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Stonehenge Light Paper Pads by LegionSave Up to41%Off list
Starting At: 1.99
…The airy cousin to our classic white sheet. With a silky surface, it is perfect for the artist who prefers a more delicate sheet that can work with all fine drawing techniques. This is Stonehenge Light. Applications:Charcoal, Colored Pencil, Graphite Pencil, Pastel, Pen and Ink, Printmaking.… Versatile paper, that works wonderfully across a range of other fine art applications The paper of choice of many members of the Colored Pencil Society of America, Stonehenge Light Paper by Legion has the ability to take multiple layers of wax-based and oil-based colored pencil without any buildup, allowing colors to penetrate and absorb into the surface of the sheet. It is also an excellent silkscreen paper with the ability to take as many as 50-75 colors, printed one color at a time, and maintain perfect color registration as a result of its incredible dimensional stability. The airy cousin to our classic white sheet. With a silky surface, it is perfect for the artist who prefers a more delicate sheet that can work with all fine drawing techniques. This is Stonehenge Light. Applications:Charcoal, Colored Pencil, Graphite Pencil, Pastel, Pen and Ink, Printmaking. Paper can accept multiple layers of wax-based and oil-based colored pencil without buildup, allowing colors to penetrate and be absorbed into the sheet. It is also excellent for use with graphite, charcoal, pastels, and watercolors Key Features: * 100% cotton, neutral pH * Acid free, chlorine free * Lightweight (135GSM), very versatile * White sheets, 30 sheets per pad, 50lb * Made in USA Perfect For: * Variety of media: pen, ink, silkscreen, stationary, relief printing, & more* Charcoal, Colored Pencil, Graphite Pencil, Pastel, Pen and Ink, Printmaking & Watercolors* All fine drawing techniques* The artist that prefers a more delicate sheet See More -
Creative Mark Basic Etching PressSave Up to64%Off list
Starting At: 249.99
Basic Etching Press Great For Block Printing, Etching, And Monotype Printing! Suitable use for etching, collagraphy, embossing, unmounted linoleum, and paper lithography printing. With a 10.5 x 16.5" metal bed plate and 10" wide roller, this unit can print up to a 9 x 15" size. The all-steel… Basic Etching Press Great For Block Printing, Etching, And Monotype Printing! Suitable use for etching, collagraphy, embossing, unmounted linoleum, and paper lithography printing. With a 10.5 x 16.5" metal bed plate and 10" wide roller, this unit can print up to a 9 x 15" size. The all-steel construction ensures extended use and service. The 3.5 cm upper and lower rollers are adjustable to accommodate various types of printing. Smooth 360° action is easy with the simple L-shaped handle. The press is easy to install on a bench and comes with a 10.5 x 16.5" felt blanket. Overall unit size 9.75" L × 12.375" W × 6.75" H. Weighs just 20 lbs. Key Features: * 10.5 x 16.5" metal bed plate * 10" wide roller * Capable of printing up to a 9 x 15" size * All-steel construction * 3.5 cm upper and lower roller * Roller widths: 1.5" - Max separation of rollers is 1," and there is no minimum * Smooth 360° action * L-shaped handle * Sold with 10.5 x 16.5" felt blanket * Overall unit size 9.75" L × 12.375" W × 6.75" H * Weighs just 20 lbs. * Blanket: 80% wool and 20% polyester * Perfect For: * Etching * Collagraphy and emboss printing * Unmounted linoleum blocks * Relief block printing (both wood and lino) * Paper lithography printing * Home, studio, or school * Teachers and students See More -
LUKAS Studio Linol 250ml Printmaking InkSave Up to56%Off list
Starting At: 9.19
…use!* Perfect For:* Producing vibrant, uniform, and sharp block prints* Lino, wood, cardboard, rubber, twine and organic items like leaves and potatoes* All manual relief printing techniques* Smooth, consistent coverage* Excellent adhesion on absorbent substrates * Good adhesion on non-absorbent… Richer, cleaner, and brighter block prints! LUKAS Studio Linol water-soluble inks are an advance in block printing ink and are guaranteed to give you vibrant, uniform, and sharp block prints. Special attention has been given to ensure that the viscosity of the ink is uniform and does not vary. This viscosity and a special proprietary "factor" ingredient allow each inking plate or block to print cleanly. The concentration of pigment produces rich, vibrant colored prints. LUKAS Studio Linol Printmaking Inks, are also excellent for Monotype printing and can be easily cleaned up with water! Purchase up to 3 bottles of Lukas Studio Linol Inks. If they are not better than the inks you already use, call us for a full refund and keep the ink! *Limited to 3 bottles per customer. Key Features:* 12 intense colors in 250ml bottles* Uniform ink viscosity* Colors are workable for an extended period* Lightfastness from good to very good* Use straight or mix with water* Prints can be overprinted after drying* Low odor, easy to clean with water* Guaranteed to be better than the ink you use!* Perfect For:* Producing vibrant, uniform, and sharp block prints* Lino, wood, cardboard, rubber, twine and organic items like leaves and potatoes* All manual relief printing techniques* Smooth, consistent coverage* Excellent adhesion on absorbent substrates * Good adhesion on non-absorbent substrates* Artists of all skill levels See More -
Disposable Plastic Aprons by Wipe-TexSave Up to55%Off list
Starting At: 17.49
…throw away! Great for painting parties, painting classes, workshops, art events, art groups and more! Made of nonporous 1.25 ml white plastic, these aprons are great for painting groups, workshops, and painting parties. At 28” long and 46” wide, they will fit perfectly on most adults.… Disposable Aprons Great for Painting Parties, Classes & Art Events Wipe-Tex Disposable Plastic Aprons can protect clothing and skin from paints and inks such as oils, acrylic, water and most other media. Use once and just throw away! Great for painting parties, painting classes, workshops, art events, art groups and more! Made of nonporous 1.25 ml white plastic, these aprons are great for painting groups, workshops, and painting parties. At 28” long and 46” wide, they will fit perfectly on most adults. Available in boxes of 100. Stop storing or washing dirty aprons, just throw away! Key Features: * One size fits all adults (28" long and 46" wide) * Disposable- just throw away after use * Made from durable 1.25 ml white plastic to protect clothing and skin * Nonporous * Waterproof protection from neck to knee * Available in boxes of 100 Perfect For: * Great for painting parties, painting classes, workshops, art groups and more! * Staying clean while painting and working with wet media * Easy disposable * Not having to store or wash dirty aprons, just throw away! * Low cost alternative to protect clothing Disposable Plastic Aprons By Wipe-Tex are Perfect For My Painting Classes Perfect For My Painting Classes "I conduct painting classes and before I found these disposable aprons, I was using cloth ones. These are just the perfect thing to save me from doing laundry and they take up very little space. My clients love them and some even "save" them and take them home." See More -
Charbonnel Lithographic CrayonsSave Up to20%Off list
Starting At: 61.21
Wax Crayons Perfect for Drawing on Stone Charbonnel Lithographic Crayons are perfect for drawing out designs on a lithographic stone. Each crayon is made from high-quality bee’s wax, which can be thinned and sharpened. Charbonnel's hard crayons are great for drawing light, controlled lines, while… Wax Crayons Perfect for Drawing on Stone Charbonnel Lithographic Crayons are perfect for drawing out designs on a lithographic stone. Each crayon is made from high-quality bee’s wax, which can be thinned and sharpened. Charbonnel's hard crayons are great for drawing light, controlled lines, while the softer wax is better for expressive mark-making. Key Features: * Bee's wax lithography crayons * Available in a range of hardnesses * Water-resistant Perfect For: * Lithography * Creating detailed or expressive lines * Drawing on stone or paper Copal Crayons deliver fine, light, and easily controlled lines. No1 Crayons produce finer, lighter, and more easily controlled lines than their softer counterparts. No2 Crayons deliver fine, light, and easily controlled lines. No3 Crayons balance the finer, more easily controlled lines of our hardest crayons with our softer crayons' rich, smoky black lines. No4 Crayons deliver rich, expressive black lines. No5 Crayons deliver rich, expressive black lines. See More -
Charbonnel Lithographic InkSave Up to20%Off list
Starting At: 11.17
…stone. Autographic Ink is a greasy and rich black drawing ink for use on Lithography stones or plates. Key Features: * Oil-based lithography inks * Light, medium, and deep blacks * Greasy and water resistant * Highly pigmented Perfect For: * Lithography * Printing stark details * Plate or stone… Oil-Based Range of Black Litho Inks Charbonnel Lithographic Inks are formulated for direct transfer printing on stone. The oil-based black inks come in varying levels of intensity. Black Crayon is the lightest, Black Drawing falls in the middle, and Black Velvet is the deepest of the three. Roll-Up Black is a non-drying lithography ink that temporarily protects your lithography stone between prints. The inks greasy texture is highly resistant to water, so it can also be used to secure your drawing after you have processed the stone. Autographic Ink is a greasy and rich black drawing ink for use on Lithography stones or plates. Key Features: * Oil-based lithography inks * Light, medium, and deep blacks * Greasy and water resistant * Highly pigmented Perfect For: * Lithography * Printing stark details * Plate or stone printing See More -
Awagami Japanese Handmade PapersSave Up to24%Off list
Starting At: 15.19
…West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this… Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Gamblin Etching InksSave Up to15%Off list
Starting At: 21.25
…& Medium plate tones Gamblin Printmaking Inks are made with the same respect for traditional materials that have made Gamblin Artists Oil Colors the choice for many of Americas finest painters Printmakers can count on a high pigment load and rich saturated colors in their prints. Gamblin Inks… Strong reliable inks for edition printing Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of color mixing potential. Because of their high pigment load, Gamblin Etching Inks are a much better value than lower priced etching inks which are full of extenders. Inks are available in 1 lb. (300 ml) cans. Gamblin Etching Inks are all bound in the highest quality Burnt Plate Oil Key Features: * Inks are available in 1 lb. (300 ml) cans * High pigment load * Reliable inks for edition printing * Excellent working properties * Incredible sensitivity to the printmaker’s marks * Only the finest quality Burnt Plate Oil and lightfast pigments are used * Handcrafted in small batches at Gamblin’s factory in Portland, Oregon Perfect For: * Edition printing * Deep rich blacks * Engravers * Mezzotints * Strong lines & Medium plate tones Gamblin Printmaking Inks are made with the same respect for traditional materials that have made Gamblin Artists Oil Colors the choice for many of Americas finest painters Printmakers can count on a high pigment load and rich saturated colors in their prints. Gamblin Inks print with unparalleled intensity and sensitivity to printmakers most finely detailed marks. See More -
Speedball Professional Relief InksSave Up to34%Off list
Starting At: 15.13
…Contain no fillers * Designed for accomplished printmakers * Produces intense, crisp, archival quality prints * Holds fine details with beautiful transfer quality * Water miscible oil base makes for easy clean up * Professional-grade inks all carry the AP Seal Perfect For: * Professional printmakers… Produce stunning professional quality prints with these vibrant, premium relief inks! Speedball Professional Relief Inks Formulated to possess all of the working properties that artists demand, Speedball Professional® Relief Inks are made from the highest quality, lightfast pigments and contain no fillers. They roll out consistently and transfer beautifully, resulting in intense, crisp, archival prints. Containing (10) single-pigment colors and a Transparent Base, these professional-grade inks all carry the AP Seal and can clean up easily with soap and water or traditional window cleaner. Most notably, the Speedball Professional Relief series boasts its flagship color-Speedball® Supergraphic Black, created by world-renowned relief artist, Bill Fick. Key Features: * Highest quality, lightfast pigments * Contain no fillers * Designed for accomplished printmakers * Produces intense, crisp, archival quality prints * Holds fine details with beautiful transfer quality * Water miscible oil base makes for easy clean up * Professional-grade inks all carry the AP Seal Perfect For: * Professional printmakers * Block printing * Student artists * Linocut printing * Cleans up easily with soap and water or traditional window cleaner Speedball Professional Relief Inks are designed specifically for professional level printmakers. These premium quality relief inks offer viscosity similar to that of oil-based inks, rolling out consistently, transferring beautifully, and holding fine details to produce intense, crisp, archival quality prints. Extend the color range by combining these inks with Extender to produce transparent layers. With a water-miscible oil base, these true process relief inks are lightfast and easily cleaned up with a little soap and water. See More -
Matisse Derivan Screen Printing InkSave Up to50%Off list
Starting At: 7.83
…* Clean up with soap and water * Excellent rub resistance * High lightfastness ratings Perfect For: * Use on absorbent fabrics, such as cotton, bamboo and hemp * Easy and safe to use on delicate fabrics; such as swimwear, baby wear and undergarments * Screen printing on dark colored fabrics A totally water-based, silk screen printing ink! Matisse Derivan Screen Printing Ink has been formulated as a safe, non-toxic silk screen printing ink for fabric and tie-dyeing. It can be used in the classroom or at home safely without the worry of being exposed to harmful solvents such as white spirits, turps or thinners. Matisse Derivan Screen Printing Ink is water-based and washes up in water (before it is heat set) but has excellent rub resistance and lightfastness once heat set. All the colours may be intermixed to form bright secondary and tertiary colours. White (Opaque) may be mixed if pale pastel opaque prints are desired on dark colored fabrics. The Screen Reducer is a thick milky colored paste which dries colorless and transparent. It is used for intermixing with standard printing colours in order to extend deep colours into pale or lighter transparent shades (Red into transparent pink, etc.). It is mainly for white or pale fabrics. Best results are obtained from absorbent fabrics; avoid waterproof fabrics as they tend to inhibit penetration and repel the water-based colors. Clean up is a breeze! Simply wast all utensils, brushes and hands with soap and water to clean up! Key Features: * Water-based screen printing ink * Non-toxic * Clean up with soap and water * Excellent rub resistance * High lightfastness ratings Perfect For: * Use on absorbent fabrics, such as cotton, bamboo and hemp * Easy and safe to use on delicate fabrics; such as swimwear, baby wear and undergarments * Screen printing on dark colored fabrics See More -
Charbonnel Etching InksSave Up to20%Off list
Starting At: 17.05
…delivers impressive covering power even after dilution. The inks feature pigments chosen for their low acidity and exceptional lightfastness. Like oil paints, Charbonnel etching inks dry through oxidation. Depending on the color, the drying time can vary between 2 and 3 weeks. You can easily lighten… Intaglio Inks, 100% natural, Trusted by Artists Throughout Time Charbonnel Etching Inks are 100% natural and non-toxic. Every color is highly pigmented and delivers impressive covering power even after dilution. The inks feature pigments chosen for their low acidity and exceptional lightfastness. Like oil paints, Charbonnel etching inks dry through oxidation. Depending on the color, the drying time can vary between 2 and 3 weeks. You can easily lighten the highly pigmented Charbonnel Etching Ink with transparency medium to create a range of tones. Key Features: * High-quality printmaking ink * 100% natural and non-toxic * Highly pigmented * Linseed oil-based binder * Additive-free intaglio inks * Wash up with oil or solvent * Inks absorb oxygen to dry * Made in France Perfect For: * Etching * Printmaking * Monotypes and monoprints * Intaglio printing * Professional artists See More
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