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Liquitex Acrylic Effects MediumsSave Up to40%Off list
Starting At: 6.75
…Fluid Retarder - A binder-free fluid with slow drying agents. Increases 'open' (working) time of acrylic paint. Reduces paint skinning-over on palette. Increases blending time, making blending of colors and detail brushwork easier. Slow-Dri Gel Retarde - A binder-free gel with slow drying agents.… Designed to achieve various techniques, applications, special effects & pouring! Liquitex offers a variety of specialty products including Pouring Mediums, Fluid Mediums, Gel mediums, Texture Gels and Additives which have been specifically designed to achieve various techniques, applications and special effects. Fluid Effects Mediums:* Increase Flow * Dry transparent or translucent * Extend the volume of thin paint * Excellent archival adhesive for collage Gel Effects Mediums* Adds body * Increase ‘open’(working) time * Dry transparent or translucent * Extend the volume of paint * Hold brush or knife marks * Make an excellent archival adhesive for collage Liquitex offers a variety of specialty products which have been specifically designed to achieve various techniques, applications and special effects. Airbrush Medium - A liquid medium incorporating an acrylic polymer. Specifically formulated to thin acrylic colors for airbrush application. Can also be used when working a regular brush. Fabric Medium - A fluid medium incorporating an acrylic polymer with ultimate flexibility and adhesion. Enhances the workability of acrylic paint on fabric. Controls bleeding of colors thinned with water. Flow Aid - A binder-free aqueous solution with surfactants. Use in conjunction with any acrylic medium or acrylic color when increased flow and absorption and decreased film tension and friction are required. Iridescent Medium - A fluid medium incorporating an acrylic polymer with ultra-fine pearlescent mica pigment. Produces a range of iridescent or metallic colors when mixed into acrylic colors. LiquiThick Thickening Gel - A binder-free heavy body gel with high levels of gelling agents. Used in small amounts, produces handling characteristics very close to that of oil or encaustic paint. At higher concentrations, can thicken paint or acrylic mediums to "cake" or sculptural consistency. Pouring Medium - A fluid medium incorporating an acrylic polymer with high resin solids. Creates even puddles, poured sheets, and flowing applications of color. Slow-Dri Fluid Retarder - A binder-free fluid with slow drying agents. Increases 'open' (working) time of acrylic paint. Reduces paint skinning-over on palette. Increases blending time, making blending of colors and detail brushwork easier. Slow-Dri Gel Retarde - A binder-free gel with slow drying agents. Designed to be used with Liquitex Heavy Body Artist Color and Heavy Body mediums. Increases 'open' (working) time of acrylic paint. String Gel - A medium viscosity medium incorporating an acrylic polymer with a resinous, stringy consistency. Enhances depth of color and increases transparency and flow. Masking Fluid - Masking Fluid is a colorless, latex-based liquid that you can use to mask areas. Many artists use Liquitex Masking Fluid to block off sections of a painting and allow the surface to show through. Crackle Paste - You can use Liquitex Crackle Paste on its own or mix with acrylic color to create a crackle effect that is structurally stable on rigid surfaces. Glass Medium - You can mix Liquitex Glass Medium with acrylic color to adhere paint on slick non-porous materials like glass. The medium dries to a high gloss, scratch-resistant finish once heat set. Gold Metallic Medium - With Liquitex Gold Metallic Medium, you can give acrylic paint a metallic gold effect or use it on its own to add gold surface highlights. Silver Metallic Medium - With Liquitex Silver Metallic Medium, you can give acrylic paint a metallic silver effect or use it on its own to add silver surface highlights. See More -
LUKAS Drying Oils MediumsSave Up to60%Off list
Starting At: 5.97
…painting medium and pigment binder is made by adding siccatives to linseed oil to speed the drying time. Has an obvious reddish-yellow tint. Mix with medium to dark colors to increase flow and speed drying. Stand Linseed Oil - Viscous, yellowish medium made thicker than standard linseed oil through… Bleached Linseed Oil - High quality, cleaned and bleached oil for use as a painting medium and binder for pigments. Perfect for glazing techniques and mixing with resins for traditional mediums; though slight yellow tint may affect white pigments. Linseed Oil Varnish - This painting medium and pigment binder is made by adding siccatives to linseed oil to speed the drying time. Has an obvious reddish-yellow tint. Mix with medium to dark colors to increase flow and speed drying. Stand Linseed Oil - Viscous, yellowish medium made thicker than standard linseed oil through application of heat. Increases gloss and translucence of oil colors, can be used as a binder or for making resin-based mediums. Slow-drying. Poppyseed Oil - Colorless, slow-drying oil carefully extracted from poppy seeds and bleached. Serves as a binder for creating oil colors, and a medium to add transparency. Its non-yellowing properties make it especially well suited for mixing with white or bright colors. See More -
Stack N Dry Floor Drying RackSave Up to46%Off list
Starting At: 248.99
…Perfect For Drying and Storage The Stack N Dry Floor Drying Rack features 20 wire shelves perfect for drying wet papers and panels. The poly-coated metal shelves are designed not to rust and are easy to clean. Even spacing between the racks promotes air circulation and helps artwork dry faster. Each… Durable Print Rack Perfect For Drying and Storage The Stack N Dry Floor Drying Rack features 20 wire shelves perfect for drying wet papers and panels. The poly-coated metal shelves are designed not to rust and are easy to clean. Even spacing between the racks promotes air circulation and helps artwork dry faster. Each rack is spring-loaded, so you can easily raise or lower a whole section of the shelves to access the rack you need. Plus, you can use the shelves to neatly store finished art or unused paper. Key Features: * 20 poly-coated metal shelves * Overall Dimensions: 23.75" wide × 23" deep × 33" high * Shelves: 15.25" deep × 23.75" wide * Includes two castors for mobility * Weighs only 28 lbs Perfect For: * Drying all types of artwork * Prints and watercolors * Paintings on panels * Drying painted greeting cards * Storing unused paper * Studios and classrooms See More -
C.A.S. AlkydPro Fast Drying Oil ColorsSave Up to50%Off list
Starting At: 22.50
…Features: * Completely dries within 20 hours * High lightfastness ratings * Professional-grade alkyds * Low-odor formula * Can retain brushstrokes Perfect For: * Artists interested in using paints made in the USA! * Professional artists * Artwork requiring minimal drying time * Artists seeking… The only professional-grade alkyd colors made in the USA! Finally, artists have a professional-grade choice for alkyd oil paint. C.A.S. AlkydPro Paint is the first line of genuine artist-grade alkyds made in the United States. C.A.S alkyds are made entirely from an Alkyd resin base and contain no linseed oil. They use a non-yellowing sunflower alkyd oil to give the colors the highest performance. **The swatches below show the color mixed with 50% Titanium White (left) and the pure color (right). Key Features: * Completely dries within 20 hours * High lightfastness ratings * Professional-grade alkyds * Low-odor formula * Can retain brushstrokes Perfect For: * Artists interested in using paints made in the USA! * Professional artists * Artwork requiring minimal drying time * Artists seeking excellent quality paints at a low price! * See More -
Winsor & Newton Oil Color Drying OilsSave Up to43%Off list
Starting At: 5.12
…Drying Poppy Oil - Extracted from the seeds of the poppy plant. Drying Poppy Oil makes oil colour "fatter" and has a pale character. The fast drying oil stabilizes a colour’s film. Dries more slowly than linseed oil and preserves good, clear colours even in the spectrum of light colours. Drying… The Perfect Accompaniment To Oil Paints! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums to enhance your oil painting experience. Drying oils control color, prevent over-thinning when mixed with solvents, and help maintain the flexibility of paint film. Key Features: * Accelerates the drying time * Increases gloss & translucency of colors * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Accelerating the drying of oil colors * Professional oil painters * Maintaining consistency * Preserving gloss Cold Pressed Linseed Oil - An oil extracted without the use of heat. Cold Pressed Linseed Oil makes oil colour "fatter". It reduces viscosity for better flow while adding transparency and gloss. Drying Poppy Oil - Extracted from the seeds of the poppy plant. Drying Poppy Oil makes oil colour "fatter" and has a pale character. The fast drying oil stabilizes a colour’s film. Dries more slowly than linseed oil and preserves good, clear colours even in the spectrum of light colours. Drying Linseed Oil - Fastest drying linseed oil, increases gloss, transparency, and reduces consistency. It decreases the consistency and transparency of the oil paint. Add to other oils to accelerate drying times. Linseed Stand Oil - For glazing and as an alternative for Refined Linseed Oil, due to its pale colour and excellent levelling. Linseed Stand Oil makes oil colour "fatter". It's a pale viscous oil that slows drying while imparting a smooth, tough enamel finish with no brush marks. Refined Linseed Oil - A low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. Bleached Linseed Oil - A refined pale oil which will improve the flow of colour and dries slightly faster than Refined Linseed Oil. Use with pale colours and white. Thickened Linseed Oil - Amber coloured, partially oxidised oil. Makes oil colour "fatter". A faster drying viscose oil. Can be used in combination with Sansodor to accelerate drying rates further. Safflower Oil - Extracted from the seeds of the safflower plant. Makes oil colour "fatter" and has a pale character. It's a slow drying oil that stabilizes paint film. Use with whites, pale and bright colours. The pale colour preserves the brightness of pigments. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More -
Williamsburg Oil Painting Drying Oils and MediumsSave Up to30%Off list
Starting At: 8.53
…drying and less yellowing than other linseed oils, it creates a smooth, durable, flexible film. Wax Medium - Pure beeswax, damar resin, and refined linseed oil. No paraffins or microcrystalline. Use in moderation to thicken paint; imparts a short, buttery texture. Increases transparency, dries to a… The Perfect Accompaniment to Williamsburg Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film strength and durability. Williamsburg is proud to offer a unique selection of drying oils and mediums to enhance your oil painting experience. Drying Oils are available in bottles from 4oz to 32 oz sizes, and Wax Medium is available in cans from 8oz to 32oz. Linseed Oil - Genuine alkali-refined linseed oil. Increases flow, transparency and gloss. Useful as an ingredient in painting mediums. Cold Pressed Linseed Oil - Genuine, cold-pressed linseed oil. Extracted through pressure alone. Less processed than alkali-refined oil. Closer to what was traditionally used in the past. Stand Oil - a thick, honey-like linseed oil with excellent leveling properties. Increases flow, transparency, and gloss. Useful as an ingredient in painting mediums. Slower drying and less yellowing than other linseed oils, it creates a smooth, durable, flexible film. Wax Medium - Pure beeswax, damar resin, and refined linseed oil. No paraffins or microcrystalline. Use in moderation to thicken paint; imparts a short, buttery texture. Increases transparency, dries to a satin sheen. Alkyd Resin - Made from a slow-drying pure alkyd resin with the consistency of a thick stand oil. Dries to a glossy, flexible, and enamel-like film. Useful in making other mediums or added directly into oil paints to modify transparency and flow. WARNING: Combustible. Vapor harmful. Key Features:* Professional, Handmade Oil Mediums* Quality cold-pressed drying oils* Oils to make custom mediums* Wax Medium to thicken paint* Perfect For:* Making custom painting mediums* Professional Oil Painters* Discerning students & amateurs* Using with professional quality oils See More -
Matisse Dry Medium Mix-InsSave Up to50%Off list
Starting At: 25.98
Unique Dry Mediums For Unrivaled Textural Effects! Matisse Dry Medium Mix-Ins are distinctive dry mediums designed to be mixed with a range of wet acrylic mediums (and can also be used with oil mediums) to produce textural qualities unparalleled by any other product! Unlimited effects can be… Unique Dry Mediums For Unrivaled Textural Effects! Matisse Dry Medium Mix-Ins are distinctive dry mediums designed to be mixed with a range of wet acrylic mediums (and can also be used with oil mediums) to produce textural qualities unparalleled by any other product! Unlimited effects can be achieved by varying the amount of dry to wet medium, though an ideal mixture is one 50ml bottle of Mix-Ins to one 250ml jar of Matisse medium. Create infinite combinations of texture, build ridges and valleys within your artwork, and bulk out your paint with nearly weightless dry mediums perfect for use on large canvases. Any surface imaginable is now achievable to your precise specifications with amazing Matisse Mix-Ins! Key Features: * Coarse Effects Set of 6 * Calcined Bauxite, Lang Land Sand, Lang Lang Gravel, Pumice, Glass Beads, and Wollastonite Perfect For: * Adding texture to paint * Working with acrylic and oil mediums Lang Lang Sand & Gravel- 5 grades of fine, medium, or coarse sands for texture effects. Pumice - Lightweight volcanic glass good for creating texture on large canvases. "I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas….I am completely sold on Matisse Acrylics. I highly encourage every artist, professional or pleasure painter, to experience these paints for themselves." - Andy Russell, Professional Artist See More -
Gamblin Artists' Dry PigmentsSave Up to40%Off list
Starting At: 7.80
…create oil, acrylic, watercolor, and encaustic paints. Simply hand mix the dry pigment with the medium of your choice and start painting. Each color mixture retains the undertone and tinting strength of the included pigments. Dry pigments can also be used for a variety of DIY tasks. Mix with epoxy… 100% Pure Pigments With No Impurities With Gamblin's collection of 100% pure ground pigments, you can make your own unique paints. Gamblin uses these same pigments to make their famous Artist's Oil Colors. Each batch is finely ground so that you can bring out the pigment's full potential. Free of adulterants and impurities, Gamblin Pigments offer excellent value. Use them to create oil, acrylic, watercolor, and encaustic paints. Simply hand mix the dry pigment with the medium of your choice and start painting. Each color mixture retains the undertone and tinting strength of the included pigments. Dry pigments can also be used for a variety of DIY tasks. Mix with epoxy resin to fill resin molds or add a colored coating to a tabletop. You can also combine dry pigment with grout for mosaic and tile projects. Key Features: * Professional artist quality pigments * 100% pure with no additives or impurities * Finely-ground to make mixing easier * Mixture retains the tinting strength, undertone, and texture of the pigment Perfect For: * Making your own paints with the appropriate binder * Oils, acrylics, watercolors, egg tempera, cold wax, and encaustic * A wide variety of DIY projects * Coloring epoxy resin and grout Please protect yourself when handling powdered pigments. Pigments can be harmful in their powder form, especially to the lungs, if you breathe them in. It's important to wear a quality mask or respirator, gloves, and protective eyewear when working with pigments. See More -
Sennelier Artist Dry PigmentsSave Up to37%Off list
Starting At: 13.73
…Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More -
Sennelier Dry Pigment Binding MediumsSave Up to37%Off list
Starting At: 23.96
Sennelier Artist Dry Pigment Binding Mediums available in Egg Tempera binding medium & Watercolor binding medium Egg Tempera Binding Medium - Contains egg, gum arabic and vegetable oil. Provides a flexible consistency when mixed with with dry pigments. The paint film will be smooth, but will not… Sennelier Artist Dry Pigment Binding Mediums available in Egg Tempera binding medium & Watercolor binding medium Egg Tempera Binding Medium - Contains egg, gum arabic and vegetable oil. Provides a flexible consistency when mixed with with dry pigments. The paint film will be smooth, but will not be able to be reworked with water as with traditional egg tempera—but this allows you to build up layers easily. Thin with water. Watercolor Binding Medium - Contains gum arabic, honey, water and a preservative. When mixed with dry pigments, it provides a smooth, water-soluble paste with a viscous consistency. Mix with 5-10% water to increase fluidity, while maintaining brilliancy and transparency. It may also be used to thin pre-mixed paints. See More -
da Vinci Synthetic Dry BrushesSave Up to30%Off list
Starting At: 12.95
Master dry brush techniques with this synthetic goat hair brush! Miniature painters use dry brush techniques to mimic the look of rust, wood, and fabric. In the world of miniature painting, these effects are becoming more and more popular. Da Vinci partnered with some of the leading specialists from… Master dry brush techniques with this synthetic goat hair brush! Miniature painters use dry brush techniques to mimic the look of rust, wood, and fabric. In the world of miniature painting, these effects are becoming more and more popular. Da Vinci partnered with some of the leading specialists from this growing market to design a new line of brushes. da Vinci Dry Brushes come in a choice of 3 different shapes: flat, round, and oval filbert. These brushes are made of white synthetic fibers that imitate natural goat hair. The advantage of synthetic hair is a more durable fiber, which does not break after heavy use. Before leaving the brush workshop, each brush is examined to ensure that the brush head is flawless and that the ferrule is firmly attached to the handle. The family-owned Da Vinci brush company has designed quality brushes for three generations in Germany. They use the latest innovations to produce durable quality brushes. Key Features: * White synthetic hair mimics goat hair * Rust-resistant seamless ferrule * Short lacquered hexagonal handles * Made in Germany Perfect For: * Watercolor, oils, and acrylics * Dry brush techniques * Mimicking the appearance of rust, wood, or fabric * Adding a weathering effect to your painting * Students, teachers, professionals * Animal-friendly artists See More -
Grafix Artist-Tac Dry Transfer Adhesive DotsSave Up to9%Off list
Starting At: 16.03
No mess, easy to use dry adhesive dots! Grafix Artist-Tac is a line of dry-transfer adhesive dot sheets that allow mess-free, quick and easy mounting of paper, photos, plastic and more. These sheets transfer a fine layer of adhesive dots—repositionable until burnished—ensuring even… No mess, easy to use dry adhesive dots! Grafix Artist-Tac is a line of dry-transfer adhesive dot sheets that allow mess-free, quick and easy mounting of paper, photos, plastic and more. These sheets transfer a fine layer of adhesive dots—repositionable until burnished—ensuring even adhesion on any shaped item. Packs of 25 sheets are available in three sizes: 5.5 x 9”, 8.5 x 11” and 11 x 17”. Key Features: * Even edge to edge adhesion with no bleed * Repositionable until burnished * Works well with irregular shaped items, many surfaces and translucent mediums * No mess, fumes or cutting Perfect For: * Mixed Media and collage artists * Scrapbooking * Photo mounting * Greeting Cards See More -
Canson XL Sand Grain Dry Mixed Media PadsSave Up to31%Off list
Starting At: 8.33
…perfect for drawing with graphite, colored pencil, pastel, and charcoal. You can work with many layers of color because the gritty surface holds dry pigment well. It's easy to erase mistakes, and both sides of the paper are usable, so the pad is ideal for sketching in the studio or on the go. Each… Innovative paper made from organic, renewable materials Canson's new XL Sand Grain paper is made from a mixture of renewable organic materials. The sandy textured finish is perfect for drawing with graphite, colored pencil, pastel, and charcoal. You can work with many layers of color because the gritty surface holds dry pigment well. It's easy to erase mistakes, and both sides of the paper are usable, so the pad is ideal for sketching in the studio or on the go. Each Canson XL Sand Grain Pad is bound with a spiral binding and contains 40 sheets each. Ideal for drawing and sketching with graphite, colored pencil, pastel, and charcoal/ Key Features: * 98 lb (160 gsm) multimedia paper * Made from organic, renewable materials * Acid-free paper with a sandy surface * No optical brightness or additives * Complies with ISO Standard 9706 * Front and back sheet use * Spiralbound on the short side * 40 Sheets per pad Perfect For: * Graphite, pastel, charcoal, colored pencil * Sketching and drawing * Erasing mistakes and adding highlights * Applying many layers of color without fixative * Everyday studio use * Urban sketching on the go * Travel See More -
Winsor & Newton Griffin Alkyd Fast-Drying Oil ColorsSave Up to40%Off list
Starting At: 6.35
…non-yellowing drying oil for optimum color retention, excellent durability, and rapid drying time. 48 oil colors is available in 37ml tubes. Titanium White is also available in 200ml tubes. Key Features:* 48 oil colors, available in 37ml tubes* Faster drying time than traditional oils* Dry to the… Fast Drying Oil Colors Made with pigments and oil modified alkyd resin Griffin Alkyd is an oil color formulated from the same family of fast-drying resins that has been used by Winsor & Newton in producing Liquin and other mediums since the 1960’s. Each color reaches a touch-dry state in less than 24 hours, making them ideal for fast working while still offering the working and optical properties of oils. Their unique luminosity makes them perfectly suited for glazing, particularly when used in combination with Liquin. Compatible with conventional oils, Griffin Alkyd Oils have excellent flow properties and dry to a durable, semi-gloss hard film that will not yellow over time. Made with an alkyd resin binder that has been modified with a non-yellowing drying oil for optimum color retention, excellent durability, and rapid drying time. 48 oil colors is available in 37ml tubes. Titanium White is also available in 200ml tubes. Key Features:* 48 oil colors, available in 37ml tubes* Faster drying time than traditional oils* Dry to the touch in 18 to 24 hours* Genuine oil color* Can be thinned with traditional oil color solvents* Can usually be varnished in 30 days* No compromise on lightfastness, color strength, and selection* Speed of drying allows techniques such as impasto and glazing to be done in considerably less time* Classed as artists' quality because the grinding of pigments* Dries to a durable, semi-gloss hard film* Will not yellow over time Perfect For:* Fast working while still offering the working and optical properties of oils* Colors remain workable for 4-8 hours* Oil painting outdoors* Clean with mineral spirits* Non-yellowing drying oil for optimum color retention* Glazing, particularly when used in combination with Liquin * Because alkyd film is slightly less flexible and is faster drying than traditional oil color, application over oil or oilbar layers is not recommended. Alkyd is not intermixible with acrylics. Griffin Alkyd Fast Drying Drying Oil Color Alkyds are made from a naturally derived vegetable oil that is polymerized. The result is a resin-like product that, when mixed with a solvent, is very similar to traditional linseed oil. The colours remain workable for 4 to 8 hours and are touch dry in 18 to 24. Consistent drying times across the range removes the usual restrictions that come with conventional oils, making it easier to overpaint, regardless of the colour upon the surface. Artist Review Great Product! "I work on commissions all the time that sometimes require a short deadline. I feel much more confident in getting them done and out in time while using these oils. You can also mix them in with regular oil paint and usually that will speed up the drying times as well. Usually they are completely dry in 24 hours!" See More -
Weber Odorless Turpenoids & Slow-Dry & Natural TurpenoidsSave Up to43%Off list
Starting At: 6.15
…dries completely. Gel will increase color translucence and decrease drying time of oil paints, rinses out with plain water, and dries to a stable and flexible film.* Fast drying medium body gel for oils and alkyds* Excellent for impasto techniques* Dries to a stable, flexible film Turpenoid Slow Dry… The most popular artists' oil paint thinners and cleaners! Odorless Turpenoid - An odorless substitute for traditional turpentine that retains the same painting properties and drying time as the original. Odorless Turpenoid works well for thinning oil or alkyd colors, creating mediums and cleaning brushes, and is perfect for artists working in small (but well-ventilated) spaces or for those who are allergic to or are affected by the strong odor of conventional turpentines and solvents.* Odorless formula should not aggravate allergies* Excellent paint thinner and brush cleaner* Flammable; store carefully Turpenoid Natural - A certified AP non-toxic and environmentally friendly brush cleaner and conditioner, Turpenoid Natural is made from citrus essences and other natural products. It is not flammable, does not emit harmful vapors, and will not irritate skin or eyes, making it an excellent oil paint thinner for artists seeking safer painting alternatives for themselves or their children. Turpenoid Natural can also work well as an oil or alkyd medium, though it should not be used for washes, glazes, or to "wet" a canvas prior to painting.* Natural, non-toxic and eco-friendly* Safe for artists of all ages* Excellent brush cleaner and conditioner Turpenoid Gel - Fast drying gel medium designed for use with oil and alkyd paints. Turpenoid Gel is clear and semi-soft, making it ideal for impasto techniques while also ensuring the paint layer dries completely. Gel will increase color translucence and decrease drying time of oil paints, rinses out with plain water, and dries to a stable and flexible film.* Fast drying medium body gel for oils and alkyds* Excellent for impasto techniques* Dries to a stable, flexible film Turpenoid Slow Dry - (Formally called Turpenoid Light) Similar to Original Odorless Turpenoid, a mild solvent, but with a much higher 200°F/93 °C degrees Flash Point, and more open work time when combined with other mediums. Turpenoid Slow Dry is a great medium for thinning artist oil colors, plus cleaning artist brushes, painting knives, and palettes. Turpenoid Slow Dry is a highly refined mixture of odorless mineral spirits. It is used for thinning artist oil colors, for modifying oil painting mediums. Safer Studio. It meets California Air Resources Board (CARB) exemption for consumer products. Very slow and complete evaporation, allowing more open time when combining with other mediums.* 200 degree °F flash point* Complete evaporation* Odorless See More -
Jack Richeson Ambrosia Print RackSave Up to39%Off list
Starting At: 210.93
Made from environmentally friendly wood! This print rack is the durable, environmentally friendly Richeson Ambrosia Print Rack from Jack Richeson. It is made from fine eco-friendly Lyptus wood which is sustainably grown in South America and grows faster than most other hardwoods. The Ambrosia print… Made from environmentally friendly wood! This print rack is the durable, environmentally friendly Richeson Ambrosia Print Rack from Jack Richeson. It is made from fine eco-friendly Lyptus wood which is sustainably grown in South America and grows faster than most other hardwoods. The Ambrosia print rack is adjustable and can open to hold artwork of any size.. Key Features: * Base dimensions: 37"x22" * Rack height: 32" * Gusset: 6-7/8" * Made from environmentally sustainable Lyptus wood Perfect For: * Holding prints, canvases and other pieces of art * Traveling to art shows, conventions and more * Artists of all skill levels See More -
GOLDEN Acrylic AdditivesSave Up to30%Off list
Starting At: 8.32
…the slickness and flow of the paint. It is useful for achieving rich stains on a porous surface. Not for use by children. Retarder: an additive used to increase the open (drying) time of acrylic paints. Useful for wet on wet techniques and reducing skinning on the palette. Key Features: * Increase… Reduce surface tension and increase paint flow Additives serve a similar function to mediums. The difference is that additives don't contain acrylic binders (like mediums do), so you must follow the label and use them in correct proportions. Most mediums can be added to the paint in any amount until you've achieved the desired effect, but additives can weaken the color and adhesion of the paint when overused. GOLDEN offers these two additives, which are a useful addition to any painters studio. Wetting Agent: Formerly known as Acrylic Flow Release - an additive used to reduce the surface tension of the water in the acrylic emulsion, thereby increasing the slickness and flow of the paint. It is useful for achieving rich stains on a porous surface. Not for use by children. Retarder: an additive used to increase the open (drying) time of acrylic paints. Useful for wet on wet techniques and reducing skinning on the palette. Key Features: * Increase open time * Reduce the surface tension of acrylic emulsion * Improve the slickness and flow of paint * No acrylic binders * Use them in correct proportions * Click the yellow circle icon for product information Perfect For: * Acrylic painting * Minimizing paint waste * Classroom, home, and studio * Teachers and students * All acrylic-friendly surfaces The retarder does not contain binding agents. To ensure adhesion, the addition of Retarder should not exceed 15% (1:6)when mixed with colors or mediums. See More -
Jo Sonja's Artists' Acrylic MediumsSave Up to38%Off list
Starting At: 5.01
…Use indoors or outdoors to provide maximum, long-term protection. The varnish dries clear and is non-yellowing. Jo Sonja's Acrylic Polyurethane Varnishes are available in Gloss and Matte. Retarder Medium: Extends the drying time of Jo Sonja's Colours. It allows an extended working or "open" time for… Take your paintings and techniques to the next level! Jo Sonja's range of acrylic mediums will help you take your painting to the next level from preparation, to special effects, to finishing. If you want to add texture, glaze, sparkle, or crackle effects to your painting, these Jo Sonja Mediums can help you. Key Features: * Texture and effect mediums * Thin or thicken paint viscosity * Increase open (working) time * Dry transparent or translucent * Extend the volume of paint * Intermixable with Jo Sonja paints Perfect For: * Jo Sonja acrylic paints * Creating special effects * Faux finishers * Finishing a painting * Artists of all skill levels * All acrylic-friendly surfaces * Experimenting with different textures and techniques Crackle Medium: A transparent medium that causes Jo Sonja's Colours to separate into crackled patterns of various sizes. You can use the crackle medium to simulate the effects of aging. Flow Medium: an acrylic flattening agent used to level out the textural properties of Jo Sonja acrylic paint. Flow Medium is used to thin paints and other mediums. Water may dilute the paint's acrylic binder, reducing its adhesive qualities. When Flow Medium is added in small amounts, it produces a thinner, smoother paint that leaves no brush marks. Glazing Medium: A transparent acrylic glazing medium you can use alone or with Jo Sonja's Artists or Jo Sonja's Background Colours. Mix with acrylic color to seal as your basecoat or alone on raw wood as a light sealer. A coat of Glazing Medium is recommended before staining for an even application of stain. Polyurethane Varnish: Provides the toughest finish available with excellent corrosion, chemical, scratch, and wear resistance. Use indoors or outdoors to provide maximum, long-term protection. The varnish dries clear and is non-yellowing. Jo Sonja's Acrylic Polyurethane Varnishes are available in Gloss and Matte. Retarder Medium: Extends the drying time of Jo Sonja's Colours. It allows an extended working or "open" time for blending. Opal Dust: Jo Sonja's Opal Dust is a clear gel that contains tiny light-reflecting holographic particles, which create an interplay of colors reminiscent of gems. Opal Dust may be used alone or applied to a dry pre-painted surface. It is suitable for various surfaces, including paper, card, glass, transparency film, plastic, canvas, wood, terra cotta, tin, fabric, silk, or dried flowers. Mix with Jo Sonja's Artists' Colors before applying for a more subtle effect. Drying time depends upon the thickness of the application. Brushstrokes are evident when wet but disappear when fully dry. See More -
Akua MediumsSave Up to10%Off list
Starting At: 10.53
…cleans up easily with liquid dish detergent. This medium can only be used with Akua Intaglio Inks.* Pigment Retarder - This medium has two purposes. First, it helps transfer ink onto dry paper when a few drops are mixed into Akua Liquid Pigments. Secondly, it also extends the working time of Akua… Expand the creative possibilities of Akua Inks with Akua Mediums! These Akua Mediums are perfect for altering the creative properties of Akua Intaglio Inks and Akua Liquid Pigments. Whether you require a thinner or thicker consistency, a longer or shorter open time, or the ability to create "ghost prints", these mediums have you covered! Several of these mediums can be used with both Akua Intaglio Inks and Akua Liquid Pigments.* Blending Medium - It is used to thin ink for brushwork, wash effects or use it as a resist for viscosity monotypes. It is a clear, colorless liquid. It cleans up easily with water. This medium can be use with both Akua Liquid Pigments and Akua Intaglio Inks.* Extender - It is used to thin Akua Liquid Pigment if it has become too thick due to an extended open time. It is a thick liquid in consistency, and transparent in color. This medium can only be used with Akua Liquid Pigments.* Mag Mix (Ink Stiffener) - This medium was formerly called Mag Mix. When mixed with Akua Intaglio, this medium adds depth and stiffens the ink. It is clear/white in color with a very stiff consistency. Mag Mix cleans up easily with liquid dish detergent. This medium can only be used with Akua Intaglio Inks.* Pigment Retarder - This medium has two purposes. First, it helps transfer ink onto dry paper when a few drops are mixed into Akua Liquid Pigments. Secondly, it also extends the working time of Akua Liquid Pigments. It is a clear liquid, and cleans up easily with water. This medium can only be used with Akua Liquid Pigments.* Pigment Tack Thickener - This medium thickens Akua Liquid Pigment for heavier roll-up applications. It's consistency is not as thick as Transparent Base or Akua Intaglio ink. It is medium amber in color, has a thick consistency, and cleans up easily with soapy water. This medium can only be used with Akua Liquid Pigments.* Release Agent - This medium has three purposes. First, it is required to release Akua Liquid Pigment brushwork from plate to paper when hand-printing monotypes with the Pin Press. Second, it is used for making ghost prints. A ghost print is the second print from a monotype plate that has been inked only one time. It is a lighter version of the same image. By rolling Release Agent over the plate, it helps to transfer the remaining ink off the plate and onto another sheet of paper. Third, it helps soften the metallic ink so it can easily transfer off the plate and onto the paper. Roll Akua Release Agent over the metallic ink that was applied to the plate. It looks white in the jar but rolls up clear and colorless. It has a soft, buttery consistency and cleans up easily with liquid dish detergent. This medium can be used with Akua Intaglio Inks and Akua Liquid Pigments.* Transparent Base - This medium is Akua Intaglio Ink without the pigment. Adding Akua Liquid Pigment to Transparent Base will thicken Akua Liquid Pigment and create new intaglio or relief colors. Adding Akua Intaglio ink to this base will increase ink transparency. It is a light amber in color and has a thick consistency. This medium can be used with Akua Intaglio Inks and Akua Liquid Pigments. See More -
BEST Galestio Print RacksSave Up to41%Off list
Starting At: 131.98
Great to Display Artwork! Whether you're going to display your artwork at a conference, exhibit hall, mall or art show, the Best Galestio Wood Print Rack is the rack that will get the job done! These print racks are easy to assemble and fold flat for easy transportation. Available in three sizes.… Great to Display Artwork! Whether you're going to display your artwork at a conference, exhibit hall, mall or art show, the Best Galestio Wood Print Rack is the rack that will get the job done! These print racks are easy to assemble and fold flat for easy transportation. Available in three sizes. Although wood color and grain may vary, Galestio Wood Racks are a simple, elegant way to hold and display your prints, panels or canvases. Key Features: * Easy to assemble * Folds flat * Three sizes available * Small: Base 20"x15-1/2", height 31" * Medium: Base 23-3/4"x16-1/2", height 33-3/4" * Large: Base 37"x17", height 37" Perfect For: * Displaying prints * Easy transportation * Exhibitions, art shows, conferences and more! * Value-conscious artists who demand quality See More -
ArtExpo Print RackSave Up to52%Off list
Starting At: 133.99
Stop storing your art. Show it off! With the ArtExpo Print Rack, you can show off your artwork while storing it! When you’re selling art in a gallery or at a show, you want prospective customers to flip through your work and hopefully buy something. At home, you may want an attractive and inviting… Stop storing your art. Show it off! With the ArtExpo Print Rack, you can show off your artwork while storing it! When you’re selling art in a gallery or at a show, you want prospective customers to flip through your work and hopefully buy something. At home, you may want an attractive and inviting place to showcase your artwork when you have guests. Or you may need a place to keep works in progress and finished art. Our ArtExpo Print Rack solves all these problems while keeping your space organized. ArtExpo is perfect for storing framed artwork, mounted prints, or even stretched canvases! The all-metal print rack has a wide bed and strong arms that can hold several pieces of artwork at once. The 6" wide bed has a soft leatherette lining, so you don't have to worry about scratching the sides of your canvases or frames on the base. Best of all, the four caster wheels allow you to roll the print rack across the floor with little effort. Key Features: * Holds artwork up to 30" × 40" * Overall dimensions 32-1/2" H × 33-5/8" W × 21-5/8" D * Arms measure 21-1/4" from the bed to the top corner * Metal construction: silver-tone & black * Six 22mm diameter support bars * 6-1/4" wide bed made of soft leatherette vinyl * Provides protection, access, and organization * Four durable caster wheels for easy movement Perfect For: * Displaying flat artwork * Galleries, art fairs, and shows * Home and studio * Artists on-the-go * Retail environments * Teachers and students * Storing canvas or mounted prints * No-hassle, everyday studio use Please note: The print rack does not come assembled. Full assembly is required. See More -
Cappelletto Allegra Premium Wood Print RackSave Up to71%Off list
Starting At: 119.99
Store artwork in this high-quality print rack Imported from Italy The Cappelletto Allegra Premium Wood Print Rack provides an ideal way to keep your finished prints, canvases, and framed artwork safe! Made of only the finest hand-picked wood, this smooth sanded oil-stained Beechwood print rack has… Store artwork in this high-quality print rack Imported from Italy The Cappelletto Allegra Premium Wood Print Rack provides an ideal way to keep your finished prints, canvases, and framed artwork safe! Made of only the finest hand-picked wood, this smooth sanded oil-stained Beechwood print rack has durable hard-plastic casters for mobility and a rubber anti-slip mat. These are just some of the features you'll find with this beautifully, Italian crafted print rack. Fits pieces up to 48" x 60". Easy to put together and the casters are sturdy. It rolls smoothly and is of high quality. The bed is wider than most and has a rubber base which is practical for stacking paintings. Beautiful in any setting! Key Features:* Premium Print Rack Imported from Italy* Handmade in Italy, the finest beechwood and craftsmanship* Made of only the finest hand-picked wood* Seasoned oiled stain-resistant beechwood* Fits pieces up to 48" x 60"* Durable hard-plastic casters for mobility* Fits canvases up to 60"* Measures 28" long x 20" wide and stands 31.5" off the ground* Base dimensions: 28" x 20.5"* Weight: 13 lbs* Rubber anti-slip mat* Width of the black rubber bed: 8.5" Perfect For:* Artists of all skill levels* Fine art collectors* Convenient Storage* Displaying your artwork* Artists that desire a premium quality* A higher-quality print rack at a value price! * Get to know Cappelletto - The Finest Easels Cappelletto is a manufacturing company that since 1976 produces with love and passion a wide range of Easels and Accessories for the Fine Arts. All the products of Cappelletto Srl are made in Castelfranco Veneto, a small medieval town in the province of Treviso, it is located a few kilometers from Venice. In this place we keep our project alive for years: to make wooden products and articles that are able to defy time, with all kinds of precision machining on solid wood and other natural materials. In 40 years of activity, Cappelletto Srl provided wooden easels, accessories, components, articles, and products of Italian quality to 21 countries of the world. This makes the company Cappelletto Srl a training ship of woodworking. See More -
Folding Wood Print Racks by Creative MarkSave Up to68%Off list
Starting At: 38.99
Functional Storage & Print Rack to Store Artwork with Style! The Creative Mark Folding Wood Print Racks are a sturdily built functional storage rack that is handsome enough for art fairs and retail environments as well as the home and studio. Constructed of smooth sanded Beechwood these print… Functional Storage & Print Rack to Store Artwork with Style! The Creative Mark Folding Wood Print Racks are a sturdily built functional storage rack that is handsome enough for art fairs and retail environments as well as the home and studio. Constructed of smooth sanded Beechwood these print racks are made to store and display prints, posters, paintings, and other flat media. These beautiful print racks are perfect for artwork up to 24 × 36". You can store and keep several prints and paintings on the 4" wide rack bed. When the rack is not in use it easily folds down for storage and travel needs. Overall size 28" H × 16" L × 25.5" W. Key Features:* Made of Beechwood* Folds for storage* Overall size 28" H × 16" L × 25.5" W. Perfect For:* Displaying flat artwork* Gallery and Artfair shows* Home and studio See More -
Chroma Atelier Interactive Mediums And AdditivesSave Up to40%Off list
Starting At: 7.39
…gradations of color. Retarder: slows down the drying process when added to acrylics and mediums. Retarder is particularly useful when painting wet-over-wet or wet-over-dry techniques. About 10% addition to any of the three mediums above can be useful for painting outdoors or in very dry conditions. Do more with your acrylic paints! With Chroma Atelier Interactive Mediums, you can control more of the painting process and do more with your acrylic paints! Revisit and awaken touch-dry Atelier Interactive paint with the Unlocking Formula, or extend the open time and blend-ability of your acrylics with Slow Medium. Traditional gels and pastes are excellent for adding texture and structure to your painting while also extending your paints. All of the Chroma Atelier Interactive Mediums offer limitless creative possibilities. Key Features: * Thin or thicken paint viscosity * Increases color transparency * Increase open (working) time * Dry transparent or translucent * Extend the volume of paint * Intermixable with Chroma Atelier Interactive paints Perfect For: * Acrylic painting * Collaging & mixed media * Artists of all skill levels * All acrylic-friendly surfaces * Pouring painting techniques * Faux finishers * Experimenting with different textures and techniques Unlocking Formula: is used to reopen touch-dry layers of Atelier Interactive Acrylic paint when water no longer reopens the paint. It's sprayed onto touch-dry paint to soften edges, blend colors, and remove paint. Please note that the Unlocking Formula will not work on cured paints. Pouring Medium: Designed for extreme fluid effects and pouring techniques. Self-leveling and dries to a gloss finish. The best paint to use with this medium is Atelier Free Flow. Fast Medium/Fixer: Is designed to speed up the Interactive Acrylic painting process by quickly fixing a paint layer. You can use it to dilute the paint for glazing and thin painting techniques. Fast Medium/Fixer will speed up the layering process. Excellent for fast glazing and quick layering techniques. Slow Medium: Atelier Slow Medium slows down the drying time when added to Atelier Interactive Acrylic paint. You can thin the viscosity of your Interactive paint while also giving yourself more time to work. Ideal for larger paintings. It tacks up quickly, but it can easily be brought back to a more fluid stage by spraying it with water. Thick Slow Medium: has a gel-like consistency that is useful when artists want to have more blending time but do not want a thinner paint. You can use Thick Slow Medium for spreading and diluting paint without making it thin or runny. The concentrated medium is best used in small amounts. Just add to your palette when you want to maximize viscosity, and keep your Atelier Interactive Acrylic paints open for an extended period. Heavy Gel Gloss: A thick, water-based, glossy acrylic gel medium designed to create texture in acrylic painting. Heavy Gel Gloss creates a more translucent and buttery paint and increases gloss levels. It can also be used as an adhesive to bond other materials to the painting. *Note that the Heavy Gel Gloss uses conventional fast-drying technology, but it can take quite some time to dry when they are applied thickly. Clear Painting Medium: is one of the most popular mediums in acrylic painting. It is used with the paint to dilute the viscosity and blend colors without losing pigment intensity. This mid-viscosity medium allows the paint to spread over a surface for more blendable gradations of color. Retarder: slows down the drying process when added to acrylics and mediums. Retarder is particularly useful when painting wet-over-wet or wet-over-dry techniques. About 10% addition to any of the three mediums above can be useful for painting outdoors or in very dry conditions. See More -
Speedball Screen Printing MediumsSave Up to34%Off list
Starting At: 5.82
…Diazo Sensitizer - Fill the bottle ¾ full with cold water and mix thoroughly. To be used with photo emulsion. Fabric & Acrylic Retarder Base - Slows the drying time of inks. Fabric & Acrylic Transparent Base - To create a transparent color mix with ink. This Transparent Base should… Acrylic Extender Base - Designed to mix any quantity with ink in order to create a transparent color. Diazo Photo Emulsion - Mix with Sensitizer for Photo Emulsion screen printing. Diazo Photo Emulsion Kit - Contains one 7 oz jar of Photo Emulsion, one 8 oz jar of Photo Emulsion Remover, and 1 oz bottle of condensed Sensitizer. Diazo Photo Emulsion Remover - When finished with an emulsion coated screen, apply remover to reclaim the screen with minimal cleaning effort. Diazo Sensitizer - Fill the bottle ¾ full with cold water and mix thoroughly. To be used with photo emulsion. Fabric & Acrylic Retarder Base - Slows the drying time of inks. Fabric & Acrylic Transparent Base - To create a transparent color mix with ink. This Transparent Base should not exceed 10 - 15% of the entire mixed quantity. Gloss Overprint Varnish - Preserves the screen printed inks against scuffing, weathering and water. Non-yellowing. Speed Clean - The only proven cleaner of screen filler. Screen Drawing Fluid - Applied before screen filler to areas intended to be printed. AP non-toxic filler. Screen Filler - Designed to block out areas not intended to be screen printed. AP non-toxic filler. See More -
Holbein Duo Aqua Water Soluble Oil MediumsSave Up to35%Off list
Starting At: 7.96
…milky but will clear when dry. While DUO Linseed Oil may become milky over time, its performance will not be affected. Available in 55ml bottles. Holbein DUO Aqua Oil Quick Drying Medium - Pastes and Liquids - will enhance transparency, accelerate drying time, and create a final surface… Special blend of mediums to enhance transparency and aid flow! Holbein DUO offers a whole line of mediums to enhance the Duo Aqua line of water-soluble oil paints. Duo Aqua Oil Color is an artist-grade water-soluble oil color that offers the same lightfast and archival pigments found in traditional oil paints. The Holbein laboratory adds a surfactant that coats the molecule of the DUO linseed oil, which permits water thinning and soap & water clean-up. DUO Aqua is compatible with all media such as traditional oil color and mediums, watercolor, gouache, acrylic gouache, and traditional acrylic paints. Key Features:* Thin with water* Milky appearance dries clear* Cleans up with soap and water Perfect For:* Professional artists and Teachers* Compatible with all media* Exceptional teaching materials Holbein DUO Aqua Linseed Oil increases the transparency and glossy finish while slowing the drying time of DUO Aqua Oil Paint. As with Holbein DUO Aqua Oil Colors, add water to thin DUO Linseed Oil. Adding water may cause the oil to become cloudy but will dry clear. While DUO Linseed Oil may become milky over time, its performance will not be affected. Available in 55ml and 200ml bottles. Holbein DUO Aqua Oil Stand Linseed Oil is a highly polymerized, viscous medium that increases the transparency of the water-soluble oil paint and produces a leveled gloss effect with an elastic, durable film. Like all DUO Aqua Mediums, thin with water. The solution may become milky but will clear when dry. While DUO Linseed Oil may become milky over time, its performance will not be affected. Available in 55ml bottles. Holbein DUO Aqua Oil Quick Drying Medium - Pastes and Liquids - will enhance transparency, accelerate drying time, and create a final surface finish. Mixing with DUO Aqua Oil Colors in equal parts, the substrate surface becomes tacky in approximately 30 minutes. When thinned with water, the resulting milky appearance becomes clear when dry. Thick layers may cause wrinkling. Available in Gloss finish and Matte finish. Pastes are available in 50ml and 110ml tubes and Liquids are available in 55ml and 200ml bottles Holbein DUO Aqua Brush Cleaner is an odorless, non-flammable cleaning solution formulated for Holbein DUO Aqua Water-Soluble Oils. It is also perfect for use with other water-soluble oil colors. This mild cleaner helps brushes stay in top shape by adding extra protection to the bristles. DUO Aqua Brush Cleaner works well with acrylic paints and can even be used with traditional oils, though the brushes should be allowed to dry completely before the next painting session. Available in a 200ml bottle and a 500ml jug. See More -
Schmincke Oil Painting MediumsSave Up to10%Off list
Starting At: 13.85
…appear lighter or "milky" when wet, but the color will return as the paint dries. Refined Linseed Oil: Refined Linseed Oil is winterized and bleached. Many artists use it as a medium when painting. It slows down the drying time of your paint, which can be very useful when painting in layers. Please… Magnificent mediums for oil paints Schmincke Oil Mediums allow you to create fluid glazes or thick Impasto effects. You can even transform traditional oils into water-mixable oil paints with Medium W. All of the mediums increase the gloss and transparency of oil paint while accelerating or slowing drying time. Key Features: * Accelerate or slow drying * Improve transparency and gloss * Outstanding working properties * Extend oil paints and use less paint * Perfect For: * Traditional oil paints * Blending and glazing * Changing the paint texture * Adding to oils undiluted Schmincke Mussini Drying Accelerator: is an especially fast-drying, Jelly-like painting medium for oil colors. The paste preserves the consistency and degree of gloss of oil colors. To avoid weakening of binding properties, use dosage of 10 to max of 30%. The product is ready to use and should be added to oil colours undiluted. After use clean tools as soon as possible with turpentine or brush cleaner. The Schmincke Mussini drying accelerator contains: siccative, stand oil, resin solution, mineral spirit. Impasto Medium (Megilp): Schmincke Meglip Impasto Medium is an oil painting medium designed for painting thickly. The medium preserves the buttery character of oil paint while accelerating the drying process. When you are applying paint in a thick style with a palette knife you should include some Impasto Medium to support the drying process between layers of paint. Contains: alkyd resin, stand oil, and fillers. Medium L: The Jelly-like medium improves oil paint flow while reducing brush strokes, accelerating drying time, and increasing gloss and transparency. Shake well and stir before use. Close immediately after use. The recommended dosage for medium L is 10 - 20 %. The product is ready to use out of the bottle, but you can dilute it with turpentine substitute 50019. Medium W: Schmincke Medium W is a low-odor oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. You should shake the bottle before use. Mix 2 parts of oil color and 1 part of Medium W on your palette, then add water to thin. Add more Medium W to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W may appear lighter or "milky" when wet, but the color will return as the paint dries. Medium W Gel: Schmincke Medium W Gel is a jelly-like oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. Mix 2 parts of oil color and 1 part of Medium W Gel on your palette, then add water to thin. Add more Medium W Gel to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W Gel may appear lighter or "milky" when wet, but the color will return as the paint dries. Refined Linseed Oil: Refined Linseed Oil is winterized and bleached. Many artists use it as a medium when painting. It slows down the drying time of your paint, which can be very useful when painting in layers. Please note: The natural yellowing tendency of linseed oil cannot be stopped by bleaching! Schmincke Primer 1: Schmincke Primer 1 is a pure white, semi-opaque, light-resistant, and nonaging primer for oil and acrylic colors. The primer has a strong absorbent character and forms an elastic, matt film once dry. Schmincke Primer 1 is ready to use straight out of the bottle, or for a thinner consistency, you can thin it with water. For max dilution, mix with 30% water See More -
Holbein Extra Fine Artists' Oil Colors Large WhitesSave Up to35%Off list
Starting At: 13.16
Highest standard of quality control! Holbein Extra Fine Artists' Oil Color utilizes the purest of available pigments and is manufactured to the highest standard of quality control in the industry. All Holbein Extra Fine Artists' Oil Colors are ground to a uniform viscosity in cold pressed linseed… Highest standard of quality control! Holbein Extra Fine Artists' Oil Color utilizes the purest of available pigments and is manufactured to the highest standard of quality control in the industry. All Holbein Extra Fine Artists' Oil Colors are ground to a uniform viscosity in cold pressed linseed oil. Holbein Extra Fine Artists' Oil Color utilizes the purest of available pigments and is manufactured to the highest standard of quality control in the industry. Holbein Artists' Oil Colors ranks as one of the world's finest. Key Features:* Seven uniquely diversified whites* Paint retains its flexibility* Smooth buttery feel* Imported from Japan Perfect For:* Oil painters * Reliable color mixing* Bringing out your highlights* Clean and lifelike colors Please note: Each color swatch below shows the individual white mixed with 50% Crimson Lake. Some Holbein White oil paints contain toxic materials. Please click on the paper icon and the ! icon for more information. See More -
Firenze Large Wood Print Racks by Creative MarkSave Up to68%Off list
Starting At: 89.99
Italian-style Large Wood Print Racks with double locking castors The Creative Mark Firenze classic Italian-styled large print rack is as beautiful as it is functional. This sanded and sealed beechwood print rack is 27 ¼" long x 21" wide and stands 31 ⅜" off the ground. Its… Italian-style Large Wood Print Racks with double locking castors The Creative Mark Firenze classic Italian-styled large print rack is as beautiful as it is functional. This sanded and sealed beechwood print rack is 27 ¼" long x 21" wide and stands 31 ⅜" off the ground. Its double-locking casters roll smoothly on all surfaces, including carpet. It will hold artwork up to 30x40" in size, and it is extremely rigid to prevent the rack from tipping over. Its 8.5" wide non-slip rubber bed holds a full assortment of prints, posters, panels, canvases and can even be used for framed pieces. With a wide range of finish choices, this rack will compliment any studio, home or gallery beautifully. Premium high quality, made of sanded and sealed beechwood, rolls smoothly with a non-slip rubber bed Key Features:* Premium high quality wood print rack* Made of sanded and sealed beechwood* Measures 27 ¼" long x 21" wide and stands 31 ⅜" off the ground* Includes double locking castors* Rolls smoothly on all surfaces* Non-slip rubber 8 ½" wide bed helps protect items stored within* Extremely rigid to prevent the rack from tipping over* 5 elegant finishes* Available in Natural Beech, Dutch Mahogany, French Walnut, White, and Black finishes* Videos: See Demo and How To Assemble in Video Tab* Perfect For:* Holding prints, posters, panels, canvases or frames up to 30x40"* Outdoor fairs to give your works a distinctive setting* Rolling smoothly on all surfaces, including carpets* Rolling or locking in place* Studio, home or gallery See More -
DANIEL SMITH Water Soluble Oil MediumsSave Up to40%Off list
Starting At: 7.68
…to work with Water Soluble Fast Drying Linseed Oil, 2 oz - This modified linseed oil has a drying agent that significantly speeds drying time. It also thins the paint consistency while enhancing flow and gloss. Water Soluble Fast Drying Painting Medium, 2 oz - This medium makes colors… Specially developed alternatives to toxic solvents! If you love the feel, control, and rich appearance of classic oil mediums, but don't like the toxic solvents and tedious clean up, you need to try DANIEL SMITH's line of water-soluble oil mediums! Water-soluble mediums are the perfect solution for artists who work in poorly ventilated spaces with small children or pets. If you paint in Plein Air, you will relish the convenience of thinning and cleaning your brushes with water. The mediums complement the Daniel Smith Water-Soluble Oil Color range and are also entirely compatible with other water-mixable paint brands. Key Features: * Professional quality oil mediums * Available in 2oz bottle * Cleans up easily * Accelerates drying time * Increases gloss & translucency * For information, click on the yellow technote icon Perfect For: * Water mixable oil paint * Maintaining consistency * Preserving gloss * Painting without harsh chemicals * Cleaning work surfaces with water * Very easy to work with Water Soluble Fast Drying Linseed Oil, 2 oz - This modified linseed oil has a drying agent that significantly speeds drying time. It also thins the paint consistency while enhancing flow and gloss. Water Soluble Fast Drying Painting Medium, 2 oz - This medium makes colors more transparent and flexible while speeding drying time. It is non-yellowing and practically odorless. Water Soluble Modified Linseed Oil, 2 oz - This is the same water-soluble linseed oil used as the binder in Daniel Smith Water-Soluble Oils, making them so rich and creamy. Use it to thin their consistency, enhance flow, and improve gloss. Water Soluble Painting Medium - Low-odor, non-yellowing medium that increases the transparency and flexibility of Water-Soluble Oils and reduces drying time. Water Soluble Safflower Oil 2 oz - A water-soluble version of our low-yellowing oil, great for thinning whites and light colors. See More -
Grumbacher Oil Mediums & VarnishesSave Up to37%Off list
Starting At: 16.71
…provides the artist with a non-yellowing, flexible, transparent matte film when dry. When used for an overall matte finish on varnished and unvarnished work it will not dull tonal values and may be painted over. Quick drying and ready for use, it contains no wax and will not mar or smudge through… Grumbacher Mediums enhance and heighten oil colors Since 1853, Grumbacher has been providing artists with excellent quality artist materials and good old fashioned value. The oldest and one of the biggest producers of art supplies in the United States, Grumbacher contributes a variety of mediums for use with professional-quality oil paints. Grumbacher Oil Painting Mediums are wonderful for extending oil paints, stimulating drying time, building transparency, or producing a range of oil painting effects. Key Features: * Extending oil paints * Accelerating drying time * Increasing transparency Perfect For: * Oil paint * Grumbacher Permalba Oil Colors * Creating a variety of oil painting effects. LiquiGlaze - is a resin-based glazing and mixing medium similar to Liquin. Matvar 53® - A matte finish varnish for oil color, watercolor, and tempera painting. This colorless, acrylic resin varnish provides the artist with a non-yellowing, flexible, transparent matte film when dry. When used for an overall matte finish on varnished and unvarnished work it will not dull tonal values and may be painted over. Quick drying and ready for use, it contains no wax and will not mar or smudge through handling. Resists cracking, peeling, blush and bloom. Thin and clean up with turpentine. Res-n-Gel® - This colorless mixing medium provides a buttery consistency. Res-n-Gel prevents colors from running, retains brush stroke and holds sharply defined lines. Adds luminosity and brilliance and accelerates drying. Synvar® Varnish - is an acrylic gloss varnish for use with oils or acrylics. "Oil Mediums and Their Uses" DVD - This DVD features fine artist Johnnie Liliedahl. She demos each of Grumbacher's Oil Mediums; discusses what The Masters used and why; how to mix your own mediums; what cannot be mixed; plus the uses and results of all and more! Some items in this category are considered Hazardous Materials: Cannot ship by Air/Next Day Services. Ground Only. See More -
Creative Mark Canvas Print RacksSave Up to58%Off list
Starting At: 54.99
Ample storage that is convenient and lightweight! They are a must-have when selling or displaying your art in galleries, shops, and art shows! Their 1" thick, aluminum body makes them very lightweight and portable. The black canvas basin is sturdy and professional-looking. All four legs of these… Ample storage that is convenient and lightweight! They are a must-have when selling or displaying your art in galleries, shops, and art shows! Their 1" thick, aluminum body makes them very lightweight and portable. The black canvas basin is sturdy and professional-looking. All four legs of these Canvas Print Racks are complete with rubber feet for added stability, and to ensure that they won't scuff or scratch the floor. Some assembly is required. Click On Yellow Technical Information Icon for more details. Key Features: * 1" thick, round, black aluminum frame * Rubber feet on each of the 4 legs * Lightweight and portable * Sturdy and professional-looking * Folds flat * Click On Yellow Technical Information Icon for more details * Click Here for the Creative Mark Canvas Print Rack Assembly Instructions > Perfect For: * Displaying artwork at outdoor shows * Displaying artwork at galleries, shops and galas * Artists on-the-go * Artists seeking a lightweight display unit * Folding Canvas Print Rack Mini Black: * Overall size: 21" H x 17" D x 18" L * Footprint: 11-1/2" W x 16" L * Weight: 7 lbs * Will hold artwork up to 16" x 20" * Folded Dimensions: 25" H x 2" D x 18" L * Resting bed area: 5" W X 12-3/4" L Folding Canvas Print Rack Jumbo: * Overall size: 38" H x 24-1/2" D x 35-1/2" L * Footprint: 35-1/2" L x 17" W * Weight: 11 lbs * Will hold artwork up to 25" X 37" * Folded Dimensions: 42-3/4" H x 2" D x 36" L * Resting bed area: 30-1/8" L x 8" W Folding Canvas Print Rack Medium: * Overall size: 39" H x 21-1/2" D x 24" L * Footprint: 23-1/2" L x 15" W * Weight: 9 lbs * Will hold artwork up to 20" X 24" * Folded Dimensions: 42-3/4" H x 2" D x 24" L * Resting bed area: 7-1/2" W x 18" L See More -
Dryden Art And Canvas KeepersSave Up to67%Off list
Starting At: 58.29
Unique and convenient storage, organization, and transport system for canvases, frames and more! Tired of stacking and leaning canvases all over your house, classroom or studio? Dryden Art and Canvas Keepers are the solution you've been dreaming of! These convenient, sturdy, lightweight steel racks… Unique and convenient storage, organization, and transport system for canvases, frames and more! Tired of stacking and leaning canvases all over your house, classroom or studio? Dryden Art and Canvas Keepers are the solution you've been dreaming of! These convenient, sturdy, lightweight steel racks are the ideal solution for any studio that needs organizational help — and they're also great for bringing to shows! Perfect for storing canvas, panels, pads, drawing boards, framed and matted art and more, Dryden Art and Canvas Keepers are the ideal art organizers for home studios, galleries, schools and museums. * Convenient and accessible organization for all your art* Durable, lightweight, enameled steel construction* Store canvases, panels, frames, drawing boards, paper pads, mat board and more!* Vertical storage ensures items remain accessible at all times* Perfect storage solution for studios, schools, galleries, and museums! Available in two sizes — a smaller Table Model and a larger Floor Model — Dryden Art and Canvas Keepers are effective, affordable and mobile canvas organizers that actually work! As canvases are stored vertically, it's simple to find just the one you're looking for without having to move everything else. Get your canvases and frames off the floor and safely stored with these innovative and unique organizational racks! Table & Floor Model Combo: Save when buying the combo vs. buying them separately. Plus, automatically get Free Standard Shipping!* Table Model with Wall Mount* Holds up to 8 gallery-style or 16 standard canvases, or any combination thereof* Holds canvases with a width up to 1-13/16"* Measures 15"L x 19"W x 8.75"H* Weighs only 6 lbs. when empty* Includes convenient wall mount for easy hanging* Easily remove even a filled rack from the mount* Great for safely transporting stacks of art* Fits into the back of a car!* Floor Model with Casters & Handle * Holds up to 12 gallery-style or 24 standard canvases, or a combination of the two* Holds canvases with a width up to 1-13/16"* Measures 33"L x 25.5"W x 14.75"H (30.5"H w/ handle)* Weighs only 16 lbs. when empty* Includes 4 smooth rolling casters and a vertical handle* Has handle for easy mobility* Moves easily around the studio, even when full* Keep even large art safe and accessible* Great for classroom art storage! Please note: The handle on the Dryden floor model is designed to assist in moving the unit about the work space. It should be pulled rather than pushed, but if necessary, it should be pushed using even pressure on the sides of the handle frame. Proper precaution should always be used when moving framed art and canvases about your studio. *Free Standard Shipping applies to orders shipping within the contiguous 48 U.S. States. Please see our full Shipping Policy for more information. Click Here for the Mack Dryden Floor Rack Assembly Instructions > Click Here for the Mack Dryden Table Model Assembly Instructions > See More -
Grumbacher Professional Oil MediumsSave Up to42%Off list
Starting At: 7.27
…drying time. It contains copaiba, balsam, stand oil, mastic resin, alkyd resin, cobalt, and manganese driers. Pale Drying Oil: Accelerates drying time of oil colors. Consists of linseed oil and manganese drier. Poppy Seed Oil: An excellent quality, slow drying, purified oil that retards drying time.… Designed to achieve various techniques! Grumbacher painting mediums guarantee that paint attributes are not compromised but enhanced. These mediums thicken or thin without harming the color's adhesive, binding, or film-forming qualities. Myriad effects such as increased flow and open time or rapid drying of color are all possible. Grumbacher has selected oils, resins, and solvents to guard against yellowing and cracking, and the ingredients have proven themselves over many generations of use. Key Features: * Accelerate or slow drying time * Increases gloss & translucency * Outstanding working properties * Made in the USA * Perfect For: * Traditional or alkyd oil paints * Enhancing paint characteristics * Dry transparent or translucent * Maintaining consistency * Preserving gloss Alkyd Painting Medium: Speeds drying time and gives a nice painterly consistency to alkyd and oil colors. Alkyd Medium enhances transparency and clarity of the paint. The color appears rich and intense. Cobalt Drier: The recommended drier for fine arts oil paintings. Add to oil painting medium in drops as opposed to adding directly to oil paint. Cobalt Drier is a powerful additive for oil paints and should be used sparingly. Test medium before applying it to an oil painting. Overuse may cause cracking of paint film when drying. Copal Painting Medium: has a resinous consistency perfect for glazing and wet-on-wet techniques. Copal painting medium is an oil paint additive that speeds drying time. This medium increases paint flow and imparts a high gloss and hardness when dried. Copal painting medium may cause yellowing or darkening of colors over long periods. Only dilute with turpentine or Grumtine as petroleum-based solvents, and odorless thinners are not compatible with this product. Damar Varnish: A final varnish for oil painting that imparts a high gloss finish. Processed with pure gum damar, Damar Varnish protects oil paintings from dirt and scuffing. Japan Drier: A solid alkyd resin-based liquid drier for artists' oil colors. Japan Drier is used primarily for oil gilding. It is an alkali based drier that may cause yellowing or darkening of colors over time. Odorless Thinner: is a clear, organic solvent for thinning oil colors, cleaning brushes, and painting accessories. Oil Painting Medium No. 1: Use when a matte finish is desired, especially on absorbent gesso grounds. Made from poppy seed oil, copaiba, balsam, and solvent. Oil Painting Medium No. 2: For use with oils to retard drying time. It contains poppy seed oil, mastic resin, alkyd resin, and grumtine. Oil Painting Medium No. 3: Accelerates drying time. It contains copaiba, balsam, stand oil, mastic resin, alkyd resin, cobalt, and manganese driers. Pale Drying Oil: Accelerates drying time of oil colors. Consists of linseed oil and manganese drier. Poppy Seed Oil: An excellent quality, slow drying, purified oil that retards drying time. It provides superior color retention and resistance to yellowing. PreTested Linseed Oil: Linseed oil has several uses in oil painting. It can be used as a paint binder ingredient when mixing colors from powdered pigments, in oil painting medium recipes, and added directly to oil paints to make colors glossy and fluid. This oil is made from the finest quality purified alkali-refined linseed oil. Retouch Varnish: For brightening uneven areas of oil paintings. An excellent varnish for protecting pictures until the final varnishing. Stand Oil: A flexible, very heavy-bodied purified oil for use in preparing mediums—excellent resistance to yellowing. Sun-Thickened Linseed Oil: Sun-thickened linseed oil is heavier in body and can be appplied directly to paint or used in glaze mediums, clear varnishes and emulsions. It is an extremely flexible medium derived from purified oil and can be pre-diluted with turpentine, Grumtine or Pre-tested odorless thinner. The linseed oil lends an enamel-like quality to oil color. See More -
Createx Airbrush Colors and SetsSave Up to23%Off list
Starting At: 3.59
The Number One, Most Widely Used Professional Airbrush Paint in the World! Createx Airbrush Colors are made with lightfast, exterior grade pigments and durable resins that provide exceptional flow and atomization. They are the most widely used and trusted professional airbrush paint in the world.… The Number One, Most Widely Used Professional Airbrush Paint in the World! Createx Airbrush Colors are made with lightfast, exterior grade pigments and durable resins that provide exceptional flow and atomization. They are the most widely used and trusted professional airbrush paint in the world. With a wide line of colors including transparent, fluorescent, pearlized and iridescent colors, they can be used on a variety of surfaces. Each paint can be used on fabric, wood, automobiles, leather, canvas, plastics, aluminum and other metals, ceramics, latex, glass and more. Createx Airbrush Colors are made with a water-based formula that is non toxic and meets ASTM D-4236 standards. They are durable and can withstand outdoor elements like rain, dust and sunlight without fading or cracking. Key Features: * Made with lightfast, exterior grade pigments and durable resins * Exceptional flow and atomization * Wide range of opaque, transparent, fluorescent, pearlized and iridescent colors * Water-based, non-toxic colors Perfect For: * Automotive, fabric, wood, clay, metals, plaster, latex, glass and more * Withstanding outdoor elements without fading * Airbrushes and airguns * Sealing with a clear urethane for permanence See More -
Holbein Acrylic Mediums & VarnishSave Up to35%Off list
Starting At: 15.28
…is a fantastic painting and glazing medium. The transparent medium dries to a durable gloss finish that is also waterproof. Not suitable as a final picture varnish. Retarding Medium: Retarding Medium is intended to slow the drying time of acrylic paint. One or two drops will keep colors fresh on… Professional quality acrylic mediums at an affordable price Holbein Acrylic Mediums and Varnishes are formulated to take your artwork to the next level! You can use these versatile, professional-quality mediums with any acrylic paint. The mediums are great for thinning color or adding a uniform surface sheen to your painting! Whether you're creating special effects or applying the final finishing touch, Hoblien has the right product for the job. Key Features: * Acrylic mediums and varnishes * Available in gloss and matte * Professional-quality * Fast-drying varnish * Retarding medium slows down drying * Easy to squeeze bottle * Made in Japan Perfect For: * Acrylic painters * A final layer of protection for finished artwork * Thinning and extending acrylic color * Creating a uniform surface sheen * Final varnish for works on paper, canvas, wood, and unglazed pottery Crystal Varnish: Crystal Varnish is a high gloss, fast drying final protective varnish. Ideal for acrylic paintings. Holbein acrylic varnish adheres well to canvas, paper, clay, wood, and unglazed pottery. Matte Varnish: Matte Varnish is a matte, fast-drying final protective varnish. Holbein acrylic varnish adheres well to canvas, paper, clay, wood, and unglazed pottery. Matte Medium: If you want your acrylic paints to have a matte appearance, you can mix the colors with Holbien Matte Medium. The medium is transparent and waterproof once dry. You can also use Matte medium to thin or extend colors. Not suitable as a final picture varnish. Gloss Medium: Gloss Medium is a fantastic painting and glazing medium. The transparent medium dries to a durable gloss finish that is also waterproof. Not suitable as a final picture varnish. Retarding Medium: Retarding Medium is intended to slow the drying time of acrylic paint. One or two drops will keep colors fresh on your palette. See More
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