustikos offers a variety of wax mediums and encaustic sundries to complement their extensive line of encaustic paints. Bleached Beeswax – Purified beeswax featuring a chemically-achieved bright white color Carnauba… A variety of mediums and sundries for your encaustic painting applications! Enkaustikos offers a variety of wax mediums and encaustic sundries to complement their extensive line of encaustic paints. Bleached Beeswax – Purified beeswax featuring a chemically-achieved bright white color Carnauba Wax – A Pale yellow wax used to raise the melting point of encaustics or beeswax, creating more durable paint Damar Resin – Increases the shine, hardness, translucency and melting point of beeswax Impasto Wax – Builds texture and dimension when used with encaustics to produce sculptural effects Luster Wax – This white, translucent synthetic wax can be used with encaustic paint or beeswax to add shine or hardness and to increase the melting point Microcrystaline Wax – Produces a more flexible encaustic paint—ideal for building layers and texture Rabbit Skin Glue – Works great as a ground for encaustic work and is used to make a traditional gesso Slick Wax – A solvent-free blend of synthetic waxes used for cleaning brushes, tools and palettes Soy Wax – An environmentally-friendly alternative wax for cleaning brushes, tools and palettes USP Refined White Beeswax – Purified, USP-grade beeswax—free of additives or bleaching agents USP Refined Yellow Beeswax – Purified, USP-grade yellow beeswax—free of additives or bleaching agents Wax Medium – Perfect for use as a base coat, topcoat, glaze medium or extender. Made from a blend of USP white beeswax and dakar resin. Also available in natural yellow. XD Wax Medium – The addition of extra damar resin makes this medium provide a harder, shiny and transparent finish—making it ideal for glazes, topcoats and as a paint extender See More -
Auto Air Airbrush Colors 16oz - Transparent WhiteSave Up to17%Off list
Starting At: 7.35
Clear Transparent Proven, durable and brilliant! Auto Air Airbrush Colors are on the cutting edge of water-based automotive airbrush paint. Developed with the latest technologies and raw materials, Auto Air colors are lightfast, permanent and durable. Non-toxic, they spray evenly and cleanly for washes to clean detailed work. These colors can be used on a variety of surfaces including metal, paper, wood, glass, fiberglass and even concrete! Available individually or in 3 convenient sets. Key Features:* Lightfast, permanent and durable colors* Non-toxic * Available in a wide variety of colors and styles * Water-based automotive airbrush paint.* Can be used on a variety of surfaces* Sprays evenly and cleanly for washes to clean detailed work* 4oz. Bottles Perfect For:* Signs and automotive use * Metal, fiberglass, glass, wood and even concrete * Surfaces including metal, paper, wood, glass, fiberglass and even concrete* Airbrushing* Mixed media painting and illustration * Graffiti artists* Airbrush See More -
R&F Blending Medium, 16ozSave Up to20%Off list
Starting At: 8.12
…Stick with a buttery, lipstick-like soft consistency that glides onto the painting surface. Paint Sticks can be thinned with traditional solvents, mixed with or used under or over traditional oils, or worked with a palette knife to a softer consistency to allow brushing or knifing onto a surface.… Handmade oil paints in a convenient drawing stick form! R&F Pigment Sticks are oil paints manufactured with enough wax for the paint to be molded into stick form. Pigment Sticks allow the artist to draw or paint directly onto a surface without brushes, palettes, paint tubes or solvents. Blending only traditional materials: finely milled pigments, natural wax (beeswax & plant wax), and alkali refine linseed oil, R&F Pigment Sticks have none of the additives, extenders, and substitutes that traditional tube oils contain. While the use of these adulterations can save a lot of work and reduce the cost of materials, they lower the quality of the paint. Consequently the formulas are complex and manufacturing is labor intensive, and thus handmade in small batches where they are carefully milled and molded. The result is a professional quality oil Pigment Stick with a buttery, lipstick-like soft consistency that glides onto the painting surface. Paint Sticks can be thinned with traditional solvents, mixed with or used under or over traditional oils, or worked with a palette knife to a softer consistency to allow brushing or knifing onto a surface. Curing to a durable film like standard oils, Pigment Sticks can also be used with Encaustic paints for a variety of effects. Blending sticks are offered in two types, and are colorless sticks that can be worked into a Pigment Stick color to increase transparency, or blend colors together on the painting. Like with traditional oils, R&F Pigment Sticks should be used on primed surfaces that are oil or acrylic gesso primed, to protect the surface from the natural acid in linseed oil. What is the difference between R&F Pigment Sticks and Oil Pastels? Although both are made with pigments, waxes, and oils, they are completely different! Oil pastels typically contain a much higher wax content than an oil stick or bar, and are manufactured with a non-drying oil such as mineral oil or castor oil. Works done in Pigment Stick will oxidize (dry) over time like traditional oil paints, whereas oil pastels will always remain tacky and never dry, thus needing the protection of glass to protect the finished work. Explore the versatility and loosely gestural qualities this medium has to offer, with professional quality Pigment Sticks from R&F! Key Features: * Made solely of pigment, pure alkali refined linseed oil, and purified plant and bees waxes * Lipstick-like, soft creamy consistency * Contains no additives, extenders, or substitutes like tube oils * 2 types of Blending sticks for colorless blending * Perfect For: * Use with Traditional Oils and Encaustic Paints * Gestural drawing with oils in stick form * Immediacy of paint without the need for brushes or tools * Works on any surface primed for traditional oils * Thinning with solvents and oil mediums See More -
Liquitex Heavy Body Acrylic - Transparent Mixing White, 16oz JarSave Up to74%Off list
Starting At: 5.99
White "My choice for over 50 years" - Cisle Studio (Belfast, Maine) Heavy Body Artist Color, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Liquitex Heavy Body Artist Colors are made with high pigment loads, which produce rich, brilliant, permanent color. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. Please note: packaging style may vary. Key Features: * Range of 105 professional colors * Flexible when dry * Smooth, thick, buttery consistency * Outstanding clarity and brilliance of color * 7 NEW Cadmium-Free Colors * * Liquitex Heavy Body Acrylic Paint Color Chart Perfect For: * Artists of every skill level * Small and large works of art * Plein Air * Artwork requiring a wide range of colors * 7 NEW Cadmium Free Colors The NEW Cadmium-Free range carries an AP (Approved Product) Seal from the The Art and Creative Materials Institute, Inc. (ACMI). ACMI-certified product seals (AP Approved Product and CL Cautionary Labeling) indicate that these products have been evaluated by a qualified toxicologist and are labelled in accordance with federal and state laws. Cadmium-FREE Colors: The Colart Innovation & Development laboratory applied several tests to demonstrate that the Cadmium-Free range is technically on par with the equivalent cadmium colors, for example: * Lightfastness to assess longevity * Color mass tone for brightness and overall match * Color reduction 10:1 with Titanium White to compare color strength and shade when mixed * Viscosity and rheology for handling properties * Specific gravity to test weight * Opacity check over black and white test card to assess coverage See More -
Createx Airbrush Colors - Transparent Black, 16 ozSave Up to23%Off list
Starting At: 3.59
Black The Number One, Most Widely Used Professional Airbrush Paint in the World! Createx Airbrush Colors are made with lightfast, exterior grade pigments and durable resins that provide exceptional flow and atomization. They are the most widely used and trusted professional airbrush paint in the world. With a wide line of colors including transparent, fluorescent, pearlized and iridescent colors, they can be used on a variety of surfaces. Each paint can be used on fabric, wood, automobiles, leather, canvas, plastics, aluminum and other metals, ceramics, latex, glass and more. Createx Airbrush Colors are made with a water-based formula that is non toxic and meets ASTM D-4236 standards. They are durable and can withstand outdoor elements like rain, dust and sunlight without fading or cracking. Key Features: * Made with lightfast, exterior grade pigments and durable resins * Exceptional flow and atomization * Wide range of opaque, transparent, fluorescent, pearlized and iridescent colors * Water-based, non-toxic colors Perfect For: * Automotive, fabric, wood, clay, metals, plaster, latex, glass and more * Withstanding outdoor elements without fading * Airbrushes and airguns * Sealing with a clear urethane for permanence See More -
GOLDEN Heavy Body Acrylics - Light Magenta, 16oz JarSave Up to30%Off list
Starting At: 8.74
Red Golden Heavy Body Acrylic Paints- Professionally Loved Acrylics! The original line of paints! GOLDEN Heavy Body acrylic paints are known to be exceptionally smooth with a thick, buttery consistency and contain the largest assortment of unique pure pigments in a 100% acrylic emulsion vehicle available to the professional artist. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body acrylic color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. Colors that are more reactive and do not accept high pigment loading, dry to a glossy finish and tend to be more transparent. Heavy Body colors contain no additives, such as matting agents, therefore the gloss of each color will be different. Key Features:* Exceptionally smooth, rich, buttery consistency* Dries quickly, permanent and archival in quality* Ability to "stand up" and retain brush strokes* All HB colors are thixotropic in nature* Retain excellent flexibility when dry, diminishing the possibility of cracking* Heavy Body viscosity can also be reduced successfully with water* No flattening agents* No opacifiers added to colors* Clearest and cleanest quality* 101 different colors, shades and tints* 30 colors are mixture colors, the rest of produced from single, unique pigments* Concentrated/Chemically Pure Cadmiums Perfect For:* Approved for professional artist* 100% acrylic binder* Freeze-thaw stability* "stand up" and retain brush strokes or palette knife marks on the canvas* Largest assortment of unique pure pigments* There are no fillers, extenders, opacifiers, toners, or dyes added* Can be mixed with all of our GOLDEN Mediums, Gels and other paint lines C.P. Cadmiums = A grade that has a high concentration of cadmium and is considered the highest quality. The C.P. designation has been associated with both “Chemically Pure” and "Concentrated Pigment". Which translation you come across will often depend on the source and context. In terms of “(CC)”, it refers to “Concentrated Cadmium” and was adopted by the ASTM (American Society for Testing and Materials) as a way to differentiate higher quality cadmiums from lesser quality cadmium-barium pigments. All Heavy Body colors are thixotropic in nature This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of our pigments Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. See More
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