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Turner Artists' Water Colour Masking FluidSave Up to50%Off list
Starting At: 9.99
Enables You To Get A Precise Film On Paper Any watercolorist is familiar with traditional masking fluids; their gummy texture can be hard to control, and they may even stain the paper. Turner Masking Fluid has a much more fluid consistency than most masking fluids. This allows the watercolorist to… Enables You To Get A Precise Film On Paper Any watercolorist is familiar with traditional masking fluids; their gummy texture can be hard to control, and they may even stain the paper. Turner Masking Fluid has a much more fluid consistency than most masking fluids. This allows the watercolorist to lay down the fluid evenly, with precision. With the Turner Masking Fluid Applicator Set, this masking fluid can be applied with an applicator tip to create extremely fine lines and details. Turner Masking Fluid is available in a 40ml bottle and in a set containing three 40ml bottles, one pack of 3 Flo Line Bottles with applicator tips and one set of Creative Mark Masking Fluid Brushes. We recommend Creative Mark Masking Fluid Brushes for use with all masking fluids, as their low price point makes them ideal for one-time use. Key Features: * Fluid consistency * Can be applied with brush or applicator tip * Allows for precise detail Perfect For: * Watercolorists who work with fine details * Artists who are unsatisfied with other masking fluids on the market See More -
Creative Inspirations Acrylic White GessoSave Up to50%Off list
Starting At: 8.49
…more expensive primers, Creative Inspirations White Gesso sands easily between applications, to create the perfect desired texture for painting mediums. The 1.8L jug accepts any standard pump dispenser, making it ideal for multiple users to pump out the perfect amount of gesso for their priming… Exceptional Value Gesso in both 500ml and 1.8L Jugs Creative Inspirations White Gesso is designed with the bulk user in mind, but does not sacrifice quality for quantity! Perfect for artists, venues, schools, instructors, and art leagues this smoothly applying white acrylic gesso bonds to the substrate well. Like more expensive primers, Creative Inspirations White Gesso sands easily between applications, to create the perfect desired texture for painting mediums. The 1.8L jug accepts any standard pump dispenser, making it ideal for multiple users to pump out the perfect amount of gesso for their priming needs. Creative Inspirations White Gesso is ideal for adding additional primer to dry, thinly primed student-grade or hobby quality canvases, to provide a smoother, better bonding surface for acrylic or oils. For priming raw canvas or heavier paper surfaces, three coats of primer are recommended to properly seal the material and give a consistent white surface texture for painting. Creative Inspirations White Gesso is the perfect priming foundation. It is an ideal primer for use with Art Journaling, due to its smooth application and clean white color. Key Features:* Smooth application* Clean white color* Value sizing for cost savings* Non-Toxic* Available in 500ml jar & 1.8L jug* Smooth applying white acrylic gesso * Sands easily between applications* Excellent coverage Perfect For:* Ideal for adding additional primer to dry* Classrooms, Universities, Art Leagues* Painting Party venues* Artists priming large canvases* Art Journaling* Better bonding surface for acrylic or oils* See More -
Williamsburg Genuine Rabbit Skin GlueSave Up to30%Off list
Starting At: 27.22
A traditional ground for oil painting Williamsburg Rabbit Skin Glue is 100% genuine, and comes in a fine crystallized powder form. It acts as an excellent sizing for preparing canvas as well as an adhesive. Rabbit Skin Glue is used to size canvas or linen before oil painting in order to coat and… A traditional ground for oil painting Williamsburg Rabbit Skin Glue is 100% genuine, and comes in a fine crystallized powder form. It acts as an excellent sizing for preparing canvas as well as an adhesive. Rabbit Skin Glue is used to size canvas or linen before oil painting in order to coat and protect the fibers from deterioration caused by the oxidation of linseed oil that would otherwise penetrate the fibers. Rabbit Skin Glue will tighten the fabric as well as make it stiff.Key Features:* Size: 16 oz* Genuine rabbit skin glue* Comes in a fine crystallized powder form* A traditional ground for oil painting* Will tighten the fabric as well as make it stiff* Excellent sizing and adhesive for preparing canvas* Protects fibers from deterioration caused by the oxidation* Contains no hoof or hide See More -
Williamsburg Lead Oil GroundSave Up to30%Off list
Starting At: 57.04
Prepare your surface before painting Williamsburg Lead Oil Ground is a traditional oil ground made with Basic Lead Carbonate and marble dust for the perfect amount of tooth and absorbency. A small amount of Titanium White is added to improve opacity and brightness. Ground in 100% alkali-refined… Prepare your surface before painting Williamsburg Lead Oil Ground is a traditional oil ground made with Basic Lead Carbonate and marble dust for the perfect amount of tooth and absorbency. A small amount of Titanium White is added to improve opacity and brightness. Ground in 100% alkali-refined linseed oil. The perfect amount of tooth and absorbency. It contains no zinc or alkyd. A combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting. Dries to a semi-absorbent, satin finish. Some separation of the product can occur due to settling. Key Features:* Size: 16oz & 32oz* Made with Basic Lead Carbonate and marble dust* Titanium White is added to improve opacity and brightness* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Videos and How To Instructions:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRYING TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas See More -
Williamsburg Titanium Oil GroundSave Up to30%Off list
Starting At: 33.66
Prepare your surface before painting Williamsburg Titanium Oil Ground is an oil ground made with Titanium Dioxide and marble dust for the desired amount of tooth and absorbency. Ground in 100% alkali-refined linseed oil. Contains no zinc or alkyd. Just the right amount of tooth and absorbency.… Prepare your surface before painting Williamsburg Titanium Oil Ground is an oil ground made with Titanium Dioxide and marble dust for the desired amount of tooth and absorbency. Ground in 100% alkali-refined linseed oil. Contains no zinc or alkyd. Just the right amount of tooth and absorbency. Combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting and dry to a semi-absorbent, satin finish. Key Features:* Size: 16oz & 32oz cans* Made with Titanium dioxide and marble dust * Spreads well, lays nicely, and dries quickly* Non toxic* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Instructions & Videos:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRY TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas Did you know that it is illegal to travel by plane with any oil color solvent? Did you know all you need to paint in oils are these oil pastels, brushes and some linseed oil? See More -
GOLDEN Pastel GroundSave Up to30%Off list
Starting At: 14.90
…Pastel Ground for Pastel can also be tinted with acrylic colors for colored grounds. (Golden acrylics). GOLDEN Pastel Ground is a 100% acrylic medium designed to prepare surfaces for the application of pastels, charcoal and other art media where a coarse tooth is desired. It contains finely ground… Acrylic preparation for pastels on canvas and other supports GOLDEN Pastel Ground is an acrylic preparation for pastels on canvas and other supports. It creates a toothy surface similar to papers used with pastel and chalk. For an even rougher texture, Fine or Coarse Pumice Gel can be added. GOLDEN Pastel Ground for Pastel can also be tinted with acrylic colors for colored grounds. (Golden acrylics). GOLDEN Pastel Ground is a 100% acrylic medium designed to prepare surfaces for the application of pastels, charcoal and other art media where a coarse tooth is desired. It contains finely ground sand (silica) in a pure acrylic emulsion. Pastel Ground can be applied to paper, canvas, wood or any primed support. This allows almost limitless applications for media typically confined to standard papers. Key Features:* Sizes: 8oz, 32oz & 1 Gallon* Creates toothy surface similar to papers* Acrylic preparation for pastels* Fine or Coarse Pumice Gel can be added* Can also be tinted with acrylic colors Pastel Ground can be used as a toothy, gritty ground for many different media, including: Dry Media:* Soft Pastels* Graphite Pencils* Colored Chalks* Charcoal* Powdered Charcoal Water-based Media: * Water-Soluble Pastels* Colored Pencils* Pastel Pencils* Wax Crayons* Watercolor Pencils* Acrylic Paints Oil-based Media: * Oil Pastels* Oil Sticks* Paint Sticks* Ink Sticks* Pigment Sticks* Oil Paints GOLDEN Pastel Ground Application Thinning Due to the weight of the solids in Ground for Pastels, it is produced very thick, and does not come ready to brush-apply. Thin 20-40% with water to desired consistency. Application Apply with brush, paint-roller, spray equipment, squeegee or palette knife. Mix up only as much as is needed for one day"s work, as the solids will settle rapidly and be extremely difficult to mix back into suspension. Surface Preparation Non-absorbent surfaces should be abraded for increased adhesion. Prime with GOLDEN Gesso or other suitable primers (depending on substrate). Apply one or more coats of GOLDEN Pastel Ground to achieve the desired tooth. On paper, use heavier weight stock to avoid buckling. Allow ground to fully dry before applying media. Color Additions Pastel Ground can be blended with GOLDEN Acrylic Paints to achieve colored grounds. However, add minimal amounts of color since all additions of paint to Ground will decrease the tooth. GOLDEN High Flow Acrylics and Fluid Acrylics blend easily into the ground without thickening the product. High Load Acrylics have the highest pigment load and therefore provide the most color in the least amount of paint. Unless transparency is desired, select paints that are inherently opaque, such as the Pyrroles or earth colors. This will allow lower additions as well. Airbrushing thin layers of color after the ground has dried will give the strongest saturation of color to the ground without affecting the gritty surface. See More -
GOLDEN Absorbent GroundSave Up to30%Off list
Starting At: 14.90
Create a porous, paper-like surface on many different substrates GOLDEN Absorbent Ground is an acrylic liquid surfacing medium that can be used to create a porous, paper-like surface on many different substrates. Applied over gessoed canvas, the Absorbent Ground allows for raw canvas-like staining… Create a porous, paper-like surface on many different substrates GOLDEN Absorbent Ground is an acrylic liquid surfacing medium that can be used to create a porous, paper-like surface on many different substrates. Applied over gessoed canvas, the Absorbent Ground allows for raw canvas-like staining on a protected substrate. It also allows watercolors to be used on canvas. It is uniquely formulated for unsurpassed absorbent action when dry. Key Features:* Sizes: 8oz, 16oz, 32oz & 1 Gallon* Create a porous, paper-like surface on many different substrates* Applied over gessoed canvas* Lightfast, permanent, and flexible* Allows watercolors to be used on canvas* Unsurpassed absorbent action when dry* Opaque acrylic primer for water media See More -
Old Holland Oil Painting VarnishesSave Up to25%Off list
Starting At: 14.70
High Quality Oil Painting Picture Varnishes Old Holland Oil Painting Medium thins oil paints, increases fluidity, and enhances flow. Made from a mixture of linseed oil, turpentine oil, and white spirit, it contains no resin or dryers. It reduces gloss and ensures that brush strokes remain visible,… High Quality Oil Painting Picture Varnishes Old Holland Oil Painting Medium thins oil paints, increases fluidity, and enhances flow. Made from a mixture of linseed oil, turpentine oil, and white spirit, it contains no resin or dryers. It reduces gloss and ensures that brush strokes remain visible, but does not affect the drying time. Retouching Varnish - Useful for reviving sunken (dull) areas on the painting while in process, bringing everything up to an even sheen. Can be used over drier paint to help bond new fresh painting layers. Dries within hours and is made with a ketone resin base. Used most popularly as a temporary varnish while the painting continues to oxidize, offering protection from dust and dirt until a final varnish can be applied. Mastic Picture Varnish - Hard Varnish that often turns slightly milky. Gives a high gloss, but will yellow slightly later. Made from pure mastic resin dissolved in white spirit. Must not be applied before painting is thoroughly dry- a minimum of 12 months (longer depending on paint film thickness). Dammar Picture Varnish - Use as a final varnish for a lovely gloss finish. Produces an even, high gloss, yellows slightly later. Made from pure dammar resin dissolved in white spirit. Must not be applied before painting is thoroughly dry- a minimum of 12 months (longer depending on paint film thickness). See More -
Holbein Acrylic Modeling PasteSave Up to35%Off list
Starting At: 21.61
…prefer a more even application, you can use a trowel to create a smooth ground for oil and soft pastels. The paste is also an excellent painting medium and can be used to extend the volume of acrylic paints. Holbein's space-saving poly bags are better for the environment because they use less… Supercharge your ART with some texture! With Holbein Acrylic Modeling Paste, you can add depth and grit to your artwork. The modeling paste comes in six different levels of grit and texture. You can apply it with a brush or palette knife to build layers of texture. If you prefer a more even application, you can use a trowel to create a smooth ground for oil and soft pastels. The paste is also an excellent painting medium and can be used to extend the volume of acrylic paints. Holbein's space-saving poly bags are better for the environment because they use less plastic than standard rigid bottles and result in less waste. The freestanding poly-bags are tough and durable. It is easy to squeeze the right amount of paste out of the spout. As you squeeze the paste out, the air is also removed from the pouch, which prevents the product from drying out. Key Features: * Artist quality acrylic modeling paste * Fine, coarse, and extra coarse pumice texture * Standard, light, and high solid paste * Painting medium for acrylic paint * Extend paint and save money * Space-saving poly bags * Easy to use spout * Made in Japan Perfect For: * Acrylic Painters * Ground for acrylics, oils, or pastels * Painting in an impasto style * Faux Finishers * Artists of all skill levels * Experimenting with different textures * Shape the paste when its wet and carve once dry * Adding texture to a painting * Impasto techniques High Solid Modeling Paste- Ideal for layering, this paste allows you to create high peaks and valleys because it is stiffer than regular modeling paste. Light Modeling Paste- Is lighter in weight and fluffier in texture. The paste is lightweight and more flexible so that you can build up cloud-like layers of texture. Pumice Modeling Paste- This paste is sublime as a ground for pastel because it is gritty and contains fine pumice particles. Pumice Modeling Paste, Coarse- This paste is sublime as a textured ground for pastel because it is gritty and contains coarse pumice particles. Pumice Modeling Paste, Extra Coarse- This paste is sublime as a textured ground for pastel because it is gritty and contains extra coarse particles of pumice. Standard Modeling Paste - This all-purpose paste can be mixed with acrylic colors or overpainted. Once the paste is dry, you can carve it. See More -
New York Central® Acrylic GessoSave Up to55%Off list
Starting At: 4.59
…Gesso Instructions: * Use at full strength or thin with up to 25% water. When thinning more than 25%, create an equal mix of water and matte medium. * Sand slick surfaces first. Apply a thin coat with a flat brush and let dry for 24 hours before painting. * To create a smoother base, sand the… Professional grade gesso for archival results New York Central® Gesso is a professional grade acrylic ground. It’s perfect for a variety of surfaces, from canvas to metal. You can apply the gesso with a palette knife to create a rough texture or sand between coats to achieve a smooth result. Once dry, New York Central® Gesso makes a sturdy base for graphite, charcoal, oil pastels, acrylic, and oil paints. You can even mix it with acrylic paint to create a toned background. Key Features: * Professional grade acrylic gesso * Matte white, opaque finish * Non-yellowing, acid-free, and archival * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint * Optimal absorbency rate for paints Perfect For: * Priming raw canvas, panels, or paper * Acrylic and oil paints * Preparing wood and metal surfaces * Charcoal, pencil, and oil pastel * Creating a smooth or textured foundation * Adding a high level of tooth to a surface Acrylic Gesso Instructions: * Use at full strength or thin with up to 25% water. When thinning more than 25%, create an equal mix of water and matte medium. * Sand slick surfaces first. Apply a thin coat with a flat brush and let dry for 24 hours before painting. * To create a smoother base, sand the dried gesso and reapply. * Acrylic painters should apply at least two coats. * Oil painters should apply 2-4 coats and sand between applications. * To create a colored background, gradually add acrylic paint to the gesso until you reach your desired tone. Stir until thoroughly blended. Apply as normal. See More -
Jerry's World's Greatest White Acrylic Artist Gesso PrimerSave Up to56%Off list
Starting At: 16.79
Ultra-smooth, ultra-white gesso primer for fine art in acrylics and oils! To produce a true masterpiece, begin at the base — with Jerry's World's Greatest Gesso! This acrylic gesso primer paint is highly pigmented, bright white, with a thick, creamy consistency and… Ultra-smooth, ultra-white gesso primer for fine art in acrylics and oils! To produce a true masterpiece, begin at the base — with Jerry's World's Greatest Gesso! This acrylic gesso primer paint is highly pigmented, bright white, with a thick, creamy consistency and smooth, even tooth for ideal paint adhesion. How to use gesso: Coat your chosen canvas, panel or board with steady, even strokes, allow to dry, and sand to the desired finish. For the best coverage, apply a few coats in this manner, altering the brushstroke direction each time, and you'll achieve the perfect surface for any artwork in acrylics, oils and alkyds! Jerry's World's Greatest Gesso is the ideal choice for any artist from student to professional: for the finest art from the ground up, buy the best selling, Jerry's World's Greatest Gesso Paint! Key Features: * Bright white acrylic gesso primer * Thick, creamy consistency * Smooth, even-toothed finish * Sold in quart or gallon pails * Non-yellowing Perfect For: * A uniform painting surface * Artwork in acrylics, oils & alkyds * Beginner & professional artists * The basis of a masterpiece! See More -
Winsor & Newton Artists Acrylic Gesso PrimersSave Up to40%Off list
Starting At: 11.86
…oil and alkyd paintings* Excellent ground for charcoal and pastels* Professional artists* Providing a sealed, stabilized surface You might also be interested in:* Winsor & Newton Artists' Acrylic Mediums and Additives* Winsor & Newton Artists' Acrylic Varnishes Seals and stabilizes surface prior to painting, adding tooth for good adhesion! Because a high-quality painting begins with a high-quality base, start your painting right with Artists' Acrylic Clear or White Gesso! Both offer excellent tooth for great paint adhesion, are fast drying, and have a balanced absorbency. The White Gesso has a very high level of pigmentation for maximum opacity and covering power, meaning that 1 to 2 coats on unprimed canvas is all you need. The Clear Gesso is exactly that: clear, not milky like some other "clear" gessoes. It can be tinted with acrylics to add some color to your primer or used alone to allow the qualities of your canvas or board to show through. It also makes a great ground for pastels or charcoal. Both non-yellowing, flexible gessoes are perfect primers for all your acrylic, oil, and alkyd paintings! Clear Gesso - With all the tooth, absorbency, and fast-drying properties you need in a gesso, only completely clear! Not milky like some other "clear" gessoes, the unpigmented Artists' Acrylic resin base dries absolutely transparent; allowing you to either tint it with acrylics for a colored primer, or to use it alone and permit the qualities of your canvas or painting surface to show through. Perfect for acrylics, oils, and alkyds, it also makes an excellent ground for charcoals or pastels. White Gesso - With superior quality Artists' Acrylic resin base and a high level of pigmentation, this non-yellowing gesso gives the maximum of coverage in as little as one coat! (Though 2 coats are recommended for oil paintings) Fast-drying, flexible, and with a balanced absorbency, this gesso provides the perfect level of tooth to ensure good adhesion of your paint. Use it straight from the pot (dilution is not recommended) to provide a sealed and stabilized surface for all your acrylic, oil and alkyd paintings! Key Features:* High quality base for acrylic painting* Excellent tooth for paint adhesion* Fast drying properties* Non-yellowing gesso Perfect For:* Priming canvas for acrylic, oil and alkyd paintings* Excellent ground for charcoal and pastels* Professional artists* Providing a sealed, stabilized surface You might also be interested in:* Winsor & Newton Artists' Acrylic Mediums and Additives* Winsor & Newton Artists' Acrylic Varnishes See More -
Krylon Artist Sprays And FixativesSave Up to55%Off list
Starting At: 8.59
Fine Art Sprays to Varnish or Fix Any Media! Krylon Artist Sprays are quality fixatives, general sprays for sealing, and quality varnishes for acrylics, alkyds, and oil paintings. Key Features: * Varnishes and fixatives * Archival, seals and protects * Available in 6oz, 10.25oz, and 11oz can sizes… Fine Art Sprays to Varnish or Fix Any Media! Krylon Artist Sprays are quality fixatives, general sprays for sealing, and quality varnishes for acrylics, alkyds, and oil paintings. Key Features: * Varnishes and fixatives * Archival, seals and protects * Available in 6oz, 10.25oz, and 11oz can sizes Perfect For: * Fixing charcoal and drawing medias * Varnishing paintings * Artists of all skill levels Acrylic Crystal Clear - This sturdy, clear finish does not yellow with age. Dries in minutes enhances and protects color with a moisture-resistant finish. Easy-Tack™ - Easy-Tack creates a smooth, flexible, temporary hold. Rearrange work until the perfect design is achieved. Easy-Tack never becomes permanent, yet will not lose its gentle grip! This acid-free spray is safe for photos, scrapbooks, and more! Excellent for stenciling or temporary placement since it leaves no residue. Gesso Spray - Spend more time artistically and less time preparing your surface! Easy, the one-step application requires no mixing—shake, point, and spray. Will not yellow, resists chipping, dries to the touch within 15 minutes, ready to work in 30 minutes. High Strength Spray Adhesive - This fast-acting adhesive has a variable volume controlled web spray pattern that offers high contact strength. Superior, permanent bond; High contact strength; Bonds heavy-duty materials like wood, metal, plastic, glass, laminate, and more. Kamar® Varnish - Keep your oil, acrylic, or watercolor paintings looking like a masterpiece! This varnish is free from impurities and protects against yellowing while allowing for easy reworking. Kamar Varnish dries to a high gloss finish. Low Odor Clear Sprays This permanent, latex enamel spray is excellent for preservation, can be used indoors and cleans up easily with soap and water! Preserve It! - Protection is easy with Preserve It!® Digital photos, greeting cards, address labels, scrapbook materials, and more last twice as long once you add this layer of protection. Without it, moisture, fading, early aging, ink runs, and damage from smudges can ruin your most precious valuables. Satin Finish Spray - Clear, protective spray finish for all kinds of arts, crafts, and home décor projects. Permanent, protective gloss finish, non-yellowing, moisture-resistant. Spray Adhesive - This high-performance spray exhibits an extended open-tack time so projects can be easily adjusted before drying completely. This acid-free formula is safe for photos, scrapbook pages, and other lightweight memorabilia. Provides an even spray pattern, is non-wrinkling with no bleed through. Super Quick Grip Spray Adhesive - Adheres lightweight surfaces in seconds and dries secure and permanent. The adhesive creates a smooth, flexible, non-wrinkling bond. Fast tack, dries quickly; strong, permanent bond in seconds; smooth, non-wrinkling adhesion; acid-free. Triple-Thick Crystal Clear Glaze - This bright, clear acrylic coating gives a glass-like illusion of depth. Its glaze equals three coats of other clear aerosols — superior high-gloss coating with a shiny, durable finish. UV-Resistant Clear Coatings - This tough finish does not yellow with age and protects arts, crafts, and valuables from harmful light rays. Moisture- and chip-resistant, smudge-proof, and dries in minutes. Available in gloss or matte. Workable Fixatif - This re-workable spray eliminates smudging and wrinkling while protecting pencil, charcoals, pastels, chalk, tempera, Conte, crayon, watercolor, India ink, and more! Easy to erase, Acid-free, and archival safe. See More -
GOLDEN MSA & MSA UVLS VarnishesSave Up to30%Off list
Starting At: 10.49
Varnishes for acrylic, oil, alkyd, egg tempera, watercolor, and casein GOLDEN MSA (Mineral Spirit Acrylic) Varnish with UVLS (Ultra Violet Light Stabilizers) dry to a tough, yet flexible protective finish and contain ultraviolet light filters and stabilizers (UVLS). The UVLS system provides… Varnishes for acrylic, oil, alkyd, egg tempera, watercolor, and casein GOLDEN MSA (Mineral Spirit Acrylic) Varnish with UVLS (Ultra Violet Light Stabilizers) dry to a tough, yet flexible protective finish and contain ultraviolet light filters and stabilizers (UVLS). The UVLS system provides increased resistance to the harmful effects of ultraviolet radiation, making the product suitable for exterior as well as interior application. MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein. As a topcoat for acrylics, it provides a harder, lower tack surface that is much less susceptible to dirt and is more mar resistant. GOLDEN MSA - available in Matte, Satin, and Gloss finishes. A mineral spirit based acrylic resin system that forms a tougher, less permeable film than waterborne acrylic varnishes. Can be applied to acrylic, oil, and alkyd painted surfaces. Reduces dirt penetration and surface marring, offering an extremely level film with less foam and fewer pinholes. Removable with mineral spirits after drying; recommended for interior or exterior use. Not for use by children. Thins with MSA Varnish Solvent. MSA Varnish Solvent - the ideal solvent for thinning GOLDEN MSA Varnishes, which must be thinned before use. MSA Solvent assures clear, clean, even application. Can be used to remove MSA Varnish at a later time for restoration purposes. * Protects against dirt and dust* Provides moisture resistance* MSA UVLS: Ultraviolet Light Stabilizers (UVLS)* MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein* As a topcoat for acrylics For restoration purposes, the varnish may be removed with MSA Solvent, full strength commercial mineral spirits ( i. e. : paint thinner or white spirits ), or distilled or rectified turpentine. MSA Varnish (Gloss) dries to a highly reflective finish. MSA Varnish (Satin) offers moderate reflection, similar to most matte varnishes. MSA Varnish (Matte) finish is exceptionally flat. The different finishes can be intermixed to achieve the desired sheen. Note that the matte and satin MSA varnishes will lighten dark value colors, which is typical of reduced sheen varnishes. Please note: Upon arrival, labeling may be different than pictured due to a packaging change by the manufacturer. See More -
TubeWringers Metal Rollers by Gill Mechanical CoSave Up to14%Off list
Starting At: 22.49
…wide. * May also be used for crimping paper * Easy to use and very effective * An excellent investment for a professional artist TubeWringer 205 Medium Duty * Made of ABS Plastic. * There is 10-12% recycled material used in the frame * TubeWringers are made in Florence, Oregon, and all the other… Get up to 35% more out from your tubes! Save money and paint! The Gill Mechanical Paint Tube Wringers are available in Zinc-plated steel or lightweight ABS plastic. You can save as much as 35% by getting all the paint out of your paint tubes. Just place your tube into their roller system to gently flatten the used section of the tube, bringing unused paint to the top. Choose from Gill Mechanicals easy to use metal or plastic tube wringers and rollers. The gears of the wringer will handle all types of tubes, including Oil, Acrylic, Watercolor, and Alkyd tubes. Great for getting all the color out of your paint tubes, the multi-purpose tube squeezer is perfect for the studio, classes, art workshops, home, office or on a worksite. With the Tube Wringer, you will be able to reduce waste and breakage, concentrate contents, and keeps paints soft. TubeWringer 401 Heavy Duty * Zinc-plated steel with metal rollers. * The rollers and keys are 100% recycled material. * TubeWringers are made in Florence, Oregon, and all the other parts are also from Oregon. * Metal rollers on the 401 are durable and may well last a lifetime for the frequent user. * Great for stiffer paint and larger tubes * All models accommodate tubes of up to 2 ⅞” wide. * May also be used for crimping paper * Easy to use and very effective * An excellent investment for a professional artist TubeWringer 205 Medium Duty * Made of ABS Plastic. * There is 10-12% recycled material used in the frame * TubeWringers are made in Florence, Oregon, and all the other parts are also from Oregon. * The Model 205 is ideal for arts and crafts, oil paints, caulk, adhesives, and medical compounds * This model has the high-quality plastic frame of model 202 but utilizes metal rollers and keys for greater versatility * All models accommodate tubes of up to 2 ⅞” wide. Can Also Be Used For HouseHold & Business: Emptying toothpaste, medicine, make-up tubes and more Metal Tube Wringer Artist Review Get your Wring On "The point is this; if you want to wring-out a paint tube, then this is an answer. I have tried to get by with cheaper, plastic wringers only to have the gears strip, the handle break or the rollers slip. This puppy gets even the stiffest paints out of the tube... no frustrations. What a relief." See More -
Bill Buchman Bamboo Zen PensSave Up to55%Off list
Starting At: 10.59
Professional quality reed pens designed by figure artist Bill Buchman! The reed dip pen is one of the most ancient writing and drawing instruments in the world.It is a dip pen made of bamboo that yields an emotive line of great variety and power. The pens hold a surprising amount of ink and flow… Professional quality reed pens designed by figure artist Bill Buchman! The reed dip pen is one of the most ancient writing and drawing instruments in the world.It is a dip pen made of bamboo that yields an emotive line of great variety and power. The pens hold a surprising amount of ink and flow quite smoothly on the paper. Many famous and expressive drawings by Picasso, Van Gogh, and Matisse were done with reed pens and these type of pens have always been popular with professional illustrators and designers. The Bill Buchman ZEN Pens are different from the standard reed pens generally available in that they are truly a professional quality art instrument!They come in three sizes with three points that deliver three distinct line thicknesses. The traditional design has been updated by Bill and these are manufactured to a high standard in China. Although these dip pens are made to be used primarily with Sumi ink, India ink, and various kinds of calligraphy inks, they can in fact be used with any fluid media. This includes watercolors, gouache, liquid acrylic, acrylic gouache, liquid watercolors, and even oil paints and other viscous paints for a great variety of effects. Bring the expressive strokes of this traditional pen style to your own drawings with Bill Buchman Bamboo ZEN Pens! Key Features: * Designed by professional Sumi-e artist, Bill Buchman * Three Point sizes available for line variety * Clean, beautifully lacquered handles * Traditional Bamboo construction Perfect For: * Inks, Watercolors, and other fluid media * Writing, Drawing, and Calligraphy * Traditional-style Chinese and Japanese Ink Drawing * Artists of all Skill Levels See More -
Bill Buchman Chinese Zen BrushesSave Up to31%Off list
Starting At: 21.29
Soft, natural Chinese Sumi brushes for fluid, expressive strokes! The new Chinese ZEN Brushes from figure painter Bill Buchman are among the highest quality available on the market today! Based on traditional brushes with added elements selected by Bill Buchman, they are perfect for use with… Soft, natural Chinese Sumi brushes for fluid, expressive strokes! The new Chinese ZEN Brushes from figure painter Bill Buchman are among the highest quality available on the market today! Based on traditional brushes with added elements selected by Bill Buchman, they are perfect for use with watercolors, Sumi inks, calligraphy and technical inks, acrylic washes, India ink, gouache and more! ZEN Brushes are not just for traditional Sumi painting either — use some in your own works to open a realm of possibilities! The Chinese ZEN Brushes consist primarily of goat's hair and thus are slightly more soft and pliable then the Japanese brushes which are made of horse hair. A small amount of bristle hairs and nylon have been blended in to give an ideal amount of resistance and body to the brush heads. These brushes are especially good for free flowing and expressive strokes and yet they are still firm enough to give control and accuracy when required. The long handles also encourage a feeling of freedom and fluidity. Like the Japanese ZEN brushes, these Chinese ZEN brushes are larger and of higher quality than those Sumi brushes generally available in the West up till now. The size of these brushes are especially well suited for the artist who wishes to work freely and on a grand scale. Enliven your own paintings with Bill Buchman's new Chinese ZEN Brushes! Key Features: * Chinese Zen brushes specially designed by Sumi-e artist, Bill Buchman * Perfect blen of goat, bristle, and nylon filament for ideal stroke resistance * Large sizes ideal for working large scale * Handles ideally balanced for each size * Brushes bellies hold amazing amounts of fluid media Perfect For: * Sumi-e brush painting * Use with all water medias - watercolor, inks, fluid acrylics, etc. * Multimedia artists * Sumi-e Artists * Chinese Calligraphy See More -
Marabu Textil Plus Fabric PaintsSave Up to22%Off list
Starting At: 4.69
Opaque fabric paint for use on dark colors! Textil plus is a high viscosity opaque paint designed to be used on dark colored fabrics. Textil plus is bright, lightfast and permanent on natural fabric or fabric that has up to 20% manmade fibers. The color is made washable up to 140F by setting with a… Opaque fabric paint for use on dark colors! Textil plus is a high viscosity opaque paint designed to be used on dark colored fabrics. Textil plus is bright, lightfast and permanent on natural fabric or fabric that has up to 20% manmade fibers. The color is made washable up to 140F by setting with a hot dry iron for 3 minutes, preferably image side up with a thin piece of fabric or paper between the iron and the image. Alternatively, bake the fabric in the oven at 300F for 8 minutes. The latter is ideal for shoes and items that cannot be ironed. It leaves a soft finish with minimal hand on the fabric. Textil plus cleans up with soap and water and should be applied using synthetic or synthetic/natural fiber blend brushes. Key Features: * Full coverage fabric paint for dark fabrics * High-viscosity, opaque colors * Bright, permanent and lightfast * Cleans up with soap and water Perfect For: * Use on dark fabrics * Can be used on natural fabrics or fabrics that contain up to 20% manmade fibers See More -
Batik SuppliesSave Up to70%Off list
Starting At: 2.24
Tjanting Needles - 7-3/8" long handles for applying heated Batik wax through their 3.5" brass tip. Great for fine lines on fabric and other surfaces. Tjanting Needles - 7-3/8" long handles for applying heated Batik wax through their 3.5" brass tip. Great for fine lines on fabric and other surfaces. See More -
Weber Odorless Turpenoids & Slow-Dry & Natural TurpenoidsSave Up to43%Off list
Starting At: 6.15
…other mediums. Turpenoid Slow Dry is a great medium for thinning artist oil colors, plus cleaning artist brushes, painting knives, and palettes. Turpenoid Slow Dry is a highly refined mixture of odorless mineral spirits. It is used for thinning artist oil colors, for modifying oil painting mediums.… The most popular artists' oil paint thinners and cleaners! Odorless Turpenoid - An odorless substitute for traditional turpentine that retains the same painting properties and drying time as the original. Odorless Turpenoid works well for thinning oil or alkyd colors, creating mediums and cleaning brushes, and is perfect for artists working in small (but well-ventilated) spaces or for those who are allergic to or are affected by the strong odor of conventional turpentines and solvents.* Odorless formula should not aggravate allergies* Excellent paint thinner and brush cleaner* Flammable; store carefully Turpenoid Natural - A certified AP non-toxic and environmentally friendly brush cleaner and conditioner, Turpenoid Natural is made from citrus essences and other natural products. It is not flammable, does not emit harmful vapors, and will not irritate skin or eyes, making it an excellent oil paint thinner for artists seeking safer painting alternatives for themselves or their children. Turpenoid Natural can also work well as an oil or alkyd medium, though it should not be used for washes, glazes, or to "wet" a canvas prior to painting.* Natural, non-toxic and eco-friendly* Safe for artists of all ages* Excellent brush cleaner and conditioner Turpenoid Gel - Fast drying gel medium designed for use with oil and alkyd paints. Turpenoid Gel is clear and semi-soft, making it ideal for impasto techniques while also ensuring the paint layer dries completely. Gel will increase color translucence and decrease drying time of oil paints, rinses out with plain water, and dries to a stable and flexible film.* Fast drying medium body gel for oils and alkyds* Excellent for impasto techniques* Dries to a stable, flexible film Turpenoid Slow Dry - (Formally called Turpenoid Light) Similar to Original Odorless Turpenoid, a mild solvent, but with a much higher 200°F/93 °C degrees Flash Point, and more open work time when combined with other mediums. Turpenoid Slow Dry is a great medium for thinning artist oil colors, plus cleaning artist brushes, painting knives, and palettes. Turpenoid Slow Dry is a highly refined mixture of odorless mineral spirits. It is used for thinning artist oil colors, for modifying oil painting mediums. Safer Studio. It meets California Air Resources Board (CARB) exemption for consumer products. Very slow and complete evaporation, allowing more open time when combining with other mediums.* 200 degree °F flash point* Complete evaporation* Odorless See More -
Michael Harding Non-Absorbent Acrylic PrimersSave Up to25%Off list
Starting At: 21.84
Tired of dull flat oil paints? You need a non-absorbent ground! Regular acrylic gesso is notorious for leeching oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the… Tired of dull flat oil paints? You need a non-absorbent ground! Regular acrylic gesso is notorious for leeching oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface. The primer is made with non-toxic, non-absorbing acrylic resin; that's why it produces such a strong, flexible ground. You can apply Michael Harding's Non-Absorbent Acrylic Primer to linen, cotton canvas, wood, and MDF. Key Features: * Non-absorbent acrylic primer * Formulated to not absorb or dull oil paints * Creates a strong bond with paint * Prevents paint from delaminating * Lightfast and will not fade over time * Thick, creamy consistency * Smooth, even-toothed finish Perfect For: * Oil and acrylic painters * A uniform painting surface * Beginner and professional artists * Preparing canvas, wood, or MDF for paint * Everyday studio use Instructions: The primer is best used in 2 coats; You may dilute the first coat with water (no more than 1 part water to 3 parts primer). This first coat will be touch dry within a couple of hours, and then you can apply the second coat. You should not apply the primer over Rabbit Skin Glue or unstable supports. See More -
GOLDEN Silverpoint / Drawing GroundSave Up to30%Off list
Starting At: 15.27
…artists may find taping the edges down will help prevent extensive warping. Artist Testimonial and Review Great Medium--Just Apply It Quickly! "This medium sets up very quickly, and can be colored with acrylic paint if desired. Ensure that a less absorbent paper or surface is used, as you will have… Allows greater fineness of line with diverse drawing media Silverpoint, or metal point, drawing as an art form has changed little over the centuries of its distinguished history. Formulated to meet the unique needs of metal point artists, GOLDEN Silverpoint / Drawing Ground offers a metal receptive ground, applicable to a range of drawing supports. Developed for easy application, the ground has a very fluid consistency that will level as it dries. A Single coat of Silverpoint / Drawing Ground provides a smooth, durable surface, ideal for mark making with a silverpoint stylus or other metal, such as brass, gold, copper, or even a steel paperclip. It is a low viscosity fluid that contains high levels of titanium dioxide and prepares surfaces to readily accept marks from a metal stylus.Key Features:* Size: 8oz Bottle* Formulated with 100% acrylic polymer emulsion* Designed for the achievement of fine, detailed lines * Permanent, lightfast* More flexible over time than traditional preparations* Silverpoint / Drawing Ground offers a metal receptive ground* Developed for easy application* Very fluid consistency that will level as it dries* Provides a smooth, durable surface* Allows greater fineness of line with diverse drawing media such as graphite, colored pencil, ink, and some markers The artist working in silverpoint today has an intimate connection to the work of such revered artists as da Vinci and Rembrandt, as well as more recently, Picasso and Joseph Stella. As tiny particles of metal are left behind on a slightly abrasive ground, metal point drawing offers the ability to achieve lasting, exquisitely detailed lines that won't smudge. If different types of metal are used within a piece, over time oxidation of the different metals will impart subtle shifts in the tonality of the lines. As the time honored art form of metal point drawing experiences a resurgence, Golden Artist Colors responds to the requests of practicing artists by introducing Silverpoint/Drawing Ground. Designed for the achievement of fine, detailed lines, Silverpoint/Drawing Ground is permanent, lightfast and more flexible over time than traditional preparations. While many artists enjoy the fineness of line and delicate qualities achieved with a metal stylus on Silverpoint/Drawing Ground, the scope of this product should not be limited to a singular use. When used as a general drawing ground, other media may be intermixed with metal point drawing or used alone to create new effects. It is possible to adjust the absorbent qualities of substrates with Silverpoint/Drawing Ground. By putting a very thin layer of the ground over the entire surface, the substrate's absorbency is decreased. This allows greater fineness of line with Perse drawing media such as graphite, colored pencil, ink, and some markers. In addition, small amounts of other GOLDEN Fluid Acrylic colors can be added to this ground for tinting purposes without a significant drop in performance. GOLDEN SILVERPOINT/DRAWING GROUND APPLICATIONS GOLDEN Silverpoint / Drawing Ground is designed for thin applications only. When applied too thickly the film may crack upon curing. A single thin coat is typically sufficient. Silverpoint / Drawing Ground can generally be tinted with a maximum of 15% GOLDEN Fluid Acrylics without negatively affecting its performance It can be brush or spray applied to paper, primed canvas, wood or any surface that will accept a water-based coating. The most common substrate for metal point drawing is heavy weight hot pressed watercolor paper. Note: Because lower weight papers are susceptible to buckling from the moisture in the Silverpoint / Drawing Ground, some artists may find taping the edges down will help prevent extensive warping. Artist Testimonial and Review Great Medium--Just Apply It Quickly! "This medium sets up very quickly, and can be colored with acrylic paint if desired. Ensure that a less absorbent paper or surface is used, as you will have more time to apply it before it dries (you will also use less of it). Great product-I will definitely purchase this again." See More -
Holbein Fluid Artist AcrylicsSave Up to35%Off list
Starting At: 64.51
…adhesion. If you want to create watercolor-like effects, you can thin Holbein Fluid Acrylic with medium and brush it on like watercolor. Holbein Artist Fluid Acrylics mix well with all acrylic mediums, including gels, pastes, and gesso. Key Features: * Low-viscosity artist acrylic * Smooth,… A smooth, free-flowing acrylic perfect for pouring Holbein Fluid Acrylics are low viscosity artist-grade paints. All of Holbein's vibrant colors are lightfast and mix cleanly. Holbein doesn't use fillers or extenders, so the paint has outstanding tinting strength. You can pour, drip, or spray the fluid acrylic because it's formulated to resist crazing, wrinkling, and foaming. As the paint dries, it forms a flexible, durable film with good adhesion. If you want to create watercolor-like effects, you can thin Holbein Fluid Acrylic with medium and brush it on like watercolor. Holbein Artist Fluid Acrylics mix well with all acrylic mediums, including gels, pastes, and gesso. Key Features: * Low-viscosity artist acrylic * Smooth, free-flowing formula * Holbein's colors are intermixable across the ranges * Highly lightfast pigments * No fillers or extenders used * Outstanding tinting strength * Dries to a durable, flexible paint film * Formulated to resist crazing, wrinkling, and foaming Perfect For: * Pouring techniques * Drip or spray application * Fine brushwork * Mixing with gels, pastes, and gesso * Glazing and staining * Water media techniques * Dry brush application Fluid Acrylic Set of 8 - The set of 8 includes Quinacridone Magenta, Naphthol Red, Hansa Yellow, Phthalo Green, Phthalo Blue, Burnt Sienna, Lamp Black, and Titanium White. See More -
GOLDEN GessoSave Up to30%Off list
Starting At: 13.64
A variety of ways to prepare materials for acrylic paintings GOLDEN Acrylic Gesso in Black, White & Sandable offer artists a variety of ways to prepare materials for acrylic paintings or other art media such as oil, alkyds, charcoal, pastels and even watercolor! GOLDEN Gesso is designed to penetrate… A variety of ways to prepare materials for acrylic paintings GOLDEN Acrylic Gesso in Black, White & Sandable offer artists a variety of ways to prepare materials for acrylic paintings or other art media such as oil, alkyds, charcoal, pastels and even watercolor! GOLDEN Gesso is designed to penetrate supports and provide a surface to which paint can adhere. Proper preparation with GOLDEN Gesso increases the life span of artwork. GOLDEN's Gesso is formulated to be flexible and is highly pigmented for greater opacity. White Gesso (Semi-Opaque Acrylic Primer) and Black Gesso (Opaque Acrylic Primer) The gesso is rich, opaque, and creates an excellent surface on which to paint! * GOLDEN White and Black Gesso: White Gesso (Semi-Opaque Acrylic Primer) and Black Gesso (Opaque Acrylic Primer) are ready-to-use formulations for painting on most surfaces. They are flexible and can be applied in thin layers to conform to a variety to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds. GOLDEN White Gesso* GOLDEN Sandable Hard Gesso: GOLDEN Sandable Hard Gesso (Semi-Opaque Acrylic Primer) is formulated with 100% acrylic dispersion polymer and can be sanded to provide surfaces that are smoother and more even than those created using regular gesso. GOLDEN Sandable Hard Gesso is formulated with 100% acrylic polymer emulsion. It contains high levels of titanium dioxide, calcium carbonate and talc to produce an easily sanded surface. NOTE: This product is designed for rigid substrates only and is NOT to be used on flexible materials, as cracking may occur. See More -
Winsor & Newton Oil Color SolventsSave Up to40%Off list
Starting At: 4.67
…Distilled Turpentine - Can be used to create your own painting mediums. Distilled Turpentine is derived from pine trees and is the most traditional solvent. You can use it to clean brushes. Sansodor - For creating your own painting mediums. Sansodor™ performs like turpentine, but its low odor makes… Professional Grade Artist Solvents Artists use solvents to clean brushes and palettes after painting. Winsor & Newton solvents are made specifically for artists’ use and are fully volatile, meaning they leave no residual matter once evaporated. Key Features: * Artists' Picture Cleaner * English Distilled Turpentine * Sansodor * White Spirit Perfect For: * Cleaning palettes and brushes * Removing dried paint * Removing varnish Picture Cleaner - A natural resin/oil emulsion containing ammonia, designed for cleaning varnished paintings. Dissolves linseed oil oxidation and removes surface dirt. English Distilled Turpentine - Can be used to create your own painting mediums. Distilled Turpentine is derived from pine trees and is the most traditional solvent. You can use it to clean brushes. Sansodor - For creating your own painting mediums. Sansodor™ performs like turpentine, but its low odor makes it the least hazardous solvent. Leading art schools recommend it, and it is often the only solvent permitted in their studios. Also good for diluting paint and cleaning brushes. It evaporates slowly and increases blending time. White Spirit - Can be used to create your own painting mediums. Artists’ White Spirit is a petroleum distillate. It makes a leaner mixture with the colour and evaporates quickly. It can be used to clean brushes. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More -
Winsor & Newton Oil Color VarnishesSave Up to40%Off list
Starting At: 6.71
Professional Grade Artist Varnishes Varnishes protect thoroughly dried paintings from dirt and grease build-up over time. Winsor & Newton Varnishes are available in various finishes for different purposes. Key Features: * Gloss, matt, and satin varnishes * Retouching varnish Perfect For: * Dried… Professional Grade Artist Varnishes Varnishes protect thoroughly dried paintings from dirt and grease build-up over time. Winsor & Newton Varnishes are available in various finishes for different purposes. Key Features: * Gloss, matt, and satin varnishes * Retouching varnish Perfect For: * Dried oil paintings * Protecting paintings from dirt and grease Artists' Gloss Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Matt Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Retouching Varnish - preserves the artwork until the painting is fully cured and ready for its final varnish. Retouch varnish allows the paint film to cure through the varnish. Can be overpainted. Dammar Varnish - High gloss finishing treatment for paintings. Dammar Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with Distilled Turpentine. Satin Varnish - Satin finishing treatment for paintings. Artist's Satin Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More -
Jacquard YouCan Refillable Spray CanSave Up to15%Off list
Starting At: 25.37
…spray can that looks and feels like an aerosol spray can. Create custom mixed colors by filling it with your favorite paint, ink or other any liquid medium. This reusable spray can is compatible with almost any standard cap, and with Jacquard’s Adapt-Air Coupling, it pressurizes using a bike pump or… Create custom spray colors with these first ever refillable spray cans! Jacquard YouCan Refillable Spray Can is the first ever refillable, air-powered spray can that looks and feels like an aerosol spray can. Create custom mixed colors by filling it with your favorite paint, ink or other any liquid medium. This reusable spray can is compatible with almost any standard cap, and with Jacquard’s Adapt-Air Coupling, it pressurizes using a bike pump or compressor. No irritating propellants or solvents means the YouCan is eco-friendly and great for using indoors with no harmful odors or fumes. Key Features: * Refillable air-powered spray can * Compatible with most standard caps * Fill with any liquid medium * Pressurizes with a bike pump or compressor Perfect For: * Graffiti artists * Paint, ink & dyes * Mixed media artists * Adhesives, water & cleaning solutions See More -
Pat Dews AtomizerSave Up toOff list
Starting At: 52.49
Create Spray And Splatter Textures! With the Pat Dews Mouth Atomizer, you can create spray and splatter textures with watercolors or thinned acrylics. The Atomizer gives you the control allowing you to spray large amounts of paint evenly and quickly without an airbrush. Pat Dews Mouth Atomizer works… Create Spray And Splatter Textures! With the Pat Dews Mouth Atomizer, you can create spray and splatter textures with watercolors or thinned acrylics. The Atomizer gives you the control allowing you to spray large amounts of paint evenly and quickly without an airbrush. Pat Dews Mouth Atomizer works with acrylic, watercolor, gouache, ink, fixative, and varnish. Your atomizer consists of two tubes aligned at a precise 90-degree angle. To create a spray, place the end of the smaller tube into your bottle of paint or fixative and gently blow into the mouthpiece to release a fine spray across your drawing or painting. Do not inhale the paint. For cleanup, dip the long end into clean water and spray the Atomizer clean. Key Features: * Easy to use * Eco-Friendly, non-aerosol spray system * Crafted of brass tubing measuring 7½” long * Removable plastic mouthpiece * Much easier to use than standard atomizers * Easy to clean Perfect For: * Acrylic, watercolor, gouache, or ink * Creating texture or splatter effects * Covering a wide surface quickly * Applying varnish or fixatives * Professionals, students, and teachers * Everyday studio use See More -
InstaVar™ Gloss Picture VarnishSave Up to67%Off list
Starting At: 11.29
When painting is dry to the touch, you can InstaVar it! InstaVar™ Gloss Varnish by Tusc & Pine enriches the colors in your painting under a protective, even sheen. Archival quality varnish for oils, alkyds, and acrylics, the nearly odorless, crystal-clear varnish does not yellow with… When painting is dry to the touch, you can InstaVar it! InstaVar™ Gloss Varnish by Tusc & Pine enriches the colors in your painting under a protective, even sheen. Archival quality varnish for oils, alkyds, and acrylics, the nearly odorless, crystal-clear varnish does not yellow with age. Once your painting is dry to the touch, preserve it by brushing on a thin layer of InstaVar™. You will instantly notice that your colors have a brilliance and depth of color they didn't have before. Key Features: * Archival quality gloss picture varnish * Crystal-clear, non-yellowing, and nearly odorless * Saturates color and adds new depth * Can be used as a retouch varnish * Acts as a protective coat * Dries in 24 hours * Removable with StudioSolv™ * Made in the USA Perfect For: * Varnishing oils, alkyds, and acrylics * Brush application * Enriching colors * Altering paint sheen * Boosting color saturation * Giving your work an even gloss sheen * Bringing up dull sunken areas in a painting * Use in the studio or school * Airplane travel InstaVar™ may be applied when the paint is dry to the touch and firm in its thickest sections. Some paintings might take 2 weeks to dry, while those in humid areas might take 2 months. If necessary, you can safely remove the varnish with StudioSolv™. Replacing the lid during a varnishing session can help reduce VOC levels in the air. Always work in a well-ventilated area. For your safety, always wash your hands immediately after use, especially before eating. Store the varnish in an airtight container out of reach of children. Safe For Travel By Air! InstaVar™ has a flashpoint of 144°F which classifies it as a combustible liquid by DOT regulations, however, it is considered safer than varnishes with lower flashpoints. InstaVar™ also conforms to FAA and TSA guidelines and can be safely transported by airplane, making it a convenient option for artists who travel. The 3.4 oz bottle is the perfect carry-on size, while larger sizes can be packed in your checked bag. Printable Travel Gudelines InstaVar™ SDS While InstaVar™ is currently allowed by FAA guidelines, we recommend always checking current regulations before traveling. To ensure a smooth and hassle-free experience, please bring a printed copy of the SDS and travel guidelines to show at baggage check. If the flight is international, please check the policy of your destination country. See More -
Grumbacher Finest Artists' WatercolorsSave Up to56%Off list
Starting At: 14.99
…United States. Rich, fully pigmented color, uniformly combined in a balanced medium, designed to ensure fluid even washes, make Grumbacher's Finest™ Artists' Watercolors the signature brand of this traditional medium. Key Features:* 63 rich, fully pigmented colors* Great tinting strength* Made in… The hallmark of traditional professional grade watercolor Grumbacher's Finest™ Watercolors are now - as they have always been - part of a proud tradition of quality and dedication. These professional grade artists' watercolors are formulated with the finest premium pigments, obtained from sources throughout the world! These pigments are superbly crafted and balanced into special formulations by Grumbacher's highly skilled color specialists, right here in the United States. Rich, fully pigmented color, uniformly combined in a balanced medium, designed to ensure fluid even washes, make Grumbacher's Finest™ Artists' Watercolors the signature brand of this traditional medium. Key Features:* 63 rich, fully pigmented colors* Great tinting strength* Made in the USA* Developed for the demanding artist* Formulated with premium grade pigments* Professional watercolors Perfect For:* Plein air painting* Artists of all skill levels* Artists that demand the best* Formulated with premium grade pigments See More -
Bob Ross Brush Cleaning ProductsSave Up to26%Off list
Starting At: 6.19
Keep your brushes clean with the Bob Ross cleaning system! Spend more time painting and less time cleaning with this brush cleaning system designed by Bob Ross. Bob Ross’ three-part system includes a 32 oz. container of odorless thinner for cleaning brushes and tools, a cleaning screen so you can… Keep your brushes clean with the Bob Ross cleaning system! Spend more time painting and less time cleaning with this brush cleaning system designed by Bob Ross. Bob Ross’ three-part system includes a 32 oz. container of odorless thinner for cleaning brushes and tools, a cleaning screen so you can keep your brushes in the best shape possible, and the Bob Ross brush beater drying rack to ensure rapid drying of your brushes. Both the cleaning screen and drying rack are made of soft vinyl coated metal. All items are made in the USA and are available separately. Bucket and Screen Set - This ample size bucket fits the included brush screen and has a convenient handle and tight lid that prevents spilling between painting sessions. Key Features:* Brush Beater Rack: 10-3/4;" long x 5-1/4;" wide x 5-3/4;" high* Vinyl-coated to protect bristles* Cleaning Screen: 4-3/4" in diameter and 1-1/2" high* Screen fits into cleaning bucket* Bucket has a tight lid and convenient handle* Makes the whole brush cleaning process a pleasure Perfect For:* The Bob Ross Wet-on-Wet Technique®* Brush cleaning* Transportation and storage unit for brush bath* Oil brush cleaning* Quick and easy clean up* Artists and teachers See More -
Winsor & Newton Artist Varnish SpraysSave Up to29%Off list
Starting At: 10.80
Fine art sprays to varnish or fix any media! Winsor & Newton's Artist Sprays are quality fixatives, general sprays for sealing, and quality varnishes for acrylics, alkyds, and oil paintings. Cans are 400ml. Aerosol All Purpose High Gloss Varnish - A general purpose, high gloss varnish that protects… Fine art sprays to varnish or fix any media! Winsor & Newton's Artist Sprays are quality fixatives, general sprays for sealing, and quality varnishes for acrylics, alkyds, and oil paintings. Cans are 400ml. Aerosol All Purpose High Gloss Varnish - A general purpose, high gloss varnish that protects general arts and crafts from dust and moisture. Removable. Aerosol All Purpose Matte Varnish - A general purpose, matte varnish that protects general arts and crafts from dust and moisture. Removable. Aerosol Picture Gloss Varnish - Protects oil and acrylic paintings, with UV protection, in a gloss finish. Removable. Aerosol Picture Matte Varnish - Protects oil and acrylic paintings, with UV protection, in a matte finish. Removable. Aerosol Picture Satin Varnish - Protects oil and acrylic paintings with UV protection, in a satin finish. Removable. Aerosol Retouching Gloss Varnish - A retouching varnish for oil paintings, can be used as a tool to bring up dull, flat areas while an oil painting is in progress, to bring it all to the same sheen. Used as a temporary protective varnish while the painting oxidizes, until final varnishing can be completed. Painting must be dry to the touch before applying. Aerosol Fixative - A fine art, fixative for dry media drawings and sketches. Can be used to fix work in layers and as a final fixative. Please note: All products in this category are considered Hazardous Materials, and cannot ship by Air or Next Day Services. Ground Shipping Only. Key Features:* Varnishes and fixatives* Archivally varnishing paintings* Altering final sheen finish Perfect For:* Fixing charcoal and drawing medias* Archival varnishing* Artists of all skill levels See More -
ArtResin™ Epoxy Resin KitsSave Up toOff list
Starting At: 15.00
Unparalleled non-yellowing protection! ArtResin™ is a self-leveling crystal clear epoxy resin that forms a beautiful, durable finish for any artwork. Formulated with unparalleled non-yellowing protection, ArtResin™ has a HALS (hindered amine light stabilizer) added for extremely… Unparalleled non-yellowing protection! ArtResin™ is a self-leveling crystal clear epoxy resin that forms a beautiful, durable finish for any artwork. Formulated with unparalleled non-yellowing protection, ArtResin™ has a HALS (hindered amine light stabilizer) added for extremely efficient long term yellowing protection. Designed specifically for creative projects, this crystal clear resin is easy to use. ArtResin™'s 1:1 mixing ratio is user-friendly with easy to understand directions. Simply combine equal parts Resin and Hardener, stir, then pour or spread over your project. The topcoat is self-leveling and fully cures in 72 hours. ArtResin™ has been designated by the American Society for Testing and Materials as non-toxic when used as directed. It is formulated using the highest quality materials and therefore produces no VOCs or fumes. It is a clean system, meaning there are no solvents or non-reactive diluents—everything in it reacts so nothing is free to become airborne and cause health issues. It is also non-flammable. For all these reasons, it is therefore classified as a non-hazardous material and is shippable by air. Furthermore, many curatives have a powerful odor, however ArtResin has only a low odor and is applicator friendly. Key Features:* ArtResin™ Mini KIt, Starter kit, Studio Kit & Accessory Kit* Fully cures in 72 hours* No VOCs or fumes (conforms to ASTM D4236)* Non-toxic (when used as directed)* Long term yellowing protection* Self-leveling* Durable crystal clear finish* Easy to understand directions Perfect For:* Enhancing and protecting your work* Acrylic, watercolor* Oil paint that has completely dried* Spraypaint, encaustic, ink* Oil pastel, sculpture, silicone molds,* Other found objects. ArtResin™ is considered non-toxic when used as directed, however, there are some common sense safety precautions that every user should follow: Wear gloves. Epoxy resin is very sticky in its liquid form, so gloves will protect the user from a mess, as well as skin irritation. Clean skin promptly with soap and water if it does come in contact with the product. If the product somehow comes in contact with your eyes, flush with water repeatedly and do not rub. Promptly seek medical attention. Work in a well-ventilated area. Wear a respirator if ventilation is poor. For detailed health information, please see the ArtResin SDS.ArtResin™ Epoxy Kits ArtResin™ Starter Kit - Enough epoxy resin for a few projects, the Starter Kit includes 16 oz bottles of Resin and Hardener and covers approximately 8 square feet. ArtResin™ Studio Kit - For artists working on larger or multiple works. This kit includes half-gallon jugs of Resin and Hardener and covers approximately 32 square feet. ArtResin™ Mini Kit - Give ArtResin™ a try with the Mini Kit. It includes 4 oz bottles of Resin and Hardener and covers approximately 2 square feet. Epoxy Resin Accessory Kit - This pack of epoxy resin accessories includes five pairs of nitrile gloves, one reusable stir stick, and five reusable spreaders. The jagged-edge spreaders help disperse resin evenly. Wipe them clean with paper towel and they're ready for next time. ResinTint Color Mixing Guide See More -
Amsterdam Acrylic VarnishSave Up to30%Off list
Starting At: 28.34
Professional Quality Acrylic Varnish! As an artist, you want your acrylic paintings to remain in excellent condition and last for generations. To help protect your artwork, Amsterdam offers you: acrylic varnish in high gloss, gloss, satin, and matt. These varnishes can be used to provide a layer of… Professional Quality Acrylic Varnish! As an artist, you want your acrylic paintings to remain in excellent condition and last for generations. To help protect your artwork, Amsterdam offers you: acrylic varnish in high gloss, gloss, satin, and matt. These varnishes can be used to provide a layer of enduring protection for any acrylic painting. Designed to be applied after the paint has completely dried, they can be thinned with solvent, dry in a few hours, and do not yellow once dry. Key Features: * Apply when paint film has completely dried * Dries in a few hours * Will not yellow * Glossy, satin or matt appearance * Thin with white spirit * Remove dried varnish with solvent Perfect For: * Final Varnishing * Providing dust resistance * Archival fine-art protection * Portrait and fine artists * Unifying uneven surfaces of paintings * Boosting color saturation See More -
Brush and Pencil Colored Pencil AdditivesSave Up to10%Off list
Starting At: 10.80
Blend color, add back tooth, or whiten areas of your drawing! You can blend color, add back tooth, or whiten areas with Brush and Pencil Colored Pencil additives. Powder Blender is a non-toxic archival blending lubricant for colored pencils. The blending powder unlocks oil-based colored pencils so… Blend color, add back tooth, or whiten areas of your drawing! You can blend color, add back tooth, or whiten areas with Brush and Pencil Colored Pencil additives. Powder Blender is a non-toxic archival blending lubricant for colored pencils. The blending powder unlocks oil-based colored pencils so that you can make corrections and even erase areas. With Touch-Up Texture, you can recover lost surface tooth in your drawing. All you need to do is apply a small amount of Touch-Up Texture, allow it to dry, and add new layers of colored pencil. Or use it to create bright white highlights by mixing it with their Titanium White Powder. You can also apply Titanium White Powder with an applicator sponge in areas where you need to add white. No matter what you need to fix in your drawing, Brush and Pencil have the additive for the job. Key Features: * Colored pencil additives * Each additive has its own characteristics * Archival colored pencil tools * Sifter's included with powders * Glass bottle comes with a brush applicator Perfect For: * Oil-based colored pencils * Blending color * Adding back tooth * Whitening areas and highlights * Works best on rigid toothy surfaces * Apply with sponges or short bristle brushes Powder Blender Jar + Sifter: Powder Blender is a non-toxic and archival dry blending lubricant for colored pencils. The non-toxic powder works best on rigid, toothy surfaces like gessoed panels and sanded paper. You can dispense the powder with the included sifter and blend it with a sponge or short bristle brush. Powder Blender unlocks oil-based colored pencils and makes everything adjustable, correctable, and erasable. The powder performs best with oil-based pencils, but you can use it to pretreat a wax-based drawing before adding more layers. Once everything is blended, you can secure the layer with Fixative. Titanium White Jar + Sifter: Brush and Pencil took the Titanium White found in colored pencils and created a ground-breaking powder with it. The white powder is completely opaque and has excellent covering power. In areas where you need white, you can apply Titanium White powder with an applicator sponge. If you use too much, you can lift it back with mounting putty. Mix a pinch of Titanium White with a few drops of Brush and Pencil's Touch-Up Texture to add highlights. You can apply the creamy mixture with a detail brush. Once dry, you can draw over the highlights. Touch-Up Texture Bottle: Recover lost tooth in your drawings with a bottle of Touch-Up Texture. All you need to do is apply a small amount of Touch-Up Texture, let it dry, and add new layers of colored pencil. Or mix it with Colored Pencil Titanium White to create bright white highlights. Colored Pencil Touch-Up Texture is non-toxic, archival, and pH-neutral. The glass bottle comes with a brush applicator. See More -
Liquitex Acrylic Gels & PastesSave Up to60%Off list
Starting At: 4.50
…texture and extends volume with a satin finish. You can also use the gel medium as a strong adhesive. Silkscreen Medium- You can transform acrylic paint into slow-drying silkscreen ink with Liquitex Silkscreen Medium. The medium changes the thickness of water-based acrylic paints by increasing… Add texture, enhance color, increase transparency! Liquitex Acrylic Mediums are made from 100% acrylic polymer emulsion and produce strong films when dry. When added to acrylic paint, they modify the paint handling characteristics, appearance or volume to produce an infinite variety of effects. Liquitex Gel Mediums can add texture, enhance color and increase transparency within your work. Gels also add "open time" as they tend to dry slower than thinner paint films. These mediums also modify acrylic paints in a variety of ways and, since they contain acrylic resins, tend to improve adhesion and durability. Modeling Pastes are thick acrylic gel blended with marble dust for a strong durable, opaque texture. Key Features: * 100% acrylic polymer emulsion * Add texture, enhance color * Increase transparency * Variety of effects * Perfect For: * Modifying paint handling characteristics * Extending heavy body paint * Impasto, relief, or sculptural effects. * Adhesion and durability Flexible Modeling Paste - Matte, opaque preparation of marble dust and polymer emulsion. Use on a flexible surface for heavy textures and 3D forms. Gloss Gel - This heavy body gloss medium and extender makes acrylic colors more transparent. Heavy Gel (Gloss) - Gives acrylic colors a high degree of drag and density. Great for impasto techniques and glazes. Light Modeling Paste - Putty-like compound that can be shaped while wet or carved when dry. Will not crack or chip. Non-toxic. Matte Gel - Reduces gloss of acrylic colors. Also used as a matte collage adhesive. Super Heavy Gel (Gloss) - Add to acrylic colors to form a sculptural, high-peak consistency. Dries clear with very low shrinkage. Great for collage and mixed media. Super Heavy Gel (Matte)- A super thick gel which retains high-peaks and crisp brush and knife strokes with little shrinkage. Modeling Paste - Putty-like compound that can be shaped while wet and carved when dry. Slow-Dri Blending Gel - This fluid medium will increase the open working time of your acrylics by up to 40%. Dries clear to a flexible, non-yellowing and water-resistant film that will not change the viscosity of your color. Ultra Matte Gel - Use to extend paint up to double amounts without changing color. Dries to a matte finish while maintaining color opacity. AP non-toxic. Liquitex Satin Gel Medium- is made of a 100% acrylic polymer emulsion and creates a durable, flexible film resistant to abrasion once dry. When added to acrylic paint, the satin gel increases texture and extends volume with a satin finish. You can also use the gel medium as a strong adhesive. Silkscreen Medium- You can transform acrylic paint into slow-drying silkscreen ink with Liquitex Silkscreen Medium. The medium changes the thickness of water-based acrylic paints by increasing fluidity so you can use them for silkscreening and mono-printing. This acrylic medium increases paint volume and drying time but doesn't affect paint color or opacity. Extended drying time lets you position ink to create the exact printed fabric designs you want. See More
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