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Canson Edition PaperSave Up to33%Off list
Starting At: 101.49
…* Quality Features - Each sheet of Canson Edition paper features two deckle edges and two distinct surfaces, one smooth, one textured. Ideal for printmaking, drawing and multi-media expression. Available in seven colors and two weights, Canson Edition papers are 100% cotton, acid-free and made… * Lasting Performance - Archival Canson Edition papers deliver professional results with a variety of media. Versatile and affordably priced, Canson Edition is an excellent choice for artists and discerning art students alike. * Quality Features - Each sheet of Canson Edition paper features two deckle edges and two distinct surfaces, one smooth, one textured. Ideal for printmaking, drawing and multi-media expression. Available in seven colors and two weights, Canson Edition papers are 100% cotton, acid-free and made without optical brighteners. See More -
Stonehenge Printmaking & Drawing Paper Sheets And Rolls by LegionSave Up to52%Off list
Starting At: 37.65
An American-made Drawing & Printmaking Classic! Stonehenge by Legion, a traditional fine art paper! This machine made sheet has a slight, even texture that compliments many artistic pursuits. It combines a 250gsm beefy weight, 2 deckle edges, strong surface, excellent acceptance of ink and wet… An American-made Drawing & Printmaking Classic! Stonehenge by Legion, a traditional fine art paper! This machine made sheet has a slight, even texture that compliments many artistic pursuits. It combines a 250gsm beefy weight, 2 deckle edges, strong surface, excellent acceptance of ink and wet media and pleasant feel. Internally sized, made of 100% cotton. * 22 × 30" Sheets 250 Gr/M2 weight. - 90lb.* Use it for watercolor, printmaking, pen-and-ink, pencil, or pastel.* Smooth, flawless surface* Machine-made in the United States* 100% cotton fibers, Acid-Free* Each sheet has two deckle edges* Sold In: Packs(10,25,100) & Rolls It is a favorite not only with printmakers but with artists that specialize in drawing and painting techniques in a variety of media including graphite, artist crayons, pastels, watercolor and colored pencils, inks, and light gouache. Stonehenge continues to be made in the USA as a high quality affordable paper that never compromises fiber composition, archival properties or its suitability for multiple mediums. Stonhenge papers are the "paper of choice" by the Colored Pencil Society of America See More -
Stonehenge Fine Drawing & Printmaking Paper Pads by LegionSave Up to43%Off list
Starting At: 1.99
…fine drawing and printmaking paper: now available in convenient pads! Available in: White & Warm White & Colors Drawing & Printmaking Pad! For over 30 years, Stonehenge paper has been beloved by artists of all techniques. The 100% cotton, acid free, calcium carbonate-buffered paper is strong… Stonehenge fine drawing and printmaking paper: now available in convenient pads! Available in: White & Warm White & Colors Drawing & Printmaking Pad! For over 30 years, Stonehenge paper has been beloved by artists of all techniques. The 100% cotton, acid free, calcium carbonate-buffered paper is strong and durable, and the flawless vellum finish is the perfect surface for any variety of media. Now this popular art paper is available in pads convenient for traveling or for small works! Perfect for all your graphite, charcoal, colored pencil, silverpoint, pastel, printmaking, pen and ink, and even watercolor works: take Stonehenge drawing paper pads with you into the field and experience the lush surface and incredible responsiveness of some of America's finest art paper! Key Features: * Available in: White & Warm, White & Colors Drawing & Printmaking Pad!* 15 sheet pad* 100% Cotton* Vellum finish* Acid Free * Neutral PH * Made in USA Specs: * 250 gsm* 90 lb* Pencil* Charcoal* Watercolor* Pen and Ink Perfect For: * Colored Pencil* Graphite Pencil* Pencil* Charcoal* Watercolor* Pen and Ink Stonehenge paper is ideal for etching, screen printing, embossing, drawing, and painting with a variety of media, including colored pencils, pastels, pen-and-ink, pencils, charcoal, acrylics, and watercolors. * Stonehenge White Paper Pads – Containing 15 sheets of White Stonehenge paper ideal for artwork in a wide variety of media! Tape-bound pads feature a strong chipboard backing for support while working, and are available in 5 sizes. * Stonehenge Colors - Multi Color Pads – The Stonehenge Multi Pads contain three sheets each of five Stonehenge colors, including Warm White, Natural, Cream, Fawn, and Pearl Gray, so artists can flip to the desired color as needed. Tape-bound pads feature a strong chipboard backing for support while working, and are available in 3 sizes. See More -
Lenox 100 Cotton Drawing Pads & Papers by LegionSave Up to44%Off list
Starting At: 1.99
100% cotton, medium-texture fine art paper Legion Lenox 100 Cotton Drawing Pad is a 100% cotton, medium-texture fine art paper that is ideal for a variety of drawing and printing techniques with colored pencils, graphite, pastels, and charcoal. The smooth white surface also works well for… 100% cotton, medium-texture fine art paper Legion Lenox 100 Cotton Drawing Pad is a 100% cotton, medium-texture fine art paper that is ideal for a variety of drawing and printing techniques with colored pencils, graphite, pastels, and charcoal. The smooth white surface also works well for silkscreening, offset lithography, etching, and embossing. Key Features:* 100% Cotton paper* Produced by an American mill* Soft textured finish* Acid-free* Pads: Tapebound/Top -92 lb / 15 sheets, 250 Gr/M2 weight* Papers are Neutral pH, no deckles 250 gsm weight Perfect For:* Graphite* Pastels* Colored pencils* Charcoal* Drawing with pastels* Silkscreening* Offset lithography* Etching and embossing See More -
Stonehenge Kraft Paper Pads by LegionSave Up to43%Off list
Starting At: 1.99
This Versatile Paper Works Wonderfully Across A Range of Fine Art Applications The paper of choice of many members of the Colored Pencil Society of America, Stonehenge by Legion has the ability to take multiple layers of wax-based and oil-based colored pencil without any buildup, allowing colors to… This Versatile Paper Works Wonderfully Across A Range of Fine Art Applications The paper of choice of many members of the Colored Pencil Society of America, Stonehenge by Legion has the ability to take multiple layers of wax-based and oil-based colored pencil without any buildup, allowing colors to penetrate and absorb into the surface of the sheet. It is also an excellent silkscreen paper with the ability to take as many as 50-75 colors, printed one color at a time, and maintain perfect color registration as a result of its incredible dimensional stability. Key Features:* 100% cotton, neutral pH* Acid-free, chlorine free* Lightweight (250GSM), very versatile Perfect For:* Pen & ink* Silkscreen* Creating stationery* Relief printing & more See More -
Stonehenge Light Paper Pads by LegionSave Up to41%Off list
Starting At: 1.99
…for the artist who prefers a more delicate sheet that can work with all fine drawing techniques. This is Stonehenge Light. Applications:Charcoal, Colored Pencil, Graphite Pencil, Pastel, Pen and Ink, Printmaking. Paper can accept multiple layers of wax-based and oil-based colored pencil without… Versatile paper, that works wonderfully across a range of other fine art applications The paper of choice of many members of the Colored Pencil Society of America, Stonehenge Light Paper by Legion has the ability to take multiple layers of wax-based and oil-based colored pencil without any buildup, allowing colors to penetrate and absorb into the surface of the sheet. It is also an excellent silkscreen paper with the ability to take as many as 50-75 colors, printed one color at a time, and maintain perfect color registration as a result of its incredible dimensional stability. The airy cousin to our classic white sheet. With a silky surface, it is perfect for the artist who prefers a more delicate sheet that can work with all fine drawing techniques. This is Stonehenge Light. Applications:Charcoal, Colored Pencil, Graphite Pencil, Pastel, Pen and Ink, Printmaking. Paper can accept multiple layers of wax-based and oil-based colored pencil without buildup, allowing colors to penetrate and be absorbed into the sheet. It is also excellent for use with graphite, charcoal, pastels, and watercolors Key Features: * 100% cotton, neutral pH * Acid free, chlorine free * Lightweight (135GSM), very versatile * White sheets, 30 sheets per pad, 50lb * Made in USA Perfect For: * Variety of media: pen, ink, silkscreen, stationary, relief printing, & more* Charcoal, Colored Pencil, Graphite Pencil, Pastel, Pen and Ink, Printmaking & Watercolors* All fine drawing techniques* The artist that prefers a more delicate sheet See More -
Awagami Japanese Handmade PapersSave Up to24%Off list
Starting At: 15.19
…papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing *… Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Fabriano Tiepolo Printmaking PaperSave Up to45%Off list
Starting At: 275.00
…particularly smooth surface texture. Tiepolo Printmaking Paper is mould-made out of 100% acid-free cotton paper with a beautiful watermark and four deckle edges. It is superb for printmaking, screen printing, embossing, digital printing, drawing, light washes and other fine art media. Tiepolo is… Exceptionally versatile and strong paper that can withstand the wear and tear of rigorous techniques Fabriano Tiepolo Printmaking Paper is Created with 100% cotton, this paperboard is indicated for all printmaking techniques (engraving, lithography, silk-screening, xylography and linocuts) and has a traditional Italian soft white color with a particularly smooth surface texture. Tiepolo Printmaking Paper is mould-made out of 100% acid-free cotton paper with a beautiful watermark and four deckle edges. It is superb for printmaking, screen printing, embossing, digital printing, drawing, light washes and other fine art media. Tiepolo is just shy of 140lb weight and is 22×30" in size. It is pH neutral, assuring inalterability over the time. The watermark is fixed point and placed below right on the sheet. It reproduces the CMF trademark surmounted by a star and enclosed in a circle. * For all printmaking techniques (engraving, lithography, silk-screening, xylography and linocuts) * 100% cotton, 140lb sheets * Watermarked, 4 Deckle Edges (Trademarked: C. M. FABRIANO 100% COTTON) * Mould-made out of 100% acid-free cotton paper * Acid Free, lignin free - Tiepolo is pH neutral, assuring inalterability over the time. * Upscale watercolor paper See More -
Arches Text Wove PaperSave Up to40%Off list
Starting At: 49.80
This softly woven cotton paper does not allow Ink to feather or bleed! The soft surface texture of Arches Text Wove Paper is perfect for hand lettering, drawing, bookbinding, and printmaking. Mouldmade in France from 100% cotton, the 120 gsm sheets are acid-free and have four deckle edges. Pen nibs… This softly woven cotton paper does not allow Ink to feather or bleed! The soft surface texture of Arches Text Wove Paper is perfect for hand lettering, drawing, bookbinding, and printmaking. Mouldmade in France from 100% cotton, the 120 gsm sheets are acid-free and have four deckle edges. Pen nibs glide smoothly across the creamy white surface with no ink feathering or bleed through. You can't find a better multi-use paper for drawing, etching, and calligraphy. Key Features: * 100% cotton, 120 gsm paper * Soft, medium-textured vellum surface * Acid-free and chlorine-free * Neutral pH- so you know your art will last * 4 deckled edges (sheets) * The surface is resistant to ink feathering and bleed through * Mouldmade in France Perfect For: * Calligraphy and bookbinding * Pen and ink * Pastel and charcoal * Relief printing and silkscreen * Letterpress and offset printing * Laser printing See More -
Fabriano Rosapina Printmaking PaperSave Up to45%Off list
Starting At: 67.38
…Rosapina printmaking paper performs as well as a 100% rag paper for all printmaking techniques. It is made of 60% cotton but lacks external sizing, giving it a sumptuously soft surface. Ideal for deep etching and aquatint and equally as luxurious as an upscale drawing paper. Mould-made Natural Grain… Rosapina is a hidden jewel amongst printmaking papers Rosapina Printmaking paper is made with qualitatively high-level raw material (60% Cotton). Rosaspina paper is a mould made paperboard and suitable for all printmaking techniques (etching, lithography and silk screening). Rosapina printmaking paper performs as well as a 100% rag paper for all printmaking techniques. It is made of 60% cotton but lacks external sizing, giving it a sumptuously soft surface. Ideal for deep etching and aquatint and equally as luxurious as an upscale drawing paper. Mould-made Natural Grain with two deckle edges. All sheets are acid-free. * Sold only in Sheet Packs * Printmaking Papers * White or Ivory, 20" x 27" (50x70cm) * Type: Cotton * 220gsm sheets * Watermarked * 2 Deckle Edges * Surface & Finishing: Natural Grain * Acid Free, lignin free - with neutral alkaline sizing and an alkaline buffer content * Upscale drawing paper See More -
Speedball® Printmaking PaperSave Up to33%Off list
Starting At: 9.43
…paper contains 20 sheets of white, 90 lb/245 gsm, acid-free paper. These premium printmaking paper pads are an extremely versatile addition to your printmaking arsenal! Speedball Mulberry Paper is an artist-quality printmaking paper made with a mix of Kozo (mulberry) and bamboo fiber. The thin paper… An artist favorite, this premium printmaking paper is now available in a convenient pad! Speedball Printmaking Paper Pads were developed through a collaboration between Speedball and Schut Papier of Holland. This fine art paper is made with strong, absorbent fibers, which accept multiple layers of ink beautifully. Suitable for all printmaking media, from water-based inks to traditional oil-based inks, this high-quality printmaking paper works very well damp or dry for a variety of techniques, including relief printing and intaglio. Each pad of printmaking paper contains 20 sheets of white, 90 lb/245 gsm, acid-free paper. These premium printmaking paper pads are an extremely versatile addition to your printmaking arsenal! Speedball Mulberry Paper is an artist-quality printmaking paper made with a mix of Kozo (mulberry) and bamboo fiber. The thin paper is very strong, which makes it ideal for lino block, wood block, and screen printing. Key Features: * White, 90 lb/245 gsm, acid-free paper * Mulberry paper unbleached, neutral pH. 45gsm. * Extremely versatile, suitable for all printmaking media * Made with strong, absorbent fibers Perfect For: * Water-based or oil-based inks * Student printmaking projects * Relief printing and intaglio * Printmaking artists See More -
Arches 88 Professional Printmaking PaperSave Up to40%Off list
Starting At: 68.20
…fiber paper that is acid-free and pH neutral. The buffered paper is unsized for high absorption. A silkscreen printer can easily layer 50 to 100 colors on a single sheet of Arches 88. Because the paper is unsized, it is unforgiving, so a single ink spot or splatter will show up. This paper has many… 100% cotton – Made on a cylinder mould! Originally formulated decades ago for silkscreen printing, Arches 88 has gained a following for various printmaking techniques. The crisp white 140lb (300gsm) paper is dimensionally stable and provides a smooth level surface perfect for serigraphy. Arches 88 is a 100% cotton fiber paper that is acid-free and pH neutral. The buffered paper is unsized for high absorption. A silkscreen printer can easily layer 50 to 100 colors on a single sheet of Arches 88. Because the paper is unsized, it is unforgiving, so a single ink spot or splatter will show up. This paper has many of the characteristics of blotter paper and must be handled with purpose and sensitivity. When working in intaglio, a misting or dampening is all that is required. The paper is ideal for other printmaking mediums such as etching or lithography and takes all pencil applications well. Each sheet of paper is watermarked and has four natural deckle edges. Key Features: * Unsized and highly absorbent * 100% cotton – Made on a cylinder mould * 140lb (300gsm) weight * Very smooth texture * 4 deckle edges * Alkaline reserve, acid-free, no optical brightening * Made in France Perfect For: * Screen-printing * Letterpress, blind embossing, gold tooling * Intaglio * Etching and lithography * Pencil drawings * Laying down 50 to 100 screen colors on one sheet See More -
Arches Watercolor Paper Bright WhiteSave Up to40%Off list
Starting At: 46.50
…quality and integrity. Arches watercolor paper is available in all three legendary watercolor paper finishes. Arches Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Cold Pressed… The Artists' Choice For Watercolor Paper Since 1492! Mould-made in France, Arches bright white 100% cotton rag watercolor paper is considered the most popular in the world! Each gelatin-sized sheet has four deckle edges and may be repeatedly erased and over-painted while still maintaining its beautiful surface quality and integrity. Arches watercolor paper is available in all three legendary watercolor paper finishes. Arches Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Cold Pressed surface is a particular favorite of illustrators, watercolorists, and airbrush artists. For a bolder, more robust surface, Arches Rough provides just enough texture allowing for easy working, and is strong enough to maintain its character even after reworking. The Rough texture is also used by watercolorists, airbrush artists, and acrylic painters. Key Features:* 100% long rag cotton* Mould-made in France* Available in hot press, cold press and rough grain!* 4 deckle edges: 2 natural deckled edges and 2 torn edges* Acid-free, no optical brightening agents Perfect For:* Watercolorists* Maintaining the integrity of the paper after repeated erasing and painting* Finished artwork* Wet techniques such as ink, gouache and acrylic Arches Watercolor Paper 100% Rag, Bright White Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706), fungicidal treatment to prevent the appearance of mould Uses: ideal for watercolour painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from penetrating into the thickness of the paper. See More -
Arches Watercolor Paper Natural WhiteSave Up to40%Off list
Starting At: 46.50
…gelatin sized, acid-free Arches Aquarelle watercolor paper is one of the finest art papers in the world. Arches Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Cold Pressed surface… The Artists' Choice For Watercolor Papers Since 1492! Mould-made in France, Arches 100% cotton rag watercolor paper is considered the most popular in the world! Each gelatin-sized sheet has four deckle edges and may be repeatedly erased and over-painted while still maintaining its beautiful surface quality and integrity. Arches watercolor paper is available in all three legendary watercolor paper finishes. Arches watercolor paper has been a favorite among artists for over 500 years, and it's easy to see why! Made from 100% cotton linters and both internally and externally gelatin sized, acid-free Arches Aquarelle watercolor paper is one of the finest art papers in the world. Arches Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Cold Pressed surface is a particular favorite of illustrators, watercolorists, and airbrush artists. For a bolder, more robust surface, Arches Rough provides just enough texture allowing for easy working, and is strong enough to maintain its character even after reworking. The Rough texture is also used by watercolorists, airbrush artists, and acrylic painters. 260 lb. is approximately the same weight as 140 lb. paper but in double elephant (available in larger sizes than 22x30"). Key Features:* 100% long rag cotton* Mould-made in France* Available in hot press, cold press and rough grain!* Two natural deckle edges, two torn deckle edges* Acid-free, no optical brightening agents* Natural color* Sized to the core with natural gelatin Perfect For:* Watercolorists* Maintaining the integrity of the paper after repeated erasing and painting* Finished artwork* Wet techniques such as ink, gouache, and acrylic Arches Watercolor Paper, Natural White Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706), fungicidal treatment to prevent the appearance of mould Uses: ideal for watercolour painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from penetrating into the thickness of the paper. See More -
BFK Rives Printmaking PapersSave Up to50%Off list
Starting At: 52.70
…edges. Rives BFK Paper is made of 100% cotton, are soft-sized, and buffered. Rives is perfectly suited for lithography, intaglio, screen printing, relief printing, linocut, collotype, and drawing. As a result of using 100% cotton rag and the time-honoured manufacturing process, the paper has a very… Professional 100% cotton and no optical brightening agents Arches BFK Rives Printmaking paper is mould-made in France and has a smooth, absorbent surface. Soft, yet with enough body and substance to give good support to the print. It is half sized to give a good balance between good ink absorption and ink holdout. Acid-free and buffered. White has 4 deckle edges, Cream has 3 deckle edges. Rives BFK Paper is made of 100% cotton, are soft-sized, and buffered. Rives is perfectly suited for lithography, intaglio, screen printing, relief printing, linocut, collotype, and drawing. As a result of using 100% cotton rag and the time-honoured manufacturing process, the paper has a very soft and supple feel. The paper has a natural white tone and is completely free of any optical brighteners (OBAs). 100% cotton – Made on a cylinder mould Key Features: * Composition: 100% cotton – Made on a cylinder mould * Grammages: 250, 270, 280gsm * Texture: Cold Pressed- light fine grain with a smooth surface * Colors: white, cream, grey, tan and black * Edges (sheet): 4 deckle edges * Watermark (sheet): "BFK Rives® France" * Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706) * Uses: lithography, intaglio engraving, letterpress, screen-printing, blind embossing, gold tooling, linocut, gravure process, calligraphy drawing * Free of any optical brighteners (OBAs) See More -
Arches Cover PapersSave Up to40%Off list
Starting At: 41.20
…made sheet is 100% cotton, acid-free, and buffered. Arches Cover paper has a visible, slightly flattened grain, two deckle edges, and a registered watermark. An excellent choice for Printmaking and publishing, as well as drawing, embossing, foil stamping, lithography, intaglio, and silkscreening.… Mould made in France! This famous heavyweight, Mould made sheet is 100% cotton, acid-free, and buffered. Arches Cover paper has a visible, slightly flattened grain, two deckle edges, and a registered watermark. An excellent choice for Printmaking and publishing, as well as drawing, embossing, foil stamping, lithography, intaglio, and silkscreening. Perfect for an archival cover for prints and antique documents. Arches Cover is 100% cotton fiber, pH neutral, acid-free, internally sized, and buffered. Mould made in France. Key Features:* Heavyweight, Mould made papers* 100% cotton fiber* Acid-free and pH neutral* Internally sized and buffered Perfect For:* Archival covers for prints and antique documents * Printmaking and publishing* Drawing, Silkscreening, Lithography, and more! See More -
Somerset Velvet Printmaking PapersSave Up to42%Off list
Starting At: 56.29
…the early 1970’s. Somerset is a beautiful paper to work with, boasting a lightfastness rating of 7 on the Blue Wool Scale for all colors. Originally intended as a printmaking paper, they have been 'discovered' to also be highly suitable for pastel drawing. Mould-made 100% cotton, acid free with four… The choice of artisans and printmakers worldwide Somerset Velvet Printmaking Paper is a very popular grade of printmaking paper from the historic St. Cuthbert’s Mill in the UK, first introduced in the early 1970’s. Somerset is a beautiful paper to work with, boasting a lightfastness rating of 7 on the Blue Wool Scale for all colors. Originally intended as a printmaking paper, they have been 'discovered' to also be highly suitable for pastel drawing. Mould-made 100% cotton, acid free with four deckle edges. The surface has a gentle texture, soft and good-tempered nature, and is a strong and stable enough sheet to ensure excellent printing. Each sheet comes with 4 deckle edges and is watermarked (except for the book papers) for authenticity. It remains flat after printing and offers durability and long life to finished editions of work. Key Features:* Mouldmade in UK* Acid free acrylic primer* 100% Cotton* Neutral pH, Acid-Free* Chlorine Free* 4 deckles (2 natural deckles, 2 tear deckles)* Lightly sized, gentle texture surface* Specialty Paper, printmaking papers* Lightfastness rating of 7 on the Blue Wool Scale Perfect For:* The choice of artisans and printmakers worldwide* Any printmaking application* Highly suitable for drawing, charcoal & pastels* Letterpress, engraving, foil stamping and offset* Remaining flat after printing* Durability and long life to finished editions of work See More -
Somerset Book Printmaking PapersSave Up to41%Off list
Starting At: 27.93
Tested and used by the best book printers in the world Somerset Book Papers are 100% cotton mouldmade paper and have become the paper of choice for limited edition book printers who require a sheet to be consistent, stable, have great tensile strength and sizing characteristics that allow for… Tested and used by the best book printers in the world Somerset Book Papers are 100% cotton mouldmade paper and have become the paper of choice for limited edition book printers who require a sheet to be consistent, stable, have great tensile strength and sizing characteristics that allow for printing applications using cold or hot type. The surface of Somerset Book Paper has just enough texture (matches the velvet finish of the cover range) to be ideal for graphite pencil, pastel and charcoal in addition to its intended use as a world class book paper.   In 1998 they selected Somerset Book to print a limited leather-bound edition of the "The Bible" that has become one of the most sought after editions printed in the last century .   * 100% Cotton fibre * Lightly sized: Sized internally and light external sizing, thus they maintain an incredible strength * Neutral pH, chlorine-free * Has 2 natural deckle edges and 2 tear edge * Specialty Paper Applications * Book Binding* Calligraphy* Laser* Letterpress* Offset* Pen & Ink* Pastel & Charcoal* Relief Printing* Silkscreen* Stationery See More -
Arnhem 1618 Printmaking Papers & PadsSave Up to49%Off list
Starting At: 16.22
A Premium 100% Rag Printmaking Paper! Speedball's Arnhem Printmaking Papers are made near the city of Arnhem in Holland by Schut Papier, a paper mill that has been creating fine paper since 1618. Offering a semi-smooth surface with a smooth appearance that accepts a variety of printmaking techniques… A Premium 100% Rag Printmaking Paper! Speedball's Arnhem Printmaking Papers are made near the city of Arnhem in Holland by Schut Papier, a paper mill that has been creating fine paper since 1618. Offering a semi-smooth surface with a smooth appearance that accepts a variety of printmaking techniques and media. Every sheet of Arnhem Printmaking Papers accepts multiple layers of ink brilliantly and can handle dry and damp printing. Key Features:* Available in: White & Warm White & 245gsm or 320gsm* Premium 100% rag printmaking paper* Vellum finish * Two deckled edges* Made from strong fibers* Excellent wet strength and absorbency* Subtle grain and smooth appearance* Accepts multiple layers of ink brilliantly* Available in: White & Warm White Perfect For:* All printmaking media* Excellent results in a variety of media* Intricate details* Dry or damp printing* Multiple layers of ink* Extremely versatile* Graphic relief and silkscreen images* Delicate and rich intaglio prints Arnhem 1618 paper offers a semi-smooth surface with a substantial feel to the touch. The subtle grain combined with a smooth appearance allows a variety of media to take to the paper, while remaining a reliable surface for intricate detail. Arnhem’s strong and highly absorbent fibers make it ideal for dry or damp printing, allowing it to accept multiple layers of ink brilliantly. Arnhem Printmaking Paper Review "The way it absorbs ink was really important to me. Akua inks dried faster on this paper than others I've used. Also, the substantial weight of the paper-that made it seem like a higher quality paper. It has a "presence" to it that other papers don't." - PRINTMAKING PROFESSOR See More -
Strathmore 300 & 400 Series Printmaking Papers & PadsSave Up to33%Off list
Starting At: 5.33
Exceptional printmaking paper with series tailored to each level of expertise! Strathmore printmaking paper meets the versatile range of needs from beginners to professionals! 300 Series paper is ideal for beginners, 400 Series paper is ideal for intermediate printmaker. Perfect for techniques such… Exceptional printmaking paper with series tailored to each level of expertise! Strathmore printmaking paper meets the versatile range of needs from beginners to professionals! 300 Series paper is ideal for beginners, 400 Series paper is ideal for intermediate printmaker. Perfect for techniques such as relief, lithography, intaglio, and screen print, Strathmore printmaking papers feature a strong and durable surface that is still soft enough to absorb many layers of ink. Its natural white color offers artists a crisp, clean surface to lay prints. All Strathmore printmaking papers are acid-free and made in the USA! Key Features: * Natural white papers are strong and durable, yet soft enough to absorb many layers of ink * Convenient sizes and formats, including pads and large sheets * Pads feature easy-to-use flip-over covers that allow sheets to tear out cleanly * Full size sheets are ideal for larger finished prints and proofing * Acid free * Made in the U.S.A. * Ideal for a wide variety of printmaking techniques * Including relief, lithography, intaglio, screen print and more * 300 Series Lightweight - ideal for beginners This range of printmaking papers feature a weight of 120 gsm, a soft and durable medium surface texture, is acid-free, and contains high alpha cellulose wood fiber. These lightweight papers are ideal for printmaking, relief printing, and practicing. It is available in 4 popular sized, glue-bound pads. These sizes include 5x7" (40 pages), 8x10" (40 pages), 11x14" (30 pages), and 18x24" (30 pages).* 400 Series Heavyweight - ideal for intermediate printmakers This range of printmaking papers feature a weight of 240 gsm, a soft and durable medium surface texture, is acid-free, and contains high alpha cellulose wood fiber. These heavyweight papers are ideal for printmaking, lithography, intaglio, and screen printing. It is available in 4 popular sized, glued-bound pads and a pack of loose sheets. The pad sizes include 5x7" (20 pages), 8x10" (20 pages), 11x14" (15 pages), and 18x24" (15 pages). The pack of loose sheets is sized 22x30" and includes 25 sheets! See More -
Akua Printmaking MaterialsSave Up to10%Off list
Starting At: 7.21
…for use with artists of all skill levels. These materials can be utilized with either Akua Intaglio Inks or Akua Liquid Pigments. * Between Ink and Paper DVD - Length: 85 minutes. This DVD documents artist Catherine Kernan's quest for a less toxic studio, while also exploring the abilities of Akua… Printmaking materials and DVDs made specifically for use with Akua Inks and Pigments! These artist-quality printmaking products are suitable for use with artists of all skill levels. These materials can be utilized with either Akua Intaglio Inks or Akua Liquid Pigments. * Between Ink and Paper DVD - Length: 85 minutes. This DVD documents artist Catherine Kernan's quest for a less toxic studio, while also exploring the abilities of Akua Liquid Pigments and Akua Intaglio Inks.* Needle Applicator Set - This set is perfect for mark-making on monotype prints. It incudes 5 refillable bottles that each hold 1oz of Akua Liquid Pigments and 5 needle tips in 3 different types (steel angled, plastic flexible tip and plastic tapered cone tip). This is made for use with Akua Liquid Pigments only.* Pin Press - This portable press is perfect for light pressure printing processes, such as monotype, drypoint and collagraph. Great for artists on a budget, this pin press is an economical alternative to standard printmaking presses. It measures 20" long and can accomodate plates that are 19.75" or smaller. Made entirely from metal, its design provides a uniform contact between roller, plate and paper. * Printmaking Plates - Made from 100% crystal clear c tint PETG plastic, these printmaking plates are ideal for monotype, carborundum, collgraph and drypoint processes, because of their soft and malleable surfaces. They are durable, but softer than printmaking plates made from polycarbonate. Artists will enjoy absolutely no ghosting images, easily incised lines and a smooth transfer from ink to paper with Akua Printmaking Plates.* Safer Printmaking DVD - Length: 53 minutes. This instructional DVD is an excellent educational tool for printmaking artists of all skill levels. Through its different chapters, artists will delve into techniques and process of a multitude of different types of printmaking. Some of these include monotype, printing without a press, Japanese woodblock, and intaglio. See More -
Grafix Impress Stencil FilmsSave Up to23%Off list
Starting At: 6.26
Design your own stencils! Made in the USA, Grafix Impress Stencil films can be used to create hand cut masking stencils. Made from durable but flexible material (Dura-Lar) that is easy to cut into shapes for detailed stencils. These stencils can be taped to printing screens to make tracing patterns… Design your own stencils! Made in the USA, Grafix Impress Stencil films can be used to create hand cut masking stencils. Made from durable but flexible material (Dura-Lar) that is easy to cut into shapes for detailed stencils. These stencils can be taped to printing screens to make tracing patterns or references for images. The film is transparent and can be cut with scissors or cutting knives and can be used repeatedly. The material can even be used to make stencils for curved surfaces because of its incredible flexibility. Key Features:* Durable and flexible* Available in 5 different sized packs* Easy to cut and carve fun stencils* Each pack comes with 6 film sheets* Made with .005" Dura-Lar* Made in the USA Perfect For:* Making stencils* Tracing* Use on curved or uneven surfaces See More -
Speedball Fabric Block Printing Ink & KitsSave Up to34%Off list
Starting At: 8.53
A Block Printing Ink That Takes To Fabric As Well As It Does Paper! With Speedball Fabric Block Printing Ink, you can animate your fabric designs with a vivid range of opaque colors that remain permanent through the wash, and over time with no heat setting required! These Fabric Block Printing inks… A Block Printing Ink That Takes To Fabric As Well As It Does Paper! With Speedball Fabric Block Printing Ink, you can animate your fabric designs with a vivid range of opaque colors that remain permanent through the wash, and over time with no heat setting required! These Fabric Block Printing inks won't crack or peel over time and work on fabrics such as cotton, polyester blends, linen, and other synthetic fibers. The inks are easy to clean from brayers and work surfaces with soap and water. Eliminate the guessing game of whether acrylics or screen printing ink will stick better to fabric and pick Speedball Fabric Block Printing Ink, the ultimate printing ink for textiles! Key Features: * Available In: 2.5oz & 5oz Tubes / Kits and Sets * Permanent oil-based ink * Won't crack or peel over time * No heat-setting required * Laundry safe * Bold opaque color * Workstation cleans up easily with soap and water * ACMI AP non-toxic, conforming to ASTM D-4236 * Perfect For: * Printing bold, opaque color with a soft hand * Cotton, linen, polyester blends, rayon, and other synthetic fibers * Use on paper and cardboard * Bright and personalized fabrics * Long-lasting fabric block printmaking See More -
Speedball Screen Printing KitsSave Up to38%Off list
Starting At: 17.87
…(1) parchment paper sheet, (1) craft stick, and a set of step-by-step instructions. Drawing Fluid / Screen Filler Kit — Drawing Fluid and Screen Filler Set. The Drawing Fluid-Screen Filler method is a technique for creating screen art directly. Produce freehand drawings or traced images… Screen printing kits perfect for beginners and advanced artists! Speedball, a company globally recognized for mastering printmaking, has developed these fantastic screen printing supply kits ideal for any artist! Learn printing techniques from the ground up, or improve your knowledge with these convenient kits that come with everything you need for creating beautiful and detailed screen prints! Key Features: * Permanent fabric screen printing ink * Ink won't crack or peel over time * No heat-setting required * Laundry safe * Bold opaque color * Workstation cleans up easily with soap and water * Perfect For: * Printing bold, opaque color with a soft hand * Cotton, linen, polyester blends, rayon, and other synthetic fibers * Use on paper and cardboard * Bright and personalized fabrics * Long-lasting fabric block printmaking Intermediate Deluxe Screen Printing Kit — Provides all that’s needed to print on either fabric or paper using the Drawing Fluid/Screen Filler and the Photo Emulsion methods of screen printing. This kit contains: (1) 10”x14” Speedball Wooden Screen Frame and Base; (1) 8”x10” Speedball Wooden Screen Frame; (1) Speedball Craft Squeegee (Textile); (1) Speedball Craft Squeegee (Graphic); (2) 4oz. jars of Speedball Fabric Screen Printing Ink (one each Black, Red); (4) 4oz. jars of Speedball Acrylic Screen Printing Ink (one each Black, Process Cyan, Process Magenta, Process Yellow); (1) 4oz. bottle of Drawing Fluid; (1) 4oz. bottle of Screen Filler; (1) 3.3oz. bottle of Speedball Diazo Photo Emulsion; (1) bottle of Speedball Sensitizer; (1) 4oz. bottle of Speedball Photo Emulsion Remover; (1) 4oz. bottle of Speedball Speed Clean™; (2) Speedball Transparencies; (1) Round Brush; (6) Craft Sticks; (1) sheet of black paper; (1) Speedball Screen Printing Instruction Guide. Essential Tools Screen Printing Kit — Ideal for those who already have all the ink their project requires. The Speedball Essential Tools Kit contains the products needed to create a screen using either the Drawing Fluid/Screen Filler or the Photo Emulsion methods of screen printing. This kit features: (1) 10”x14” Speedball Wooden Screen Frame; (1) Red Baron™ Squeegee; (1) 4oz. bottle of Drawing Fluid; (1) 4oz. bottle of Screen Filler; (1) 3.3oz. bottle of Speedball Diazo Photo Emulsion; (1) bottle of Speedball Sensitizer; (1) 4oz. bottle of Speedball Photo Emulsion Remover; (1) 4oz. bottle of Speedball Speed Clean™; (1) Round Brush; (1) Speedball Screen Printing Instruction Guide. Intermediate Screen Printing Kit — For artists ready to tackle both the Drawing Fluid/Screen Filler and the Photo Emulsion methods of screen printing to print on paper, this kit is an excellent find! The Speedball Intermediate Kit includes: (1) 10”x14” Speedball Wooden Screen Frame; (1) Red Baron™ Squeegee; (2) 4oz. jars of Speedball Acrylic Screen Printing Ink (one each Black, Red); (1) 4oz. bottle of Drawing Fluid; (1) 4oz. bottle of Screen Filler; (1) 3.3oz. bottle of Speedball Diazo Photo Emulsion; (1) bottle of Speedball Sensitizer; (1) 4oz. bottle of Speedball Photo Emulsion Remover; (1) 4oz. bottle of Speedball Speed Clean™; (1) Round Brush; (2) Craft Sticks; (1) Speedball Screen Printing Instruction Guide. Advanced All In One Screen Printing Kit - Light source included! — Ready to take on the Photo Emulsion method for your next creation? Then this kit is perfect for you! Not only does the Speedball All-in-One Kit include all of the tools and inks featured in complementary kits in the line, but it also contains the light source needed to make the process of exposing your screen a breeze! This kit includes: (1) 10”x14” Speedball Wooden Screen Frame and Base; (1) Speedball Craft Squeegee (Textile); (4) 4oz. jars of Speedball Fabric Screen Printing Ink (one each Black, Red, White, Blue); (1) 3.3oz. bottle of Speedball Diazo Photo Emulsion; (1) bottle of Speedball Sensitizer; (1) 4oz. bottle of Speedball Photo Emulsion Remover; (2) Speedball Transparencies; (1) Lamp; (1) Photoflood Bulb; (1) Lamp Clamp; (4) Craft Sticks; (1) sheet of black paper; (1) Speedball Screen Printing Instruction Guide. NEW! Diazo Light Kit — The Speedball Light Kit is perfect for exposing screens using the Speedball DIAZO Photo Emulsion process. Comes with an exposure lamp, 250 wall photo flood bulb, and 9.5in x 13.75in black paper. Beginner Screen Printing Vinyl Kit — The Beginner Screen Printing Vinyl Kit allows crafters and artists with a vinyl cutter to create custom screen printed products at home with no chemicals! Speedball partnered with vinyl crafter and screen printing extraordinaire Jennifer Sanderson of Pigskins & Pigtails to develop an all-in-one printing kit perfect for anyone wanting to use their vinyl stencils to create an endless range of personalized fashion, craft, and home decór projects. Perfect for the crafter looking for new ways to use their vinyl cutter, this kit has everything you need to get started screen printing custom shirts, totes, tea towels, and much more! The value-priced kit includes (1) Red Baron™ Squeegee, (1) 10x14 wood frame and mesh, (1) bottle of 4 oz fabric screen printing ink (Black), (3) craft vinyl sheets, (3) transfer tape sheets, (1) parchment paper sheet, (1) craft stick, and a set of step-by-step instructions. Drawing Fluid / Screen Filler Kit — Drawing Fluid and Screen Filler Set. The Drawing Fluid-Screen Filler method is a technique for creating screen art directly. Produce freehand drawings or traced images on a printing screen using the Drawing Fluid; then use the Screen Filler to create the final masked printing screen. This package contains one 8 fl. oz. bottle of Drawing Fluid; one 8 fl. oz. bottle of Screen Filler; and detailed instructions. Printing screens sold separately. Conforms to ASTM D4236. Made in the USA. See More -
Charbonnel Lithographic CrayonsSave Up to28%Off list
Starting At: 55.09
…great for drawing light, controlled lines, while the softer wax is better for expressive mark-making. Key Features: * Bee's wax lithography crayons * Available in a range of hardnesses * Water-resistant Perfect For: * Lithography * Creating detailed or expressive lines * Drawing on stone or paper… Wax Crayons Perfect for Drawing on Stone Charbonnel Lithographic Crayons are perfect for drawing out designs on a lithographic stone. Each crayon is made from high-quality bee’s wax, which can be thinned and sharpened. Charbonnel's hard crayons are great for drawing light, controlled lines, while the softer wax is better for expressive mark-making. Key Features: * Bee's wax lithography crayons * Available in a range of hardnesses * Water-resistant Perfect For: * Lithography * Creating detailed or expressive lines * Drawing on stone or paper Copal Crayons deliver fine, light, and easily controlled lines. No1 Crayons produce finer, lighter, and more easily controlled lines than their softer counterparts. No2 Crayons deliver fine, light, and easily controlled lines. No3 Crayons balance the finer, more easily controlled lines of our hardest crayons with our softer crayons' rich, smoky black lines. No4 Crayons deliver rich, expressive black lines. No5 Crayons deliver rich, expressive black lines. See More -
Charbonnel Lithographic InkSave Up to28%Off list
Starting At: 10.05
…Black Drawing falls in the middle, and Black Velvet is the deepest of the three. Roll-Up Black is a non-drying lithography ink that temporarily protects your lithography stone between prints. The inks greasy texture is highly resistant to water, so it can also be used to secure your drawing after… Oil-Based Range of Black Litho Inks Charbonnel Lithographic Inks are formulated for direct transfer printing on stone. The oil-based black inks come in varying levels of intensity. Black Crayon is the lightest, Black Drawing falls in the middle, and Black Velvet is the deepest of the three. Roll-Up Black is a non-drying lithography ink that temporarily protects your lithography stone between prints. The inks greasy texture is highly resistant to water, so it can also be used to secure your drawing after you have processed the stone. Autographic Ink is a greasy and rich black drawing ink for use on Lithography stones or plates. Key Features: * Oil-based lithography inks * Light, medium, and deep blacks * Greasy and water resistant * Highly pigmented Perfect For: * Lithography * Printing stark details * Plate or stone printing See More -
Gamblin Etching InksSave Up to15%Off list
Starting At: 21.25
Strong reliable inks for edition printing Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of color mixing potential. Because of… Strong reliable inks for edition printing Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of color mixing potential. Because of their high pigment load, Gamblin Etching Inks are a much better value than lower priced etching inks which are full of extenders. Inks are available in 1 lb. (300 ml) cans. Gamblin Etching Inks are all bound in the highest quality Burnt Plate Oil Key Features: * Inks are available in 1 lb. (300 ml) cans * High pigment load * Reliable inks for edition printing * Excellent working properties * Incredible sensitivity to the printmaker’s marks * Only the finest quality Burnt Plate Oil and lightfast pigments are used * Handcrafted in small batches at Gamblin’s factory in Portland, Oregon Perfect For: * Edition printing * Deep rich blacks * Engravers * Mezzotints * Strong lines & Medium plate tones Gamblin Printmaking Inks are made with the same respect for traditional materials that have made Gamblin Artists Oil Colors the choice for many of Americas finest painters Printmakers can count on a high pigment load and rich saturated colors in their prints. Gamblin Inks print with unparalleled intensity and sensitivity to printmakers most finely detailed marks. See More -
Speedball Screen Printing MediumsSave Up to34%Off list
Starting At: 5.82
…the screen printed inks against scuffing, weathering and water. Non-yellowing. Speed Clean - The only proven cleaner of screen filler. Screen Drawing Fluid - Applied before screen filler to areas intended to be printed. AP non-toxic filler. Screen Filler - Designed to block out areas not intended… Acrylic Extender Base - Designed to mix any quantity with ink in order to create a transparent color. Diazo Photo Emulsion - Mix with Sensitizer for Photo Emulsion screen printing. Diazo Photo Emulsion Kit - Contains one 7 oz jar of Photo Emulsion, one 8 oz jar of Photo Emulsion Remover, and 1 oz bottle of condensed Sensitizer. Diazo Photo Emulsion Remover - When finished with an emulsion coated screen, apply remover to reclaim the screen with minimal cleaning effort. Diazo Sensitizer - Fill the bottle ¾ full with cold water and mix thoroughly. To be used with photo emulsion. Fabric & Acrylic Retarder Base - Slows the drying time of inks. Fabric & Acrylic Transparent Base - To create a transparent color mix with ink. This Transparent Base should not exceed 10 - 15% of the entire mixed quantity. Gloss Overprint Varnish - Preserves the screen printed inks against scuffing, weathering and water. Non-yellowing. Speed Clean - The only proven cleaner of screen filler. Screen Drawing Fluid - Applied before screen filler to areas intended to be printed. AP non-toxic filler. Screen Filler - Designed to block out areas not intended to be screen printed. AP non-toxic filler. See More -
Akua Intaglio InksSave Up to11%Off list
Starting At: 8.97
…a jar or dry on equipment * Dries through absorption into paper fibers * Cleanly wipes off from etching plates Perfect For: * Artists of all skill levels * Intaglio/Etching, Monotype, Relief and Collagraph * Printing on damp or dry paper * Extended open times * Printing on plastic, wood, linoleum,… Akua Intaglio Inks have Endless Open Time! Akua Intaglio Ink's endless open time, permanency, thick consistency, and easy clean up makes it a printmaker's dream come true! This line of water and soy-based ink contains absolutely no dryers, is packed with brilliant, lightfast pigments, and can be effortlessly applied to plastic, wood, linoleum, or metal plate. Use Akua Intaglio Inks for printmaking techniques such as monotype, relief, collagraph, and intaglio. Prints can be re-soaked immediately after printing, however, once the print is dried, Akua Intaglio is permanent. With Akua Intaglio Inks, artists have the choice of printing on damp or dry paper. Due to its endless open time, this printmaking ink will never skin or harden in the jar or on printmaking equipment. Clean up is safe and easy, as it requires only soap and water - No Solvents Necessary! Key Features: * Soy and water-based formula * Artist quality inks * Thick consistency with minimal water content * Highly pigmented, brilliant colors * Developed by a professional printmaking artist * Endless open time * Non-toxic Ink * Will not skin in a jar or dry on equipment * Dries through absorption into paper fibers * Cleanly wipes off from etching plates Perfect For: * Artists of all skill levels * Intaglio/Etching, Monotype, Relief and Collagraph * Printing on damp or dry paper * Extended open times * Printing on plastic, wood, linoleum, and metal plate * Blending colors * Re-soaking prints (immediately after printing) * Safe and easy clean up with soap and water * See More -
Charbonnel Aqua Wash Etching InksSave Up to28%Off list
Starting At: 14.90
Vivid, permanent, non-toxic inks for intaglio, lithography, and more! Charbonnel Aqua Wash Etching Inks are made with extra-fine lightfast pigments and an innovative oil binder that makes clean-up a breeze! The oil emulsion inside the ink allows you to use it like any other traditional solvent-based… Vivid, permanent, non-toxic inks for intaglio, lithography, and more! Charbonnel Aqua Wash Etching Inks are made with extra-fine lightfast pigments and an innovative oil binder that makes clean-up a breeze! The oil emulsion inside the ink allows you to use it like any other traditional solvent-based ink. Charbonnel Aqua Wash Inks clean up with soap and water and are non-toxic. No water is used within the inks, so your printing plates and tools will not rust. Key Features: * Water-washable etching inks * Odorless and non-toxic * Extra-fine lightfast pigments * Cleans up easily with soap and water! * Slow drying time similar to traditional inks * Will not rust tools or plates * Stable and long-lasting inks Perfect For: * Intaglio, lithography, monotype, and more! * Artists that prefer not to use toxic solvents * Studio and classroom use * No-hassle, everyday studio use * Easy clean-up with soap and water * Working in large groups * Studio and classroom use * Student artists See More -
Charbonnel Etching InksSave Up to28%Off list
Starting At: 15.35
Intaglio Inks, 100% natural, Trusted by Artists Throughout Time Charbonnel Etching Inks are 100% natural and non-toxic. Every color is highly pigmented and delivers impressive covering power even after dilution. The inks feature pigments chosen for their low acidity and exceptional lightfastness.… Intaglio Inks, 100% natural, Trusted by Artists Throughout Time Charbonnel Etching Inks are 100% natural and non-toxic. Every color is highly pigmented and delivers impressive covering power even after dilution. The inks feature pigments chosen for their low acidity and exceptional lightfastness. Like oil paints, Charbonnel etching inks dry through oxidation. Depending on the color, the drying time can vary between 2 and 3 weeks. You can easily lighten the highly pigmented Charbonnel Etching Ink with transparency medium to create a range of tones. Key Features: * High-quality printmaking ink * 100% natural and non-toxic * Highly pigmented * Linseed oil-based binder * Additive-free intaglio inks * Wash up with oil or solvent * Inks absorb oxygen to dry * Made in France Perfect For: * Etching * Printmaking * Monotypes and monoprints * Intaglio printing * Professional artists See More
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