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Williamsburg Oil Painting Drying Oils and MediumsSave Up to30%Off list
Starting At: 8.53
…mediums or added directly into oil paints to modify transparency and flow. WARNING: Combustible. Vapor harmful. Key Features:* Professional, Handmade Oil Mediums* Quality cold-pressed drying oils* Oils to make custom mediums* Wax Medium to thicken paint* Perfect For:* Making custom painting mediums*… The Perfect Accompaniment to Williamsburg Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film strength and durability. Williamsburg is proud to offer a unique selection of drying oils and mediums to enhance your oil painting experience. Drying Oils are available in bottles from 4oz to 32 oz sizes, and Wax Medium is available in cans from 8oz to 32oz. Linseed Oil - Genuine alkali-refined linseed oil. Increases flow, transparency and gloss. Useful as an ingredient in painting mediums. Cold Pressed Linseed Oil - Genuine, cold-pressed linseed oil. Extracted through pressure alone. Less processed than alkali-refined oil. Closer to what was traditionally used in the past. Stand Oil - a thick, honey-like linseed oil with excellent leveling properties. Increases flow, transparency, and gloss. Useful as an ingredient in painting mediums. Slower drying and less yellowing than other linseed oils, it creates a smooth, durable, flexible film. Wax Medium - Pure beeswax, damar resin, and refined linseed oil. No paraffins or microcrystalline. Use in moderation to thicken paint; imparts a short, buttery texture. Increases transparency, dries to a satin sheen. Alkyd Resin - Made from a slow-drying pure alkyd resin with the consistency of a thick stand oil. Dries to a glossy, flexible, and enamel-like film. Useful in making other mediums or added directly into oil paints to modify transparency and flow. WARNING: Combustible. Vapor harmful. Key Features:* Professional, Handmade Oil Mediums* Quality cold-pressed drying oils* Oils to make custom mediums* Wax Medium to thicken paint* Perfect For:* Making custom painting mediums* Professional Oil Painters* Discerning students & amateurs* Using with professional quality oils See More -
SoHo Urban Artist Acrylic Varnish & MediumsSave Up to41%Off list
Starting At: 2.79
Infinite Control To Add Texture And Effects! SoHo Acrylic Mediums offer artists the tools to preserve, add texture or even change a painting's finish! Gloss Gel Medium is made with premium acrylic polymer and is ideal for extending acrylic paint, creating glazes, transferring laser printed images,… Infinite Control To Add Texture And Effects! SoHo Acrylic Mediums offer artists the tools to preserve, add texture or even change a painting's finish! Gloss Gel Medium is made with premium acrylic polymer and is ideal for extending acrylic paint, creating glazes, transferring laser printed images, or building soft textures. The use of acrylic polymer gels and varnishes helps to broaden the possible outcomes for your painting. Brilliant for gloss impasto effects, SoHo Gloss Gel Medium holds moderate peaks and retains brush strokes. You can use SoHo Satin Varnish as an over varnish to protect the completed acrylic painting and add a satin finish to your artwork. Key Features:* Acrylic polymer emulsion gel* Satin varnish* Add texture, enhance color* Create a variety of effects* Perfect For:* Modifying paint handling characteristics* Changing the finish of a painting* Extending acrylic paint* Soft impasto, relief, effects* Gel works as a glue for collaging SoHo Satin Varnish: Use as an over varnish to protect the completed acrylic painting and to add a less than glossy, satin finish to the painting. Gloss Gel Medium : Acrylic gel with a smooth, buttery consistency. Ideal for glazing and brilliant gloss impasto effects. Mix with paint to increase body or apply directly for a transparent textural effect. Holds moderate peaks and retains brush strokes. See More -
Winsor & Newton Galeria Acrylic MediumsSave Up to30%Off list
Starting At: 9.79
…required if working with oils. Key Features: * Retarder for Wet-in-Wet * Flow improver for fluid techniques * Mediums to improve flow * Economical Mediums Perfect For: * Students and budgeting artists * slowing drying with retarder * Thin and maintain paint integrity * Extending paint with mediums Push the performance of Galeria Acrylics further with Galeria Acrylic Mediums! Winsor & Newton’s Galeria Acrylic Mediums are designed to work with their Galeria line, allowing you to explore the full range of acrylic property possibilities, from thinned fluid media effects with Flow Improver to heavy, carvable paste that can be tinted and built up. Slow drying time with Retarder, thin and extend acrylic color, and even Varnish Galeria works for final shine and protection. Galeria Extender - A highly economical medium, Galeria Extender increases volume of paint and maintains opacity. Color will dry to a matte finish. A great product for those on a limited budget. Galeria Flow Improver - Additive that loosens the surface tension of water within the acrylic paint, increasing the flow and allowing the application of areas of flat color evenly without changing the color strength. Increased flow is ideal for masking application, flowing gestural watercolor-like techniques, and “staining" applications. Should be used only in the amount needed to achieve the desired effect. Galeria Fluid Retarder - and additive for extending the drying and working time of acrylic colors. Small amounts (a few drops) will allow for extended blending and manipulation. Fluid Retarder does not contain sufficient acrylic resin to act as an additional “binder" and should be used only in the amount needed to achieve the desired effect. Galeria Gloss Medium - high clarity and even flow, Gloss Medium boosts the brilliance and transparency of the color as well as improving adhesion and durability. Ideal for glazing or applying thick, highly transparent layers of brilliant color for depth and “stained-glass" effect. Galeria Gloss Varnish - A unique, removable gloss varnish of the protection of finished acrylic works. Can be mixed with Galeria Matte Varnish to vary the final varnish. Galeria Heavy Carvable Modeling Paste - Tough and fully carvable, it remains flexible on a variety of surfaces and is suitable for multiple layers. Formulated to have the least effect on color shift from wet to dry. May be overpainted. Acrylic color may be added directly into paste during application (note it will become lighter and ‘chalky’ and the resulting paste will have reduced body). Galeria Iridescent Medium - Developed to provide pearlescent effects when added to color. Most effective when used with transparent colors over dark under layers. Galeria Matte Medium - Creates a flat, even finish. Maintains brilliance of color while boosting transparency, adhesion and durability. Galeria Matte Varnish - a uniquely removable matte varnish which may be mixed with Galeria Gloss Varnish to vary the final finish. Galeria Satin Varnish - A uniquely removable satin varnish for the protection of finished acrylic paintings. Galeria Modeling Paste - a lighter weight, flexible modeling paste for use on canvas (to minimize sagging). Finely textured with a soft sculptural consistency. Suitable for building multiple layers. May be overpainted, color may be added directly to paste (will become lighter and more ‘chalky’, and give paste a reduced body). Matte finish. Galeria White Gesso Primer - made from high quality acrylic resin with a good level of pigment strength, can be used straight from the container and provides excellent tooth for adhesion. To reduce absorbency and boost film integrity of the film a minimum of two coats is required if working with oils. Key Features: * Retarder for Wet-in-Wet * Flow improver for fluid techniques * Mediums to improve flow * Economical Mediums Perfect For: * Students and budgeting artists * slowing drying with retarder * Thin and maintain paint integrity * Extending paint with mediums See More -
Da Vinci Professional Oil Color MediumsSave Up to50%Off list
Starting At: 7.15
…Masters™These mediums are formulated and produced with the same high-quality standards found in Da Vinci Paint Colors. Alkyd Gel Quick Drying Medium - Mix 1:1 with oil colors to accelerate drying time and increase color transparency. Will maintain a soft and creamy consistency. Copal Painting Medium… Paint Fit for Masters™These mediums are formulated and produced with the same high-quality standards found in Da Vinci Paint Colors. Alkyd Gel Quick Drying Medium - Mix 1:1 with oil colors to accelerate drying time and increase color transparency. Will maintain a soft and creamy consistency. Copal Painting Medium Substitute - Formulated to dilute oil paints in glazing applications or for thin applications. Will dry faster than linseed but slower than alkyd resins. This is made up of alkyd resin, linseed oil and odorless thinner. Oil Gel - This medium is the ideal transparentizer for Da Vinci Oil Colors. Linseed Oil - Pure and refined for diluting oil colors without the use of harsh, toxic solvents. Can also be used to clean brushes when changing colors. Liquid Alkyd Quick Drying Medium - Mix 1:1 with oil colors to accelerate drying time and reduce viscosity. Safflower Oil - Pure and refined for diluting light colored oil paints. Using safflower, rather than linseed, to dilute whites will help reduce yellowing. See More -
Pebeo 4Artist Marker Mediums and VarnishesSave Up to20%Off list
Starting At: 7.35
…Medium for 4Artist Markers! Pebeo has created an Odorless Medium and Varnish series made exclusively for the 4Artist Pebeo marker line. The odorless medium can be used to dilute, fade and shade 4Artist Markers or other Pebeo Mixed Media products once fully dry. You can even use the odorless medium… Versatile Varnish and Medium for 4Artist Markers! Pebeo has created an Odorless Medium and Varnish series made exclusively for the 4Artist Pebeo marker line. The odorless medium can be used to dilute, fade and shade 4Artist Markers or other Pebeo Mixed Media products once fully dry. You can even use the odorless medium to erase marker designs from a dry, nonporous surface without altering the lower layers of a painting. The Pebeo 4Artist Marker varnishes are specially formulated to protect oil-based paint designs, but can also be used to protect mixed media and acrylic work. 4Artist Varnishes are available in Matte, Satin, and Gloss effects. Key Features:* Formulated for 4Artist Markers* Fast drying formula Perfect For:* Mixed Media Artists* Oil Paint See More -
Jack Richeson Shiva Signature Oil MediumsSave Up to35%Off list
Starting At: 8.98
Copal Painting Medium - This synthetic medium improves the flow and speeds the drying time of oils. Damar Varnish - This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. Linseed Oil - This lead and… Copal Painting Medium - This synthetic medium improves the flow and speeds the drying time of oils. Damar Varnish - This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. Linseed Oil - This lead and acid-free oil thins the consistency of oil paints and improves brush strokes. Thinner than stand oil, but since it may yellow with age, use primarily with darker colors. Rectified Turpentine - This double-distilled and highly refined turpentine reduces the consistency and improves the flow of artist's oil colors. Stand Oil - is a thick, heavy oil that produces paint with good flowing qualities for fine detail and glazing work. Imparts an enamel-like quality. Imitation Venice Turpentine - Venice Turpentine is a luxurious, regal oil painting medium. When added to color, it increases the paint's adhesive quality to the canvas and will impart an enamel-like gloss to colors when dry. New 3.75 oz bottle has a wide spill-proof bottom. All other sizes come in metal cans. Click here for Richeson Artist Oils - The Shiva Series See More -
Liquitex Acrylic Gesso Surface Prep MediumsSave Up to39%Off list
Starting At: 12.25
…or acrylic paint. You can thin the gesso with up to 25% water depending on your thickness preferences. Compatible with Liquitex High Viscosity and Medium Viscosity Acrylics, you can create a custom-colored ground. With Liquitex Gesso, you can prime your substrates with an archival ground and create… Create the perfect absorbency, texture and archival ground Liquitex Gesso is an acrylic-based gesso that provides excellent "tooth" and adhesion to a wide variety of supports and surfaces such as canvas, wood, paper, and metal. Liquitex professional gessoes usually take just one coat and are the perfect surface preparation for oil or acrylic paint. You can thin the gesso with up to 25% water depending on your thickness preferences. Compatible with Liquitex High Viscosity and Medium Viscosity Acrylics, you can create a custom-colored ground. With Liquitex Gesso, you can prime your substrates with an archival ground and create the perfect level of absorbency and texture at the same time. Key Features: * Primes surfaces and adds a high level of tooth * Stiffens canvases * Optimum absorbency for paint application * Professional archival base * Will last generations * Fully mixable with all Liquitex products * Use undiluted or thin with up to 25% water * If using as a base for oils, apply 2-4 coats and sand between applications Perfect For: * Acrylic and oil painters * Creating a surface for preliminary charcoal or pencil drawings * Dry ground for oils * Custom colored grounds * A uniform painting surface * Artwork in acrylics, oils & alkyds * Professional artists Clear Gesso - Use for masking under-paintings and unique grounds in presentation for over-paintings. Ideal high tooth surface for pastel, oil pastel, graphite, and charcoal. Flexible and non-yellowing when dry Super Heavy Gesso - An innovative Titanium White gesso that holds structural shape until dry. It has all the attributes of traditional acrylic gesso and is ideal for thick and sculptural applications. AP non-toxic. White Gesso - A white priming ground to be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Tint with acrylic colors before application for toned grounds. Black Gesso - This Colored Gesso usually covers in one coat and is flexible, non-cracking, and non-yellowing. It provides the right amount of tooth and adhesion to a variety of surfaces. Use it alone or dilute with up to 25% water. Neutral Gray Gesso - This colored gesso contains a blend of pigments that produce a matte grey opaque finish, which allows you to build depth from a neutral grey base. Usually covers in one coat and is flexible, non-yellowing, and non-cracking. Use it alone or dilute with up to 25% water. Liquitex Colored Gesso is hue balanced and can be tinted with Soft or Heavy Body Acrylics. See More -
Pebeo Mat Pub Acrylic Mediums and VarnishesSave Up to26%Off list
Starting At: 19.25
…texture. These acrylic mediums and varnishes are translucent, non-yellowing, and mix well with Pebeo acrylic colors, inks, and other mediums, and can be diluted with water. Upon drying they become waterproof, displaying amazing flexibility and film softness. Each medium allows artists to create… Explore unlimited possibilities with professional quality acrylic mediums and varnishes! Pebeo Acrylic Mediums and Varnishes give artists the freedom to experiment with the qualities of the paint, slowing down or speeding up the drying time, improving flow, adding gloss, and creating texture. These acrylic mediums and varnishes are translucent, non-yellowing, and mix well with Pebeo acrylic colors, inks, and other mediums, and can be diluted with water. Upon drying they become waterproof, displaying amazing flexibility and film softness. Each medium allows artists to create new textures, modify brilliance, alter transparency and build collages. Key Features: * Translucent & non-yellowing * Pebeo acrylic colors, inks, and other mediums * Waterproof upon drying * Can be diluted with water Perfect For: * Mixed media applications * Canvas & paper * Glazing & creating texture * Students & professional artists See More -
DecoArt Americana Decor Chalky Paint and MediumsSave Up to6%Off list
Starting At: 10.39
Give your vintage finds and discount treasures a modern bohemian distressed look with easy-to-use chalk paint! DecoArt Americana Chalky Finish Paint is a versatile chalk paint with an ultra-matte finish. Requiring no priming, sanding or complicated prep work, this chalky finish paint adheres to the… Give your vintage finds and discount treasures a modern bohemian distressed look with easy-to-use chalk paint! DecoArt Americana Chalky Finish Paint is a versatile chalk paint with an ultra-matte finish. Requiring no priming, sanding or complicated prep work, this chalky finish paint adheres to the slickest surfaces, and needs only one coat to achieve full coverage on most surfaces. This American-made, water-based paint is easier to distress than other chalk paints and cleanup is quick and easy. Dilute it to create a wash or mix any of the 43 available colors for a truly one of a kind piece of work! Key Features: * Ultra-matte finish available in 43 intermixable colors * One coat coverage with most colors on most surfaces * Adheres to slick surfaces and easy to distress * Water-based and easy to clean up Perfect For: * Refurbishing vintage furniture * Home decor DIYers * Distressing new furniture pieces * Mixed media artists See More -
Schmincke Norma Blue Water-Mixable Oils & MediumsSave Up to36%Off list
Starting At: 11.29
…Painting Medium Blue: 1:1 Lean painting medium, watery, oil-free, and low odor. This medium supports the traditional oil paint consistency and makes the oil paint smoother. Please note you should not use this medium with traditional oil paints. Medium 2 Blue: Fat painting medium for water-mixable… Water-Mixable, Environmentally Conscious, Vegan Oil Paint NORMA Blue Water-Mixable Oils by Schmincke are ideal for painting without solvents in the studio or classroom. The high-quality line comprises 48 brilliant colors guaranteed to ignite your passion for oil painting. The oils can be used pure, diluted with water, or combined with the NORMA Blue mediums. You can easily clean any used brushes or tools with soap and water. Enhance your artwork further with Schmincke's collection of five NORMA Blue mediums, designed to simplify your painting experience. Some of the mediums have an accelerating or retarding effect on the drying time, while others can be used to increase gloss. A special linseed oil completes the range of the NORMA Blue mediums. Key Features: * Low-odor water-mixable oils * Buttery consistency * Highly pigmented and lightfast * Low yellowing * Vegan and eco-friendly * Formulated from high-quality vegetable oils * No cobalt, cadmium, or zinc oxide pigments used * Allergy-friendly: no preservatives * Cleans up with water Perfect For: * Alla prima and traditional oil techniques * Environmentally conscious artists * Painting without any harsh chemicals * Sampling brilliant color ranges * Indoor painting and classroom use * Plein air painters Painting Medium Blue: 1:1 Lean painting medium, watery, oil-free, and low odor. This medium supports the traditional oil paint consistency and makes the oil paint smoother. Please note you should not use this medium with traditional oil paints. Medium 2 Blue: Fat painting medium for water-mixable oil colors. Water thinnable, retards drying, and allows for longer wet-on-wet painting time. The high oil content increases gloss and forms a soft elastic film. Medium 2 can also be used with traditional oil paints. Dosage: Do not exceed a mixture of 1:1 if possible. Contains: modified safflower oil, poppy oil, and siccative. Medium 3 Blue: Is a painting medium with oil content for water-mixable oil colors. You can dilute it with water. The medium accelerates drying, increases gloss, and makes paint layers more resistant. Medium 3 can also be used with traditional oil paints. Contains: modified linseed oil and siccative. Linseed Oil Blue: Modified linseed oil, water-dilutable, and used as an additional binder for water-mixable oil colors. It can also be used for traditional oil paints. Contains: modified linseed oil. Transparent/Gloss Medium Blue: Is a very fat painting medium for water-mixable oil colors. You can dilute it with water. The medium increases transparency enhances gloss, and softens brush marks. Use it only on the upper layers of paint. Transparent/Gloss Medium can also be used with traditional oil paints. Shake before use. Contains: modified linseed oil, safflower oil, and siccative. See More -
Van Aken Kato Polyclay Mediums & AccessoriesSave Up to20%Off list
Starting At: 4.20
…Liquid Polyclay Medium is an innovative product that supports the creation of perfect photo transfers and finishes for Kato Polyclay pieces. You can also use the medium as an adhesive, grout, or glaze. Key Features: * Created in partnership with artist Donna Kato * Kato Polyclay mediums * Polypaste… Polymer clay mediums developed with an artist for artists! You can use Polypaste as an adhesive, create textured surfaces, or repair cracks in polymer clay pieces with the paste. After curing, adhesion is permanent. Polypaste can also be used as a softening agent if your clay is hard to condition. Repel Gel is a water-soluble, non-toxic medium that prevents Kato Polyclay from sticking to itself during the baking process. The water-soluble gel is easy to use and easy to clean-up. Clear Liquid Polyclay Medium is an innovative product that supports the creation of perfect photo transfers and finishes for Kato Polyclay pieces. You can also use the medium as an adhesive, grout, or glaze. Key Features: * Created in partnership with artist Donna Kato * Kato Polyclay mediums * Polypaste adhesion is permanent * Water-soluble, non-toxic Repel Gel * Repel gel prevents Polyclay from sticking to itself * Easy to use and easy to clean-up * Polypaste works as a softening agent * Made in Georgia, USA Perfect For: * Use with Kato Polyclay * Creating photo transfers * Use as adhesive, grout, or glaze (Liquid Polyclay) * Gilding by mixing Polypaste with mica powder * Creating textured surfaces or repairing cracks in polymer clay (Polypaste) * School projects * Model making * Teachers and students Kato Nublade: is a flexible six-inch blade constructed of high-quality stainless steel that resists rusting. Its robust and supple design allows you to make curved or straight cuts. Even after repeated bending, the stainless steel blade will return to its straight shape. Liquid Polyclay Medium: Clear Liquid Polyclay Medium is an innovative product that supports the creation of perfect photo transfers and finishes for Kato Polyclay pieces. You can also use the medium as an adhesive, grout, or glaze. Liquid Polyclays should be cured at 300F (150C) for 20 minutes for a matte finish. To create a glossier finish, bake for an additional 10 minutes at 350F (177C), or wave a heat gun over the project until the desired glossiness appears. Do not inhale fumes and never cure above 350F (177C) or allow Liquid Polyclay to come in contact with an open flame. Polypaste Polymer Glue: You can use Polypaste as an adhesive, create textured surfaces, or repair cracks in polymer clay pieces with the paste. Because of its thick viscosity, it will not run. It is also a polymer clay, making it unlike any other adhesive out there. These unique properties make this medium useful in more ways than one. Polypaste can be used to bond polymer clay and finished Liquid Polyclay elements in any combination. Polypaste is exceptionally malleable; this makes it great for creating textured surfaces and embossing. After curing, adhesion is permanent. Polypaste can also be used as a softening agent if your clay is hard to condition. Repel Gel: Repel Gel is a water-soluble, non-toxic medium that prevents Kato Polyclay from sticking to itself during the baking process. The water-soluble gel is easy to use and easy to clean-up. Use a paintbrush to apply a thin coat of Repel Gel to the areas of the Polyclay were you want to avoid adhesion during the curing process. Follow baking instructions and separate the clay where you applied the Repel Gel. You can rinse off any residue with cold water. See More -
Gamblin Solvent-Free Gel, Fluid & Safflower Oil MediumsSave Up to40%Off list
Starting At: 4.50
Gamblin Solvent-Free Painting Mediums Solvent-Free Gel and Solvent-Free Fluid are painting mediums made from safflower oil and alkyd resin with no solvent. Why safflower? We chose safflower for these mediums because of its paler color. The alkyd resin, which is essentially a highly polymerized oil,… Gamblin Solvent-Free Painting Mediums Solvent-Free Gel and Solvent-Free Fluid are painting mediums made from safflower oil and alkyd resin with no solvent. Why safflower? We chose safflower for these mediums because of its paler color. The alkyd resin, which is essentially a highly polymerized oil, accounts for the faster drying rate of these materials, compared to either linseed or safflower oils used alone. Both Solvent-Free Fluid and Gel increase the flow of oil colors, increase transparency, gloss and color saturation. Both Solvent-Free Fluid and Gel increase the flow of oil colors, increase transparency, gloss and color saturation Solvent-free-Mediums:* Gamblin Solvent-Free Gel gives colors more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates.Solvent-Free Gel is available in the following size: 37 ml, 150 ml * Gamblin Solvent-Free Fluid painting medium gives oil colors more flow and transparency. It has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Fluid is non-toxic and contains no Gamsol or petroleum distillates. To ensure proper drying and prevent beading-up of paint layers, Solvent-Free Fluid should be used in moderation with oil colors – no more than 25% by volume. To avoid wrinkling, apply mixtures of Solvent-Free Fluid and oil colors thinly. For underpainting, we recommend adding Gamsol to Solvent-Free Fluid. Solvent-Free Fluid is available in the following sizes: 4.2oz, 8.5 oz & 16.9 oz. * Gamblin Safflower Oil is a pale, slow-drying oil. When used as a painting medium, Safflower Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium. To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. Solvent-Free Safflower Oil is available in the following sizes: 8.5 oz & 16.9 oz. The biggest difference between the Solvent-Free Fluid and the Gel is their consistency. The Fluid medium more significantly increases the flow of oil colors off of the brush. In terms of its working properties, it is similar to either straight linseed or safflower, though faster-drying. Brush-marks will be slightly leveled, or “rounded” when using the Fluid. Drying Time: In regards to their drying, these mediums have a “moderately fast” drying rate – meaning that thin layers will dry to the touch in approximately 36 – 48 hours. Because they rely solely on oxidation to dry, they have a longer working time compared to our Galkyd mediums, which begin to tack up as their Gamsol content evaporates from paint layers. See More -
LUKAS Berlin PRO Artists Water Mixable Oil Painting MediumsSave Up to57%Off list
Starting At: 11.85
…Oil Painting Mediums! * Berlin Modified Linseed Oil - High quality, modified oil for use as a water-miscible oil painting medium. Perfect for glazing techniques; increases fluidity of paint and slightly slows drying time of water-mixable oil colors. * Berlin Quick Dry Medium - Drying accelerator… Special modified mediums for Germany's finest water-mixable oil paints! LUKAS Berlin Water-Mixable Oil Colors can and should be mixed with water – it's the great advantage of the paint and the reason it's so health-conscious. However, some effects are better achieved by the use of mediums, and LUKAS has developed specially modified oil mediums for use with Berlin Water-Mixable Oils; all designed to behave like traditional oil mediums without sacrificing the unique water-miscibility of Berlin. Glazing techniques, accelerating or retarding drying time — effects not achievable with water are all now available in LUKAS Berlin Water-Mixable Oil Painting Mediums! * Berlin Modified Linseed Oil - High quality, modified oil for use as a water-miscible oil painting medium. Perfect for glazing techniques; increases fluidity of paint and slightly slows drying time of water-mixable oil colors. * Berlin Quick Dry Medium - Drying accelerator for water-miscible oil paints. Speeds drying time and is especially useful in the preparation of under paintings. * Berlin Modified Stand Oil - Heat-thickened modified oil for use as a water-miscible oil painting medium. Greatly retards drying time of water-mixable oil colors and should be used only on the upper layers of a painting following the "fat over lean" rule. View Lukas Berlin Color Chart > See More -
LUKAS Oil Painting Mediums - Solvents and ThinnersSave Up to60%Off list
Starting At: 25.50
…as well as dissolving resins like dammar or mastic to produce mediums. Rectified Balsam Turpentine - Similar to Pure Balsam Turpentine, but distilled multiple times. Ideal for thinning oil colors and dissolving resins to create mediums and varnishes. Citrus Turpentine - Pleasant smelling solvent for… Balsam Turpentine - Pure, water-clear thinner for oils made from cleaned balsam resin. Excellent for thinning oil paints as well as dissolving resins like dammar or mastic to produce mediums. Rectified Balsam Turpentine - Similar to Pure Balsam Turpentine, but distilled multiple times. Ideal for thinning oil colors and dissolving resins to create mediums and varnishes. Citrus Turpentine - Pleasant smelling solvent for oil colors containing lemon peel oil. Clear turpentine substitute good for thinning and cleaning oils and dissolving resins like dammar or mastic to produce mediums. Odorless Thinner - Near-odorless paint thinner for oil colors. Ideal for cleaning painting tools; should not be used for dissolving natural resins (as in the creation of traditional mediums and carnishes) or for thinning resin-based solutions. See More -
Winsor & Newton Artisan Water Mixable Oil MediumsSave Up to40%Off list
Starting At: 7.31
…provides a uniform matte finish. If dirty, the varnish can be removed with Artisan Varnish Remover. Oil Painting Medium - This stand oil-based medium is ready to use from the bottle. The medium thins the consistency of Artisan colors and aids fine detail work. Safflower Oil - This oil should be used… Everythings Better with Help from Artisan Painting Mediums! Professional water mixable oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of water-mixable oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums and varnishes to enhance your oil painting experience. Artisan Water Mixable Oil Painting Mediums are specially formulated to control, enhance, and protect artworks created with Artisan Water Mixable Oils. Key Features: * Accelerates drying time * Increases gloss & translucency of colors * For information click on yellow technote icon Perfect For: * Water mixable oil paint * Maintaining consistency * Preserving gloss Fast Drying Medium - This is a very popular medium as it speeds the drying of oil color by about 50%, allowing further layers to be applied more quickly. Gloss Varnish - This water-based varnish contains no hazardous solvents. Protects finished paintings and provides a uniform glossiness. If dirty, the varnish can be removed with Artisan Varnish Remover. Impasto Medium - This water-mixable impasto and texturing medium helps maintain the consistency of the color and speeds drying by 50%. For thick impasto, build the texture in several layers, allowing each layer to dry first, mixing the Impasto thoroughly into the color before use. Linseed Oil - This water-mixable oil is the main binder in Artisan colors. When mixed with color, it reduces their consistency for better flow. Combine with water or Thinner to maintain the structure of the paint film. Matt Varnish - This water-based varnish contains no hazardous solvents. Provides protection for finished paintings and provides a uniform matte finish. If dirty, the varnish can be removed with Artisan Varnish Remover. Oil Painting Medium - This stand oil-based medium is ready to use from the bottle. The medium thins the consistency of Artisan colors and aids fine detail work. Safflower Oil - This oil should be used with pale pigments to help maintain their brightness. It also increases gloss and transparency. Satin Varnish - This water-based varnish contains no hazardous solvents. Provides protection for finished paintings and provides a uniform satin finish. If dirty, the varnish can be removed with Artisan Varnish Remover. Stand Oil - This highly durable linseed oil is partly polymerized by being heated in the absence of oxygen. This stand oil joins the molecules together, leaving less space for oxygen and hence a longer drying time. Thinner - Although water is suitable as a diluent for the color, its speedy evaporation can make the color thicken upon the palette much quicker than conventional oil color would when used with turpentine. Varnish Remover - Artisan Gloss, Matt, and Satin varnishes can be removed with Artisan Varnish Remover when dirty. NOTE: Please do not use with traditional oil paints. Please use a traditional oil painting medium See More -
Liquitex BASICS Acrylic Mediums Open Stock and SetsSave Up to30%Off list
Starting At: 7.97
…BASICS Mediums! Liquitex BASICS Mediums and Varnishes provide the dependable quality of Liquitex at an economical price! The Introductory Set of Liquitex BASICSMediums provides you with a warm intro to the world of acrylic mediums. The set of 75ml tubes includes Gesso, Gloss Gel Medium, Modeling… Prep, Paint, and Finish Your Painting With Liquitex BASICS Mediums! Liquitex BASICS Mediums and Varnishes provide the dependable quality of Liquitex at an economical price! The Introductory Set of Liquitex BASICSMediums provides you with a warm intro to the world of acrylic mediums. The set of 75ml tubes includes Gesso, Gloss Gel Medium, Modeling Paste, Iridescent Medium, and Coarse Texture Gel. With the set you will find that you can adjust the texture, flow, and surface sheen of your acrylic paints by mixing them with different Liquitex BASICS Mediums. The Modeling Paste and Coarse Texture Gel can be used to create backgrounds for mixed media work while the Iridescent Medium is great for adding that extra shimmer to your paints. Liquitex Basics has also created a non-yellowing Matte and Gloss Varnish that can be used to permanently protect your finished acrylic paintings! Artists on a budget or students just starting out should know that Liquitex Basics Mediums and Varnishes are essential! Key Features: * 250ml, Mediums * Dependable and affordable * Adding extra shimmer to your paints * Adjust the texture, flow, & surface sheen * Permanently protect your finished acrylic paintings * Excellent working qualities Perfect For: * Students learning Acrylics * Artists painting large scale * Budget-minded Artists Gloss Gel Medium 200ml: A thick, transparent medium for mixing with acrylic paint to improve color blending, extend paint volume and drying time and increase paint transparency. Gloss Gel Medium can also be used as a glue for paper and canvas. Permanent, non-yellowing, flexible and water resistant when dry. Dries to a gloss finish. Modeling Paste 200ml: Opaque matte structure paste. Ideal for 3D effects, for use on canvas and wood. When added to acrylic paint it thickens the consistency of the paint. Produces brush stroke retention in paintings. The paste can be used on its own to build up the texture. Water resistant when dry. Coarse Texture Gel 200ml: Dries to a course 'sand' like finish. When dry can be painted with Liquitex acrylic colors or mixed with color before application. Iridescent Medium 200ml: Provides pearlescent effects when added to acrylic colors. Adds shimmer to paint. Mix with acrylic color before application or apply on top of dry painting. Matte Fluid Medium 250ml: Improves the flow of color for blending as well as increasing transparency. Can be mixed with Basics Acrylic Colors for an extra matte finish. Gloss Fluid Medium 250ml: Improves the flow of color for blending as well as increasing transparency. Can be mixed with Basics Acrylic Colors for an added gloss finish. Matte Varnish 250ml: Permanent matte varnish used to protect finished paintings. Matte Varnish can be mixed with Gloss Varnish to vary the final sheen of the work. Varnish is non-yellowing. Gloss Varnish 250ml: Permanent gloss varnish used to protect the finished painting. Gloss varnish may be mixed with Matte Acrylic Varnish to vary the sheen to satin. Varnish will not yellow over time. See More -
Winsor & Newton Professional Acrylic Mediums And AdditivesSave Up to40%Off list
Starting At: 8.45
…impasto and everything in between, Artists’ Acrylic Mediums and Additives will help you make your artistic vision a reality! * Glazing Medium - Adds transparency. * Gloss Medium - Increases the transparency and flow. * Matt Medium - Increases the transparency and flow of your paints,… Use to improve flow of acrylic paints, add body, lengthen drying time and more! Of course acrylic paint straight from the tube can be beautiful, but why not spice it up and experiment with mediums and additives? Some are designed to assist with technical aspects like lengthening the drying time of paint, or increasing the flow. Others are intended as aesthetic qualifiers, adding or subtracting sheen, increasing transparency, or adding thickness and body. Mediums are what make acrylics among the most versatile paints out there: from delicate watercolor effects to near-sculptural impasto and everything in between, Artists’ Acrylic Mediums and Additives will help you make your artistic vision a reality! * Glazing Medium - Adds transparency. * Gloss Medium - Increases the transparency and flow. * Matt Medium - Increases the transparency and flow of your paints, while decreasing the gloss finish. * Gloss Gel - Increases the transparency of your paint without decreasing the body. * Matt Gel - Increases the transparency of your paint without decreasing the body, adds a matt finish. * Modelling Paste - Adds texture and structure to your painting. * Flow Improver - Greatly increases the flow of your colors for watercolor, hard edge, and staining techniques. * Slow Drying Medium - Increases the drying time of your acrylic paints. See More -
Chelsea Classical Studio Oil Painting Mediums Sampler SetsSave Up to50%Off list
Starting At: 11.53
…entire Chelsea Classical Studio system of painting mediums in one convenient sampler pack. This handcrafted set has everything you will need to replace your studio medium sets with the safe alternatives found in Chelsea Classical Studio Mediums. No harsh chemicals were used in the making of these… Keep your studio clean without any harsh chemicals with this sampler set! Now is your chance to own the entire Chelsea Classical Studio system of painting mediums in one convenient sampler pack. This handcrafted set has everything you will need to replace your studio medium sets with the safe alternatives found in Chelsea Classical Studio Mediums. No harsh chemicals were used in the making of these wonderful products and they give off a pleasant lavender scent. Made in the USA from Old World Master Techniques. This set includes the following items - 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. Clarified Pale Cold-Pressed Linseed Oil What: The palest, cleanest pure linseed oil available to artists; washed and de-yellowed by natural processes. Why: Won't darken like other linseed oils; washed and filtered to remove impurities; improves acidity and drying of oil.* Handmade using finest quality ingredients* Created with Old Masters methods Clarified Pale Cold-Pressed Walnut Oil What: Hand cleaned and purified Walnut Oil; washed and cleaned by traditional methods. Why: Improves richness and brightness of whites and light colors; dries slower than linseed oil.* Free of impurities* Use with whites and light colors Clarified Lean Medium Lavender What: Handcrafted blend of Chelsea Cold-Pressed Linseed Oil and Lavender Spike Oil Essence; for lean painting techniques. Why: Designed for use with fat over lean oil techniques; helps increase paint film adhesion; improves paint drying time and gloss.* Decreases drying time* For use in earlier painting stages Clarified Fat Medium Lavender What: Handcrafted blend of Chelsea Cold-Pressed Linseed Oil and Lavender Spike Oil Essence; for fat painting techniques. Why: Designed for use with fat over lean oil techniques; helps increase paint film adhesion; makes paint fatter, rich, and glossy.* Increases paint gloss* For use in later painting stages Lavender Spike Oil Essence What: Natural solvent that thins oil painting mediums, resins, and varnishes; handcrafted from the finest quality Lavender. Why: Safer alternative to toxic turpentines and odorless mineral spirits that can cause chronic health issues.* Safer, natural alternative to turpentines & mineral spirits* Dilutes oil painting mediums and varnishes Lavender Damar Varnish What: Handcrafted using finest natural ingredients: Damar Resin, Chelsea Classic Studio Medium, and Lavender Spike Oil Essence. Why: Safer way to varnish paintings without carcinogenic toxic fumes normally found in varnishes. The ONLY Damar Varnish that is!* Dilute with Lavender Spike Oil Essence to make Retouch Varnish* Final varnish for completely dry oil paintings Lavender Brush Cleaner What: Effective oil painting brush cleaner based on distilled Lavender. Why: Safer alternative to turpentine; cleans brushes as well as turpentine, but with a lovely lavender scent!* Less abrasive to brushes than turpentine or mineral spirits* Pleasant scented, safe, natural alternative Lavender and Olive Oil All Natural Brush Soap What: Superior handmade soap for brushes and hands, crafted from all-natural ingredients; contains no chemical detergents. Why: Naturally safe, safer alternative to turpentine; cleans brushes as well but with a lovely lavender scent!* All natural and homemade, pleasant lavender scent* Conditions and extends the life of brushes Key Features:* Pleasant smell - no harsh chemicals* Based on classic Renaissance formulas* Less toxic alternative to turpentine* Seven 1oz bottles of each medium plus a 2 oz bar of Lavender and Olive Oil Soap Perfect For:* Safer in the studio* Enhancing oil colors the natural way* Cleaning your brushes and preserving your paintings * Painting fat over lean See More -
Michael Harding Artists' Oil Color Mediums & VarnishesSave Up to25%Off list
Starting At: 11.35
…raw materials used are consistent with those of the past. Mediums and varnishes are available in 100ml and 250ml jars. See description tab for information on each individual medium. Dammar Glaze Medium - A traditional glaze medium (with cobalt siccative) that helps add depth and gloss to transparent… Handmade Oil Colour Mediums, Carefully Crafted From The Highest-Grade Natural Materials! Rather than using toxic and unpredictable lead drying agents, Michael Harding has prepared a selection of oil, resin, balsam, and wax painting medium creations that will safely yet traditionally alter your paint film to suit your painting needs! In place of traditional sun-thickened linseed oil, Harding’s oil mediums formula utilizes the best grade viscous linseed stand oil, given its ability to self level, imparts elasticity into the paint film, and does not yellow or darken appreciably over time. Otherwise, the raw materials used are consistent with those of the past. Mediums and varnishes are available in 100ml and 250ml jars. See description tab for information on each individual medium. Dammar Glaze Medium - A traditional glaze medium (with cobalt siccative) that helps add depth and gloss to transparent colors. Known for its speedy drying time of oil colors; use with slower drying colors. Oil Painting Medium - A basic oil medium designed to ease flow and increase gloss, transparency, depth, and bedaub of the pigment color. This medium is a linseed stand oil and turpentine formulation that prevents yellowing of paint film. Resin-Oil-Wax Medium - A soft painting paste, derived from pure bleached beeswax, mixed with dammar resin and linseed stand oil. This popular medium creates a lovely satin sheen and gentle impasto in paint layers. Settling of the medium may occur - allow jar to stand in hot water and stir contents until dissolved. Oleo-Resin Medium - A historic glazing medium based on light colored Canadian balsam fused with dammar resin and linseed stand oil. This versatile medium provides high gloss levels while imparting depth to paint films. Beeswax Paste - A high oil content paste based on linseed stand oil and pure bleached beeswax. The paste increases the body of oil colors with a satin-matte finish; especially useful with opaque colors. Balsam Resin Glaze - Another historical glazing medium, it is based on Austrian Larch Turpentine (Venice Turpentine) with Dammar resin and linseed stand oil. This wonderful smelling medium is added to oil colors to enhance depth, gloss, and luster. Matte Varnish - Creates a long lasting, protective coating with a beautiful matte finish. Made from real beeswax dissolved in the finest Portuguese Turpentine. Heat the container before using (until the contents turn clear) and then apply one thin coat - dries within minutes. Apply this varnish as a final picture varnish to thoroughly dried oil paint (6 months minimum- up to 18 months if paint is very thick). Dammar Varnish - Versatile varnish that creates a subtle gloss finish. Made from the best quality dammar resin from Thailand, dissolved in double rectified Portuguese maritime Turpentine, then carefully filtered. Apply as a final picture varnish to thoroughly dried oil paint (6 months minimum- up to 18 months if paint is very thick). Key Features: * No toxic, unpredictable lead driers * Oil, resin, balsam, and wax blends * Varnish, glazing & painting mediums * Mediums for Professional Oil Painters Perfect For: * Professional Oil Painters * discerning amateurs & instructors * Artists favoring Old Masters materials * use with Michael Harding Artists’ Oils See More -
GOLDEN Gloss MediumSave Up to30%Off list
Starting At: 14.27
…film integrity. The medium has a unique oil-like feel and resinous nature that promotes flow and leveling. GOLDEN Gloss Medium is also the best product for blocking Support Induced Discoloration, also known a SID, which is when contaminants are drawn into paints and mediums as they dry. You can… General-purpose liquid polymer! GOLDEN Gloss Medium is a general-purpose liquid medium useful for creating glazes, extending colors, enhancing translucency, and increasing film integrity. The medium has a unique oil-like feel and resinous nature that promotes flow and leveling. GOLDEN Gloss Medium is also the best product for blocking Support Induced Discoloration, also known a SID, which is when contaminants are drawn into paints and mediums as they dry. You can protect your canvas or board from this phenomenon by applying GOLDEN Gloss Medium before starting an acrylic painting. SID contamination often goes undetected. In most cases, paints contain a strong enough color to conceal the yellowing. However, in a transparent glaze and especially in thick gel layers, SID becomes obvious. Gloss Medium medium works best when two or more coats are applied directly onto the support. Once dry, the canvas can then be primed and finally painted with less potential for discoloration. You can treat pre-primed canvases with Gloss Medium as well. Apply two coats to the surface, and follow with at least one layer of gesso to regain tooth. Key Features: * General-purpose liquid polymer * Oil-like and resinous viscosity * Promotes flow and leveling * Perfect For: * Creating thin, fast-drying glazes * Extending colors, enhancing gloss, and increasing film integrity * Blocking Support Induced Discoloration (SID) See More -
GOLDEN Silkscreen MediumSave Up to30%Off list
Starting At: 10.49
…medium will not impart opacity. Your paint mixtures opacity is determined by the nature of the acrylic color that you use and the ratio of paint to medium. Please keep in mind that GOLDEN Silkscreen Medium is NOT designed for clothing applications. Key Features: * Water-borne silkscreen medium *… Increases working time! GOLDEN Silkscreen Medium is a water-borne system designed to blend with acrylic paints for silkscreen application. The medium increases working time while slowing paint drying time. Safe to use with minimal odor. Mix one part silkscreen medium with one part GOLDEN acrylic color, either heavy-body, matte or fluid acrylic paint, can be used. Use this mixture on your silkscreen. The silkscreen medium will not impart opacity. Your paint mixtures opacity is determined by the nature of the acrylic color that you use and the ratio of paint to medium. Please keep in mind that GOLDEN Silkscreen Medium is NOT designed for clothing applications. Key Features: * Water-borne silkscreen medium * Blend with acrylic paints * Increases working time * Retards drying in the screen * Safe to use with minimal odor Perfect For: * Acrylic paint * Silkscreen printing on paper * Heavy-body, matte, or fluid acrylic paint * Preventing paint from drying on screen See More -
Jacquard Fabric Sculpting MediumSave Up to5%Off list
Starting At: 24.69
…Fabric Sculpting Medium perfect for creating fabric sculptures, lampshades, collage art, mixed media, and more! To use, simply dip fabric into the medium and wrap, drape, or otherwise form it around an armature, wire figure, or other object and let dry. Jacquard Fabric Sculpting Medium dries fairly… Create elegant sculptures out of any fabric! This exciting new medium from Jacquard opens a near-limitless range of possibilities for any artist. Makers of fine textile art materials, Jacquard has expanded their offering to include this versatile Fabric Sculpting Medium perfect for creating fabric sculptures, lampshades, collage art, mixed media, and more! To use, simply dip fabric into the medium and wrap, drape, or otherwise form it around an armature, wire figure, or other object and let dry. Jacquard Fabric Sculpting Medium dries fairly quickly but still allows for open working time to manipulate your sculpture. For a softer hand, thin up to 25% with water. Fabric Sculpting Medium adheres well to fabric, paper, wood, and most porous and semi-porous surfaces, and has a matte finish when dry. Great for use as fabric glue as well as mixed media applications, this versatile fabric stiffener medium is sure to be an artistic inspiration! Key Features: * Stiffener medium for all fabrics * Adheres to porous & semi-porous surfaces * Dries quickly to a matte finish * Can be thinned up to 25% with water Perfect For: * Draped & formed fabric sculptures * Creating lampshades & décor * Collage & mixed media art * Adhere and harden fabric onto paper, wood, clay, metal, or canvas * Any three-dimensional artwork! See More -
Matisse Dry Medium Mix-InsSave Up to50%Off list
Starting At: 25.98
Unique Dry Mediums For Unrivaled Textural Effects! Matisse Dry Medium Mix-Ins are distinctive dry mediums designed to be mixed with a range of wet acrylic mediums (and can also be used with oil mediums) to produce textural qualities unparalleled by any other product! Unlimited effects can be… Unique Dry Mediums For Unrivaled Textural Effects! Matisse Dry Medium Mix-Ins are distinctive dry mediums designed to be mixed with a range of wet acrylic mediums (and can also be used with oil mediums) to produce textural qualities unparalleled by any other product! Unlimited effects can be achieved by varying the amount of dry to wet medium, though an ideal mixture is one 50ml bottle of Mix-Ins to one 250ml jar of Matisse medium. Create infinite combinations of texture, build ridges and valleys within your artwork, and bulk out your paint with nearly weightless dry mediums perfect for use on large canvases. Any surface imaginable is now achievable to your precise specifications with amazing Matisse Mix-Ins! Key Features: * Coarse Effects Set of 6 * Calcined Bauxite, Lang Land Sand, Lang Lang Gravel, Pumice, Glass Beads, and Wollastonite Perfect For: * Adding texture to paint * Working with acrylic and oil mediums Lang Lang Sand & Gravel- 5 grades of fine, medium, or coarse sands for texture effects. Pumice - Lightweight volcanic glass good for creating texture on large canvases. "I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas….I am completely sold on Matisse Acrylics. I highly encourage every artist, professional or pleasure painter, to experience these paints for themselves." - Andy Russell, Professional Artist See More -
GOLDEN Airbrush MediumSave Up to30%Off list
Starting At: 8.32
…to airbrushing with acrylics. While designed with the Fluid Acrylics in mind, Airbrush Medium will also reduce the Heavy Body, Matte, High Load, Iridescent/ Interference and Fluorescent Acrylics for spray applications. GOLDEN Mediums and Gessos can also be blended with Airbrush Medium for spraying. GOLDEN'S Airbrush Colors are specifically designed for airbrushes and spray guns, but this medium helps to modify GOLDEN's Fluid Acrylics for spray applications. Blends with minimal effort with the Fluid Acrylics to yield a paint mixture with the proper viscosity for airbrushing. Effectively decreases clogging and tip build-up during spraying, eliminating the largest drawback to airbrushing with acrylics. While designed with the Fluid Acrylics in mind, Airbrush Medium will also reduce the Heavy Body, Matte, High Load, Iridescent/ Interference and Fluorescent Acrylics for spray applications. GOLDEN Mediums and Gessos can also be blended with Airbrush Medium for spraying. See More -
Dorland's Wax Medium by JacquardSave Up to20%Off list
Starting At: 10.71
…against shrinkage and cracking, sealing out dirt, air, and moisture. Dorland's Wax Medium by Jacquard improves luminosity and clarity of all colors with no chance of muddiness of tone. For brush painting mix 1 part medium to 3 parts color, knife painting mix in equal ratios and for encaustic results… The choice of professionals worldwide! When mixed into oil colors, this non-yellowing wax and resin mixture strengthens the paint film against shrinkage and cracking, sealing out dirt, air, and moisture. Dorland's Wax Medium by Jacquard improves luminosity and clarity of all colors with no chance of muddiness of tone. For brush painting mix 1 part medium to 3 parts color, knife painting mix in equal ratios and for encaustic results reverse brush painting ratios. Key Features: * Non-yellowing wax and resin mixture * Strengthens the paint film against shrinkage * Improves luminosity and clarity of all colors * No chance of muddiness of tone * Thin to achieve glazing consistency * Museum-quality * Matte finish protective coating * Unsurpassed for cleaning and preserving * Made in the USA Perfect For: * Oil paint and powdered pigment * Brush or knife painting * Wax coating paintings * Final picture varnish * Cleaning wax paintings * Photo sealing * Mixed media embedded objects * Woodcarvings, bronze, plastics, and other items worth protecting * Discerning students and amateurs See More -
Black Mountain Acrylic Gloss MediumSave Up to43%Off list
Starting At: 19.99
…Clear gloss medium can also be used to minimize brush strokes, transfer laser-printed images, or glue down a mixed-media collage. Once your painting is dry, apply a top coat of Black Mountain Clear Gloss Medium for an even finish. Key Features: * Professional grade acrylic gloss medium * Extends… Extends Paint, Provides A Uniform Gloss Finish, and Increases Transparency Black Mountain Clear Gloss Medium is formulated to extend acrylic colors while maintaining the integrity of your paint. Unlike water which can weaken and destabilize acrylics, gloss medium maintains paint bonds at a chemical level while adding a gloss finish. Mix it with heavy body paints to create thin transparent glazes. Experiment with different ratios to find the color and consistency you prefer. Clear gloss medium can also be used to minimize brush strokes, transfer laser-printed images, or glue down a mixed-media collage. Once your painting is dry, apply a top coat of Black Mountain Clear Gloss Medium for an even finish. Key Features: * Professional grade acrylic gloss medium * Extends colors while maintaining paint structure * Non-yellowing, acid-free, and archival * Semi-opaque liquid medium dries clear * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint Perfect For: * Thinning heavy body acrylics * Increasing color depth and transparency * Creating blended gradations of color * Collage, mixed media, and photo transfers * Use as a collage adhesive * Professional artists and students * Everyday studio use See More -
LUKAS Painting Butter Impasto MediumSave Up to60%Off list
Starting At: 6.29
…without wasting valuable pigment with this quick drying, elastic, alkyd resin-based Painting Butter medium from LUKAS! Formulated with special drying agents and thickeners, this impasto medium helps keep the thick constitution of heavy paint application with no leveling, ensuring that your paint… Paint in heavy impasto techniques without wasting valuable pigment! Layers will dry without shrinking, cracking, or wrinkling! Paint in heavy impasto techniques without wasting valuable pigment with this quick drying, elastic, alkyd resin-based Painting Butter medium from LUKAS! Formulated with special drying agents and thickeners, this impasto medium helps keep the thick constitution of heavy paint application with no leveling, ensuring that your paint structure remains. Layers will dry without shrinking, cracking or wrinkling! LUKAS Painting Butter Impasto Medium is a transparent, slightly amber-tinted mixture of alkyds, thickeners, and driers and is the same consistency as straight oil paint: * Mixing it with your paint will thin the color somewhat, but allows you to paint in heavy impasto layers while not wasting pigment.* Ensures the layer dries completely and evenly.* An indispensable medium for the oil artist fond of impasto and palette knife painting techniques! Helps maintain brushstrokes and speeds the drying rate of oil colors Key Features: * Alkyd base speeds up drying time of oil paint * Dries at the same rate! * Dries evenly without wrinkling or cracking * Special drying agents and thickeners * Paint in impasto layers up to an inch thick! * No need to add a lot of paint to it to get the color you want * Not only dries faster but can double your colored pigment! * Mixes easily with the oils and dries very quickly, allowing additional coats of paint to be applied without smearing * If you like texture in your oil painting, you'll love this product * Available in 37ml and 200ml tubes Perfect For: * Oil Painting Medium used to mix with oil paints for impasto techniques * Will thin the color somewhat but allows you to paint in heavy impasto layers * Ensures the layer dries completely and evenly * Impasto and palette knife painting techniques * Quick drying - special drying agents and thickeners * Ability to put paint over paint with ease * Thickens the paint and makes it so much easier to use a palette knife. * Colors stay vibrant, Extend oil paints without making them weak or runny * Excellent consistency of the butter, ability to spread smoothly* "I LOVE This Stuff! I love Lukas Painting Butter, both for my own work and in my workshops. Its heavy texture and FAST drying time are "just the ticket" for my "knife paintings." I have turned many of my students onto it, too! It's now a staple of my "must-have" supplies." Paint in heavy impasto techniques – LUKAS Painting Butter Impasto Medium Read Blog Article -> Thicken Your Oil Paints with Impasto Medium for Oil Paints – LUKAS Painting Butter See More -
Tom Norton Walnut Ink MediumSave Up to3%Off list
Starting At: 14.59
…drawings! Tom Norton's Walnut Darkening Medium is great for adding an extra punch of drama to your ink drawings. The medium has a water-soluble base so you can use it without changing the working characteristics of your Walnut Ink. You can even use the medium straight from the bottle as an intense… Add an extra "punch" to your Walnut Ink drawings! Tom Norton's Walnut Darkening Medium is great for adding an extra punch of drama to your ink drawings. The medium has a water-soluble base so you can use it without changing the working characteristics of your Walnut Ink. You can even use the medium straight from the bottle as an intense dark brown Sumi ink. Tom Norton's Walnut Darkening Medium has extra staining power and does not lift as well as Walnut Ink, but it is fadeproof, acid free, and archival! Key Features: * Artist grade pigment-based ink * Darkening medium for walnut ink * Lightfast and acid free! * Remains water-soluble * Great staining power Perfect For: * Creating dark shadows * Adding depth to drawings and sketches * Tonal paintings * Watercolor painting See More -
Chelsea Classical Studio Clarified Fat Medium LavenderSave Up to50%Off list
Starting At: 13.63
…Fat Medium, by Chelsea Classical Studios, is a handmade oil medium that decreases drying time and increases glossiness. It is crafted from a mixture of pure, extra-pale, cold pressed linseed oil and lavender damar varnish. For Chelsea Classical Mediums, even the ingredients of their mediums are… A handcrafted oil medium that improves glossiness & dry time! A "Fat" Medium refers to the “Fat Over Lean” technique, which means to apply a paint layer rich in oil (a fat) over a layer with less oil (a lean) layer on a painting. This simple principle is fundamental to controlling the paint adhesion, drying time and glossiness of oil colors. The Clarified Fat Medium, by Chelsea Classical Studios, is a handmade oil medium that decreases drying time and increases glossiness. It is crafted from a mixture of pure, extra-pale, cold pressed linseed oil and lavender damar varnish. For Chelsea Classical Mediums, even the ingredients of their mediums are handcrafted to ensure absolutely the highest quality products. The Clarified Fat Medium is made with linseed oil that is purified and de-yellowed by traditional, natural processes that strive to make the palest, cleanest, pure linseed oil for artists’ to use. The damar resin is dissolved in distilled Oil of Spike Lavender Solvent for the varnish that is mixed with the oil. This fine-art quality medium has a large oil content mixed with a varnish so is considered fairly fat, rich and glossy. There are no carcinogenic fumes since neither turpentine nor petroleum is used. What: Handcrafted blend of Chelsea’s Cold-Pressed Linseed Oil and Lavender Spike Oil Essence; for fat painting techniques. Why: Designed for use with fat over lean oil techniques; helps increase paint film adhesion, makes paint fatter, rich, and glossy. Where: Made in the USA from Old World Master Techniques * Increases paint gloss * For use in later painting stages Key Features:* Handmade from the highest quality ingredients* Non-yellowing and of archival quality* Created through reproducing the methods of the Old Masters* No carcinogenic fumes since neither turpentine nor petroleum is used* Improves glossiness of paint when dried* Quick drying time* Recommended for use in later stages of painting Perfect For:* Painting in the "fat over lean" technique* Use with fine oil colors* Material-conscious artists* Professional artists* Use in final works of art* Improving drying time for oil paintings* Use in studios or professional classrooms Oil Painting Cube Sample Set -This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. Painting fat over lean See More -
Chelsea Classical Studio Clarified Lean Medium LavenderSave Up to50%Off list
Starting At: 13.63
…pressed linseed oil and lavender spike oil essence. For Chelsea Classical Mediums, even the ingredients of their mediums are handcrafted to ensure absolutely the highest quality products. The oil in the Clarified Lean Medium is cold-pressed, purified and de-yellowed by traditional, natural processes… Handcrafted from the finest materials, this oil medium thins paint and decreases dry time! The Clarified Lean Medium, by Chelsea Classical Studios, is a handmade oil medium that uses lavender spike oil essence, which is a safer alternative to ones made with turpentine for the oil painter. Also, it decreases drying time and thins the paint It is crafted from a mixture of pure, extra-pale, cold pressed linseed oil and lavender spike oil essence. For Chelsea Classical Mediums, even the ingredients of their mediums are handcrafted to ensure absolutely the highest quality products. The oil in the Clarified Lean Medium is cold-pressed, purified and de-yellowed by traditional, natural processes that strives to make the palest, cleanest pure linseed oil for artists’ to use. A "Lean" Medium refers to the “Fat Over Lean” technique, which means to apply a paint layer rich in oil (a fat) over a layer with less oil (a lean) layer on a painting. This simple principle is fundamental to controlling the paint adhesion, drying time and glossiness of oil colors. This fine-art quality medium has a light oil content mixed with a varnish, so it will thin the paint, make it dry faster, and is recommended for the early layers of painting. What: Handcrafted blend of Chelsea’s Cold-Pressed Linseed Oil and Lavender Spike Oil Essence; for lean painting techniques. Why: Designed for use with fat over lean oil techniques; helps increase paint film adhesion, improves paint drying time and gloss. Where: Made in the USA from Old World Master Techniques * Decreases drying time * For use in earlier painting stages Key Features:* For the oil painter* Handmade from the highest quality ingredients* Safer alternative to Turpentine* Non-yellowing and of archival quality* Created through reproducing the methods of the Old Masters* Thins paint consistency* Decreases drying time* Palest, cleanest pure linseed oil for artists’ to use* Crafted from a mixture of pure, extra-pale, cold pressed linseed oil and lavender spike oil essence Perfect For:* Painting in the "fat over lean" technique* Use with fine oil colors* Material-conscious artists* Professional artists* Use in final works of art* Improving drying time* Thinning oil paints* Use in studios or professional classrooms* Use in early layers of painting Oil Painting Cube Sample Set - This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. Painting fat over lean Artist’s guide to oil painting solvents See More -
Schmaltz Artist Oil Impasto Gel MediumSave Up to56%Off list
Starting At: 10.99
This Quick Drying Impasto Gel Increases Shine & Volume While Improving Transparency & Gloss! Indulge your palette with an extra dollop of Schmaltz™, the best ingredient for shiny, glossy artwork! Schmaltz™ is a full-fat, solvent-free synthetic resin gel made of high… This Quick Drying Impasto Gel Increases Shine & Volume While Improving Transparency & Gloss! Indulge your palette with an extra dollop of Schmaltz™, the best ingredient for shiny, glossy artwork! Schmaltz™ is a full-fat, solvent-free synthetic resin gel made of high quality alkyds and oils. Add it to your paint to create luminous, transparent full-bodied colors. The buttery gloss gel retains brush strokes and dries quickly, which makes it perfect for impasto effects and glazes. Pair with StudioSolv™ to reduce viscosity if a more leveled look is desired. Key Features: * Quick drying impasto gel * Increases shine and volume * Speeds up drying time * Improves transparency and gloss * Retains brush strokes and peaks * Contains linseed oil, safflower oil, and clear alkyd Perfect For: * Oil painters * Mixing luminous, transparent colors * Impasto effects and glazes * Speeding up drying time * Making your artwork Schmaltzy! Why the name Schmaltz? We were inspired by the Yiddish word for rendered chicken fat when developing this particular resin gel. Not only does it look a lot like its culinary cousin it also adds a luminous impact when mixed with oils. Please don't get confused! We know it looks delicious, but you should never eat your art supplies or use them in the kitchen! See More -
Old Holland Gumwater Gum Arabic Watercolor MediumSave Up to25%Off list
Starting At: 19.80
…Medium for watercolors, binds to paper, board, canvas and wood giving the paint greater transparency and brilliance! Made of pure gum dissolved in lukewarm water with glycerine. Old Holland Gum Arabic Gumwater is of the finest quality and available in professional sizes. Key Features:* Medium for… gives the paint greater transparency and brilliance Old Holland Arabic Gumwater Medium for watercolors, binds to paper, board, canvas and wood giving the paint greater transparency and brilliance! Made of pure gum dissolved in lukewarm water with glycerine. Old Holland Gum Arabic Gumwater is of the finest quality and available in professional sizes. Key Features:* Medium for watercolors* Binds to paper, board, canvas and woods* Greater transparency and brilliance* Made of pure gum* Dissolved in lukewarm water with glycerine See More -
Claessens Oil Primed Medium Texture Linen RollsSave Up to64%Off list
Starting At: 34.39
…due to its even medium texture, a tight weave and strength. The world’s most popular linen for landscape painting. It has a 43.2 TPI warp and 36.8 TPI weft. Single primed weighs 13.48 oz. per square yard. 2 coat sizing. Key Features: * Professional Quality Linen * Popular Medium (all purpose) weave… Claessens Oil Primed Medium Textured Linen Rolls Feature Meticulous Craftsmanship - Their Most Popular All-Purpose Surfaces! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in the premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #15 - Single OP #15 - Claessens Linen features a pronounced medium weave and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 13.12oz. Double Oil Primed Linen Roll #15 - Double OP #15 - Claessens Linen features a pronounced medium weave and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 14.75oz. Single Oil Primed Linen Roll #66 - Single OP #66 - A favorite of many famous artists world wide due to its even medium texture, a tight weave and strength. The world’s most popular linen for landscape painting. It has a 43.2 TPI warp and 36.8 TPI weft. Single primed weighs 13.48 oz. per square yard. 2 coat sizing. Key Features: * Professional Quality Linen * Popular Medium (all purpose) weave * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, still life, general purpose * General painting techniques * Aspiring students & amateurs See More -
Gallery Pro Medium Duty Stretcher BarsSave Up to51%Off list
Starting At: 2.37
…The profile measures 1-1/2" wide by 1-1/2" deep. Unlike other stretcher bar systems, these create an ideal flush frame that is sturdy. Gallery Pro Medium Duty Stretcher Bars are the perfect solution for custom sized canvases! Key Features: * 1½" × 1½" profile * Tongue and groove design * Kiln-dried… Flush frame and rigid support that is sturdy! 1-1/2" Deep by 1-1/2" Wide These all wood, kiln-dried solid pine stretcher bars combine rigid support at an economical price! The stretcher bars feature the traditional tongue and groove corner ends that you can quickly assemble by interlocking two strips to form a canvas corner. They also feature a uniform beaded edge, so the canvas is slightly offset, to ensure that there will be no "ghost" impressions on the canvas. The profile measures 1-1/2" wide by 1-1/2" deep. Unlike other stretcher bar systems, these create an ideal flush frame that is sturdy. Gallery Pro Medium Duty Stretcher Bars are the perfect solution for custom sized canvases! Key Features: * 1½" × 1½" profile * Tongue and groove design * Kiln-dried solid pine * Quickly assemble by interlocking two strips * All wood solid pine stretcher Perfect For: * Stretching canvas at home * Easy to use * Professional Artists * Artists of all skill levels * Custom Canvas up to 72 × 72" See More -
Da Vinci Pro Medium Textured Gesso PanelsSave Up to75%Off list
Starting At: 1.85
…and acrylic gouaches, and mixed media. Seal with an archival spray fixative appropriate to your individual medium for a dramatic, frameless presentation of your artwork. Key Features: * Medium textured, white acrylic polymer gesso with quartz sand * 7/8” and 1 5/8” cradle depths… Superbly crafted for permanent works of art! Tested by artists, Da Vinci Pro Medium Textured Gesso Panels offer a slight textured surface for artists seeking a panel that grabs media like canvas. Works well with oils, the surface is easily adaptable to oil pastel and other drawing sticks, crayons, graphite and colored pencils, hard and soft pastels, acrylics and acrylic gouaches, and mixed media. Seal with an archival spray fixative appropriate to your individual medium for a dramatic, frameless presentation of your artwork. Key Features: * Medium textured, white acrylic polymer gesso with quartz sand * 7/8” and 1 5/8” cradle depths for frameless presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Wide range of sizes for any artist’s needs * Cradles easily accept paint, stain, or clearcoat for finishing Perfect For: * Acrylics, oils, drawing sticks, crayons, pencils, colored pencils, and all types of pastels * Large scale drawings without the need or cost of framing * Frameless presentation of artwork in any media * Archival art that will last a lifetime * Students, teachers, professionals * See More -
Chelsea Classical Studio Lavender Spike Oil Essence MediumSave Up to53%Off list
Starting At: 14.15
…soaps and in aromatherapy! With this medium, artists can mix with other oil painting mediums, resins and varnishes. As with any medium please refer to the Safety Data Sheets for full details: Click here What: Natural solvent that thins oil painting mediums, resins, and varnishes. Why: Sweet smelling… A safer natural solvent for oil painting! Distinctive, sweet lavender scent The Chelsea Classical Medium, Lavender Spike Oil Essence has a distinctive, sweet lavender scent, and is a safer, natural alternative to Turpentine, does not cause chronic health problems that are often associated with turpentine or odorless petroleum mineral spirits. Lavender Spike Oil Essence is so safe to use and has such a pleasant scent, that it is often used for making soaps and in aromatherapy! With this medium, artists can mix with other oil painting mediums, resins and varnishes. As with any medium please refer to the Safety Data Sheets for full details: Click here What: Natural solvent that thins oil painting mediums, resins, and varnishes. Why: Sweet smelling alternative to toxic turpentines and odorless mineral spirits that can cause chronic health issues. * Safer, natural alternative to turpentines & mineral spirits* Dilutes oil painting mediums and varnishes Key Features:* Distinctive, sweet lavender scent* Dilutes oil painting mediums* A safer, natural alternative to turpentine and mineral spirits* Safer natural solvent for oil painting* Features a distinctive, sweet lavender scent * Perfect For:* Dissolving resins and varnishes* Health-conscious artists* Promoting well-being* Use with fine oil colors* Blending colored pencils* Professional artists* Use in final works of art* Stretched canvases* Use in studios or professional classrooms Oil Painting Cube Sample Set - This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. Ventilation: All essential oils/solvents should be used appropriately and with ventilation and common sense usage. Skin contact: As with all essential oils, you should always avoid skin contact, especially if you have skin issues. Skin contact for some people will not cause any problems, but because of the high concentration please be aware and take precautions when using Spike Oil or any other solvents. Allergies: Spike Lavender, in rare cases can be considered an allergen, as are many essential oils like Tea Tree Oil, etc. So all products containing Spike (the solvent, mediums and varnishes) see warnings regarding safety and clear directions for usage. The main reason this solvent is considered “safer” is because there are no known carcinogens or a lot of the health issues associated with Turpentine or Petroleum Mineral Spirits. However, like with all solvents when used in oil painting, you should have ventilation and limit skin contact. See More
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