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Gamblin Solvent-Free Gel, Fluid & Safflower Oil MediumsSave Up to40%Off list
Starting At: 4.50
Gamblin Solvent-Free Painting Mediums Solvent-Free Gel and Solvent-Free Fluid are painting mediums made from safflower oil and alkyd resin with no solvent. Why safflower? We chose safflower for these mediums because of its paler color. The alkyd resin, which is essentially a highly polymerized oil,… Gamblin Solvent-Free Painting Mediums Solvent-Free Gel and Solvent-Free Fluid are painting mediums made from safflower oil and alkyd resin with no solvent. Why safflower? We chose safflower for these mediums because of its paler color. The alkyd resin, which is essentially a highly polymerized oil, accounts for the faster drying rate of these materials, compared to either linseed or safflower oils used alone. Both Solvent-Free Fluid and Gel increase the flow of oil colors, increase transparency, gloss and color saturation. Both Solvent-Free Fluid and Gel increase the flow of oil colors, increase transparency, gloss and color saturation Solvent-free-Mediums:* Gamblin Solvent-Free Gel gives colors more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates.Solvent-Free Gel is available in the following size: 37 ml, 150 ml * Gamblin Solvent-Free Fluid painting medium gives oil colors more flow and transparency. It has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Fluid is non-toxic and contains no Gamsol or petroleum distillates. To ensure proper drying and prevent beading-up of paint layers, Solvent-Free Fluid should be used in moderation with oil colors – no more than 25% by volume. To avoid wrinkling, apply mixtures of Solvent-Free Fluid and oil colors thinly. For underpainting, we recommend adding Gamsol to Solvent-Free Fluid. Solvent-Free Fluid is available in the following sizes: 4.2oz, 8.5 oz & 16.9 oz. * Gamblin Safflower Oil is a pale, slow-drying oil. When used as a painting medium, Safflower Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium. To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. Solvent-Free Safflower Oil is available in the following sizes: 8.5 oz & 16.9 oz. The biggest difference between the Solvent-Free Fluid and the Gel is their consistency. The Fluid medium more significantly increases the flow of oil colors off of the brush. In terms of its working properties, it is similar to either straight linseed or safflower, though faster-drying. Brush-marks will be slightly leveled, or “rounded” when using the Fluid. Drying Time: In regards to their drying, these mediums have a “moderately fast” drying rate – meaning that thin layers will dry to the touch in approximately 36 – 48 hours. Because they rely solely on oxidation to dry, they have a longer working time compared to our Galkyd mediums, which begin to tack up as their Gamsol content evaporates from paint layers. See More -
Sennelier #Green for Oil MediumsSave Up to35%Off list
Starting At: 7.64
Non-Toxic Additives for Oil Paints with these eco-friendly alternatives to traditional solvents! Sennelier Green For Oil is a range of non-toxic, biodegradable additives for oil paint. These bio solvent based additives are created from sustainable, raw materials such as vegetable oils and grain.… Non-Toxic Additives for Oil Paints with these eco-friendly alternatives to traditional solvents! Sennelier Green For Oil is a range of non-toxic, biodegradable additives for oil paint. These bio solvent based additives are created from sustainable, raw materials such as vegetable oils and grain. 100% safe and easily disposable, they are odorless and safe enough to bring onto a plane. Sennelier Green For Oil products are just as effective as traditional solvents and work wonderfully with both the Sennelier Artists’ Oils and Rive Gauche. Be aware that they cannot be used with solvent based mediums and it is important to abide by the slightly longer drying time. Brush Cleaner: This non-toxic liquid cleaner is perfect for deep cleaning of all types of brushes, knives, palettes and other containers before next use. Matte Varnish: This clear & quick drying varnish protects your finished work with a non-reflective, matte finish. It can be mixed with gloss varnish for a satin finish. Gloss Varnish: This gloss varnish will enhance the brightest and most vibrant colors in your painting with a glossy finish. This quick and clear drying varnish can be mixed with matte varnish for a satin finish. Thinner: This bio-solvent thinner replaces petroleum distillate to thin your oil paints. Mix the product with your paint to make it more fluid and more suitable for the first drafts of your painting. Universal Medium: A perfect substitute for universal medium, this medium will enable you to improve the consistency of your paste, create glazes and the other effects such as impasto. Also invaluable if working in cold temperatures and speeds up drying time & adds shine to your finished work! Gel Medium: This Carthame oil-based formula has been designed for artists work with thick paints to build up depth. It preserves the consistency of oil paints without making the product too fluid, enabling artists to superpose colors without diluting the bottom layers of color. This medium also speeds up drying time! Key Features: * Non-toxic, biodegradable, eco-friendly additive * Just as effective as traditional solvents * The product range includes Thinner, Gel Medium, Universal Medium, Gloss & Matte Varnishes * 100% safe & easily disposable Perfect For: * Replacing petroleum based additives * Artists that work with oil paints * Sennelier Artists’ Oils & Rive Gauche * Safe for elderly, pregnant & allergy prone artists * Can be brought on a plane Sennelier #Green - Non-Toxic Additives For Oil Paints All Green for Oil products are bio solvent based (meaning from sustainable raw materials such as vegetable oils and grain) and are biodegradable. 100% safe and easily disposable, they can be brought into a plane. Great packaging and remarkable capabilities. See More -
Gamblin Artists' Oil Painting MediumsSave Up to40%Off list
Starting At: 4.50
True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating… True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More -
Blair Artist SpraysSave Up to32%Off list
Starting At: 9.82
Acid-Free Mounting Adhesive - Creates both a permanent or repositionable bond on paper, board, wood, glass, foil, mylar and acetate. This spray provides for a uniform mist pattern for even glue distribution and clean bonding. Acrylic Spray Varnish - This removable acid-free spray varnish protects… Acid-Free Mounting Adhesive - Creates both a permanent or repositionable bond on paper, board, wood, glass, foil, mylar and acetate. This spray provides for a uniform mist pattern for even glue distribution and clean bonding. Acrylic Spray Varnish - This removable acid-free spray varnish protects fully dried acrylics. It is easily applied and provides a lovely, non-yellowing gloss finish. May even be removed for periodic cleaning! Digi-Finish - Digi-Finish coatings add UV durability to digital photographs, prints, and other paper creations by creating a clear moisture barrier. Both coatings are VOC and MIR compliant to meet the stringent regulatory requirements of both California and the Ozone Transport Commission. Acid-free and archival safe, these fastdrying, non-yellowing, permanent coatings conform to ASTM D-4236. 11 oz. cans. Glaze Supreme - Just maybe the most lustrous spray of its kind. Its super gloss finish enhances paintings on virtually any surface. It forms a rich, glazed coating creating depth and luminosity with a porcelain like finish. Gloss or Matte Damar Sprays - These acid-free Damar resin sprays allow you to obtain greater depth and definition in your oil painting. Made with 100% pure Damar resin. They are for use with fully cured paintings. They will enhance the finished paintings colors, shading and blending with either a handsome gloss or non-reflective matte finish. Spray Var® Retouch Varnish - An acid-free Damar resin spray allowing you to obtain greater depth and definition in your oil painting. Spay Var Retouch is used for ground sizing, to isolate paint layers and to restore dried areas. It is intended for use with uncured paintings. Very Low Odor Spray Fix - Use this incredible product in the studio since it has no noticeable odor, is acid-free and imparts superb protection. Provides smudge proof protection for pencil, Conte Crayon, charcoal, soft pastel and chalk. It will stop bleeding between layers of gouache, watercolor and casein colors. Dries to a workable tooth and will not curl thin paper. All products in this category are considered Hazardous Materials: Cannot ship by Air/ Next Day Services. Ground only. See More -
Pebeo Drawing Gum Masking FluidSave Up to17%Off list
Starting At: 7.97
Preserve the white paper or wash tones in your artwork! Drawing Gum is a peel-able rubber solution used to keep areas color free when using ink, watercolor, or gouache. It can be applied to your drawing or painting surface using a brush or a pen. The drawing gum solution dries gray. Pebeo Drawing… Preserve the white paper or wash tones in your artwork! Drawing Gum is a peel-able rubber solution used to keep areas color free when using ink, watercolor, or gouache. It can be applied to your drawing or painting surface using a brush or a pen. The drawing gum solution dries gray. Pebeo Drawing Gum available in either a latex-free formula or the original latex recipe. Key Features: * Dry's within about 15 minutes * A resistant to preserve color * Often referred to as "frisket" Perfect For: * Inks * Watercolor * Gouache Original Pebeo Drawing Gum - The original natural latex formula is certified CL and should be used with caution. Original drawing gum can stay on your paper for a long time and should not rip your paper when removed. Please note the formula has a strong odor. Latex-Free Pebeo Drawing Gum - The no odor latex-free version of Pebeo Drawing Gum is certified as AP non-toxic. You should remove the drawing gum from your paper after a couple of weeks to avoid ripping the paper when the gum is removed. This drawing gum is perfect for those that are allergic to latex and sensitive to strong odors. See More -
Cobra Water-Mixable Oil Painting MediumsSave Up to40%Off list
Starting At: 7.79
Expand your painting possibilities with these water-mixable oil mediums! Using these specially designed water-mixable mediums and auxiliaries can increase the range of effects achievable with your Cobra paints! Just like Cobra colors, these mediums mix cleanly with water and are great additives for… Expand your painting possibilities with these water-mixable oil mediums! Using these specially designed water-mixable mediums and auxiliaries can increase the range of effects achievable with your Cobra paints! Just like Cobra colors, these mediums mix cleanly with water and are great additives for techniques from glazing and layering to alla prima and impasto. A convenient bar of Brush and Hand Soap is also available to ensure your brushes are thoroughly clean. Enhance all your water-mixable oil paintings with these great mediums from Royal Talens! Key Features: * Oil paint mediums * Cleaning auxiliaries Perfect For: * Modifying oil paint * Lengthening drying time Click on the white paper icon for more information about each Cobra product. Painting Medium - This viscous medium makes Cobra oils smoother and fatter, eliminating brushstrokes without lengthening the drying time of the paint film. It also adds a universal sheen and increases color transparency. Perfect for use in layering and alla prima (wet-on-wet) techniques. Glazing Medium – improves the flow of Cobra oil paints and increases their transparency, making it perfect for luminous glazing techniques. As this medium has a high oil content, it should only be used in the final few layers of a painting, following the "fat over lean" rule. Painting Paste – Perfect for adding bulk in impasto techniques or decreasing color intensity for alla prima painting. Can be mixed with Cobra oil colors in any ratio, but the more Painting Medium added, the lower the color intensity will become. Quick Dry Medium (Solvent-Free) - This medium reduces the drying time of Cobra paints. It also increases the flow and transparency of the paint while making the paint fatter. Safflower Oil - Safflower oil boosts paint flow and transparency. The oil doesn't yellow over time and dries slower than linseed oil, making it ideal for initial and final paint layers. Linseed Oil - improves paint flow and transparency. This linseed oil dries relatively fast and can be used for the initial layers of your painting. While linseed oil may yellow slightly over time, it offers a more stable paint film. Paint Thinner (Solvent-Free) - This solvent-free thinner enhances paint fluidity, making it leaner and aiding quicker drying times. It's particularly ideal for applying the initial layers of your painting. Brush Cleaner (Solvent-Free) - Makes brushes easier to clean. Also cleans brushes with oil colours that are not mixable with water Medium Mix - Cobra created this Medium Mix to help artists transition from traditional to water-mixable oil paints. Add this medium to your leftover traditional oil paints to make them water-mixable, so you can mix and thin your paint using just water! Brush and Hand Soap - Crafted from 100% vegetable-based ingredients. Whether you're working with oils or acrylics, Cobra Soap is the ideal solution for keeping your hands and brushes clean throughout your creative process. See More
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